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The Make A Difference Trust today announce the release of the charity single I Dare You. The track featuring a host of stars of the West End stage will be released on Tuesday 16 March 2021, to mark the anniversary of the day UK Theatres went dark in 2020.
With an appeal by Vanessa Williams, raising funds for the MAD Covid-19 Emergency relief Fund, singing together for the first time are Aimie Atkinson, Samantha Barks, Sharon D Clarke, Kerry Ellis, Shaun Escoffery, Shanay Holmes, Francesca Jackson, Cassidy Janson, Aisha Jawando, Tosh Wanogho-Maud, Jamie Muscato, Eva Noblezada, Natalie Paris, Jay Perry, Louise Redknapp, Oliver Tompsett, Faye Tozer, Sally Ann Triplett, Rachel Tucker, Marisha Wallace and Layton Williams. Continue reading “News: I Dare You – Charity Single To Be Released on 16 March”
Exploring the world of rock musicals, Episode 3 of The Theatre Channel features Alex Gaumond, Shan Ako, John Owen-Jones, Francesca Jackson, Aisha Jawando and Rob Houchen
“Je cherche le soleil
Au milieu de ma nuit“
First, a confession. The idea of a rock musical generally leaves me cold so the announcement of the theme of the third episode of The Theatre Channel being just that wasn’t one that filled me with too much joy. But the quality of Episode 1 and Episode 2, plus the calibre of talent they’ve been attracting, meant that I was happy to at least give it a whirl.
And if it didn’t make a convert out of me (there’s enough fans of Rent out there already…), there’s plenty to be impressed with. The highlight of the half-hour show for me was the chance to hear the Québécois Alex Gaumond singing ‘Le Monde est Stone’ from Starmania in its original French, the desperation of this soaring ballad transcending any linguistic barrier (though subtitles are provided). Continue reading “Review: The Theatre Channel – Episode Three”
The all-star cast for What A Carve Up! should already have tempted you but this noir-ish trailer should only further whet the appetite for this online murder mystery.
Continue reading “A Tuesday tease for What A Carve Up!, Little Wars and The Theatre Channel Episode 2”
You can now vote for the Best London Cast Recording, Best Broadway Cast Recording and Best Solo Album here. Then fill in your details and click Vote and one lucky voter will win £100 worth of Theatre Tokens!
Best UK Cast Recording
& Juliet – Original London Cast Recording
Company – 2018 London Cast Recording
Follies – 2018 National Theatre Cast Recording
Heathers (Original West End Cast Recording)
The Secret Diary of Adrian Mole Aged 13 ¾ – 2019 Original London Cast
Tina – The Tina Turner Musical Original Cast Recording
Best American Cast Recording
Beetlejuice (Original Broadway Cast Recording)
Hadestown (Original Broadway Cast Recording)
Jagged Little Pill (Original Broadway Cast Recording)
Moulin Rouge (Original Broadway Cast Recording)
Oklahoma! (2019 Broadway Cast Recording)
Tootsie (Original Broadway Cast Recording)
This trio of album reviews covers Singing You Home: Children’s Songs for Family Reunification, Mamma Mia! Here We Go Again (2018 Film Soundtrack) and Vanara the Musical
“Ay, ay, ay, ay, canta y no llores”
Regardless of your politics, Singing You Home: Children’s Songs for Family Reunification is a really rather lovely album of bilingual children’s songs. But in this day and age nothing is not political and the current US administration’s policy of child separation is a genuine atrocity that it is hard to know how to respond. Laura Benanti had the nous to conceive this project though and produced it with Mary-Mitchell Campbell and Lynn Pinto, and a whole host of the great and good of the American musical theatre. Thus this is more than just your usual set of lullabies – Lin-Manuel Miranda and Mandy Gonzalez crooning on the Mexican song ‘Cielito Lindo’, Audra McDonald shining on Jason Robert Brown’s ‘Singing You Home’, Kristin Chenoweth’s ‘Beautiful Dreamer’, well worth the investment for this uniquely exceptional cause. Continue reading “Album Reviews: Singing You Home / Mamma Mia! Here We Go Again / Vanara the Musical”
The Original Cast Recording of Tina – The Tina Turner Musical captures much of what makes the show work so well, not least Adrienne Warren’s sensational lead performance
“Hot whispers in the night
I’m captured by your spell”
As Tina – The Tina Turner Musical opens on Broadway, what better time to take a look at the Original Cast Recording, which is now available worldwide – to stream, download or order the CD, then visit Ghostlight Records here. The show opened in the West End last year and while I may not have loved the book unconditionally, there is no denying the 24 carat gold quality of the score with its selection from Turner’s frankly amazing back catalogue which spans rock’n’roll to rhythm’n’blues to pop to straight up soul.
Rather cannily, the Broadway production has retained the lead from the West End production as Adrienne Warren deservedly took the lion’s share of the plaudits. And it is her personality, allied to that rip-roaring voice, that shines through this cast recording, elevating it from the mere karaoke of way too many other jukebox show cast recordings. Listen to the passion of the moan that opens ‘A Fool in Love’, the hunger of ‘Better Be Good to Me’, the aching tenderness of ‘I Don’t Wanna Fight’ – this is a star-making performance. Continue reading “Album Review: Tina – The Tina Turner Musical Original Cast Recording”
Adrienne Warren absolutely shines in Tina the Musical at the Aldwych Theatre, though the bio-musical form has its limitations here
“It gets bigger baby, and heaven knows”
Mamma Mia has a lot to answer for. The jukebox musical is clearly the legacy project that people are looking to once music stars have retired or disbanded (or not even then, in some cases). But whether they take a fictional route (a la Viva Forever or Son of a Preacher Man) or go bio-musical (a la All Or Nothing), it really isn’t easy to make it work that well.
Newly opened at the Aldwych Theatre, Tina the Musical has the credentials to make you hope it can do just that. Directed by Mamma Mia’s Phyllida Lloyd, written by Olivier winner Katori Hall with Frank Ketelaar and Kees Prins, and with the almighty back catalogue of Tina Turner to call on, there’s a thrilling sense of energy here which is perfectly encapsulated in the star-making performance of a fricking amazing Adrienne Warren. Continue reading “Review: Tina the Musical, Aldwych Theatre”
“Once upon a time…”
Yup, the addiction’s real. Whether collecting Nectar points obsessively to get enough for free Eurostar trips or looking at theatre programmes in Paris, Amsterdam and beyond, the limits I had imposed on myself have been well and truly shattered and amongst other traditions, I now appear to making an annual pilgrimage to Théâtre de Châtelet’s Sondheim production – 2014 seeing Into the Woods making its bow in front of a Parisian crowd after the joys of Sunday… last year.
Lee Blakeley’s production is sumptuously done – a 30 piece orchestra brings Sondheim’s score vibrantly to life under David Charles Abell’s baton, and selecting a cast that is as much as operatic as it is musical theatre lends a certain sense of class, of intelligent musicality that is highly enjoyable. It may miss the playfulness that the Open Air Theatre’s recent production had in spades but the quality here feels on a different level, not in securing Fanny Ardant’s voice for the giant. Continue reading “Review: Into the Woods, Théâtre de Châtelet”
As a rule, I have generally resisted the urge to go to the theatre whilst on holiday, preferring to actually take a proper break from it all, but with free Eurostar tickets to take care of and the promise of a cast that included Julian Ovenden, Beverley Klein and Sophie-Louise Dann, I could not resist the lure of making a trip to Paris to see the Théâtre du Châtelet’s production of Sunday in the Park with George. It is a Sondheim that I hadn’t seen before and the Châtelet’s reputation for producing his work with Lee Blakeley at the helm (previous years have seen them put on A Little Night Music and Sweeney Todd and next year is Into the Woods) meant that building a weekend away around it was an irresistible choice.
The show uses Georges Seurat’s painting A Sunday afternoon on the Island of La Grande Jatte as a starting point explore the relationship between artists and the art they create, and also the impact that pursuing the creative impulse has on those close to them. Ovenden fits the role of Georges perfectly, the grandeur of his virile voice a good match both for the compulsive obsession of the artist and the demands of leading such a show as this – if he wanted to (and I’m not so sure that he does), he really could become one of the premier leading men de nos jours. As his long-suffering mistress Dot, Dann is highly appealing and sounds wonderful and there’s lovely work from supporting players like Francesca Jackson and Rebecca Bottone as a pair of flirty shopgirls and Klein’s Yvonne, negotiating the bumps of her own marriage to an artist. Continue reading “Review: Sunday in the Park with George, Théâtre du Châtelet”