Elements of David Renwick’s writing starts to show signs of flagging as the magic starts to fade in Series 3 of Jonathan Creek
“What exactly does all this add up to?”
After a decent first couple of series, the third season of Jonathan Creek sees the show start to wobble a bit as the raft of impossible crimes sways from ingenious plotting to improbably convoluted. Episodes tackle disappearing aliens and a man who thinks he has sold his soul to the devil and it doesn’t always come off.
That said, there’s still some classic tales in here too. The revelation of ‘The Eyes of Tiresias’ is artfully done and ‘Miracle in Crooked Lane’ is properly, admirably fiendish even with its meta-theatrics. Alan Davies and Caroline Quentin both continue in good form but David Renwick’s writing doesn’t permit more than piecemeal character development which, three series in, leaves them a little flat. Continue reading “TV Review: Jonathan Creek, Series 3”
“We do serious plays – Russian plays and that sort of thing”
The pleasures of theatregoing, especially in London, are many and varied but amongst my favourites are the chances offered to see some of our best actors in the most intimate of surroundings. So the opportunity to see the glorious Celia Imrie in the 50 seater Finborough Theatre in Earls Court was one I was never likely to miss. She is part of a large company performing Drama At Inish, a 1933 Irish comedy by Lennox Robinson which has not been seen in London for 60 years, in a strictly limited engagement. Also known as Is Life Worth Living?, the play is something of a farcical comedy, set in the small village of Inish where a travelling repertory company arrive for the summer, replacing the usual circus with their weightier fare of Ibsen, Tolstoy, Strindberg and Chekhov. But their serious drama soon begins to impact massively on the mood of the town with the inhabitants sinking into a melancholy morass of neuroses, unduly influenced by the theatre going on around them.
Fidelis Morgan’s production is full of hustle and bustle as the cast of thirteen swirl around the Seaview Hotel, where the entire show takes place, spread over a week. The actor couple of Hector De La Mare and Constance Constantia – a delightfully expansive pair of performances from Rupert Frazer and Juliet Cadzow – watch on bemusedly as their drama plays out in real life with character after character affected by what they see: political consciences, long hidden romances and secret dead children are exposed, people are moved to attempt suicide and murder, but it is all played with a jovial silliness that lifts the heart. Continue reading “Review: Drama at Inish, Finborough”