Is Silent Witness the new The Bill in terms of most actors having a credit on their CV? I start a rewatch of the last 24 years with Series 1…
“They say a victim dies only once, but a scene can be murdered a thousand times”
As it approaches its 25th anniversary, and since the BBC have kindly put all 219 episodes on the iPlayer, my infinite wisdom has decided that I’m going to do a watch/rewatch of Silent Witness. I can’t be fully precise because I don’t really remember exactly when I started watching the show – it arrived on BBC1 in 1996 but my first clearest memory is actually of the brilliant, and sadly not online, French and Saunders spoof Witless Silence. (Seriously, if anyone can point to where I can watch it again, get in touch!)
Creaated by former police officer Nigel McCrery, Series 1 introduces us to the world of forensic pathology through the eyes of the Northern Irish Dr Sam Ryan, Amanda Burton getting her name above the title in the iconic leading role. And as she moves to Cambridge to take up a position aiding the police with their enquiries and also to be closer to her mother who is ailing with dementia, there’s something really quite bold in just how chilly and spiky Ryan is as the central figure. Uber-professional to be sure but defiantly uncompromising with it. Continue reading “TV Review: Silent Witness Series 1”
“He is an actor. Unless you have reviewed him, had intercourse with him, or done both simultaneously, he won’t remember you”
With Gemma Arterton doing a Welsh accent and some wistful crying, Rachael Stirling as a fearsome, elegant-trouser-wearing lesbian with a fabulous line in repartee, Bill Nighy being Bill Nighy, and the subject being women working in wartime, Their Finest is pretty much tailor-made for my interests, it even has bonus Helen McCrory in it for God’s sake! But even without all that box-ticking, it is a gently, most enjoyable film.
Adapted by Gaby Chiappe from Lissa Evans’s novel Their Finest Hour and a Half, and directed by Lone Scherfig, the story follows a British Ministry of Information film team making a morale-boosting film about the Dunkirk evacuation during the Battle of Britain and the London Blitz. So it’s a film about making films, the romance and realities of the business, with the added spin of it being set in wartime. Continue reading “Film Review: Their Finest”
“So wise, so young, they say, do never live long”
I picked on this radio adaptation of Richard III to be my companion on a particularly long journey over the weekend since it came in at nearly three hours of running time, but hadn’t anticipated that it would be as dull and unengaging as it was and consequently I struggled to get to the end of it. Quite why this should be I’m not entirely sure, it is competently spoken throughout – Douglas Henshall taking on the title role – but it never gripped me, it never seemed to transcend the medium to come alive and sound real rather than an academic exercise and so it left me most disappointed indeed.
Present Laughter, the Noël Coward play about a middle aged matinée idol, arrives at the Lyttelton in a new National Theatre production led by Howard Davies. I was quite excited to see it, as I have not seen that much of Coward’s work on the stage at all and had heard wonderful things about Alex Jennings’ performance as Garry Essendine.
The self-centred Garry, an actor, cannot live without the constant affection of those around him whether onstage or off-. He regularly enjoys the amorous attentions of many of his fans but finds himself is trapped in a tug of war between two young women, his estranged wife (with whom he gets on just super now they no longer live together), and a besotted aspiring writer. As Essendine prepares to go to Africa on tour they all throw themselves at him, in their own eccentric ways. Continue reading “Review: Present Laughter, National Theatre”