“If that’s how much it costs to have a baby…?”
It’s a bold move to put a character as flawed as Madeline front and centre in your debut play; still more to not give her the kind of redemption arc that conventional wisdom suggests we crave in our drama. So Frankie Meredith’s Turkey reveals itself as a nifty piece of writing, developed from a true family story in a Soho Young Writers Lab exercise in 2015 and now premiering at the ever-welcoming Hope Theatre.
At first it doesn’t seem that way. We meet Madeline in the afterglow of a passionate vodka-fuelled night with Toni, adamant she’s not a lesbian – she has a boyfriend she’s cheating on after all – but soon entwined in a full-blown relationship. Fast-forward to moving in together and squabbling over which organic vegetables to buy, the focus of the play soon emerges as Madeline’s unstoppable desire to have a baby becomes the dominant force in their lives. Continue reading “Review: Turkey, Hope Theatre”