“Any of our group would walk out with a German, a Hindu or a Belgian.
‘Oh no, not a Belgian'”
The centenary of the First World War will doubtless be marked in many a way in the nation’s theatre so the Southwark Playhouse have wisely got in early with this triple bill of lesser known plays which focuses on those left behind. What The Women Did features three works which delve into the experiences of not just the mothers, wives and girlfriends, but all the women who got on with the job of making society continue in such horrific circumstances, showing the difficulties faced in day-to-day living.
Gwen John’s Luck of War explores the unfortunate awkwardness, that must have been more common than is ever acknowledged, experienced by Ann Hemingway as her presumed dead husband turns up on the doorstep on crutches. It’s awkward because assuming herself a widow, she has remarried and thus is now a bigamist. Victoria Gee’s brummie bolshiness is of course thrown by the situation, but the short play wraps up a little too tweely to really have an impact. Continue reading “Review: What The Women Did, Southwark Playhouse”
“I like this place and willingly could waste my time in it”
The elegant surroundings of the gardens of the Guildford College of Law prove an ideal setting for the Guildford Shakespearean Company’s late-Edwardian open air production of As You Like It
. Stately buildings, hints of ruins and leafy glades frame this happiest of Shakespearean tales as not even the bitterest of sibling rivalries, jealous hearts and surprisingly convincing cross-dressing can stop the business of everyone falling in love. The play wears its adaptation lightly, always a good sign, and allows for an interesting reading of some characters. Richard Delaney’s Jaques is an almost Wildean figure and the spirited independence of Rosalind and constant companion Celia makes an easy fit with the suffragette movement.
And there’s a wonderfully wry sense of humour about the whole affair, as if the outdoors setting has captured some of the liberating magic of the Forest of Arden itself. Utilising a fair amount of creative license works wonders in bringing laugh-out-loud moments aplenty – magic tricks, in-jokes, audience participation and no small amount of animal noises all contribute to an affectionately raucous take on the pastoral comedy which is hugely effective.
Chief amongst the merry-making is the delicious double-act of Matt Pinches’ Touchstone and Angie Walis’ Audrey, bouncing off each other with some sublimely ridiculous humour especially in a witty wedding scene and there’s lovely cameos from Adam Buchanan’s karate-chop-happy Charles (I’d love to know if he manages to get the chicken in the bin again!) and Simon Nock’s dippy William, easily, hilariously pleased with his rabbit.
But there’s a good deal of heart beating under the skin of this production too. Fiona Sheehan makes Celia such an impassioned and compassionate friend that she rarely fades to the background, even when the play does so itself; Richard Keightley makes Orlando a bookish fellow, something of the Romantic poet about him in the expression of his love; and Rhiannon Sommers makes a tremendous Rosalind, hugely watchable with a confident ease to deal with one of the richest female roles in the canon.
The glorious turn in the weather means there hasn’t been a better time to spend evenings outside and Guildford Shakespeare Company’s fresh and funny work enables you to catch some top-quality theatre at the same time.
Running time: 2 hours 30 minutes (with interval)
Booking until 28th July
“As they say, the Duke of Devonshire is the only man in england not in love with his wife”
Another of the films that I revisited in my period drama splurge over Christmas was The Duchess. This Keira Knightley and Ralph Fiennes vehicle did fairly well in 2008 and I quite enjoyed it at the cinema, though I remember being a little tired of the marketing shtick that overplayed the title character’s familial connection with the late sainted Diana, Princess of Wales and rather unnecessarily sought to draw huge parallels between the two. The film is about Georgiana, Duchess of Devonshire, who delighted and scandalised late eighteenth century society with her extravagance, forward fashion sense and a soft spot for gambling. Her marriage to the Duke though was far from happy though and as her public persona rises and rises and she becomes beloved of most everyone, behind closed doors infidelities and terrible betrayals push the Duchess to extreme measures.
I did enjoy watching this again for the most part and it is strongly acted, but for a film that covers at least ten years, it is surprisingly slow moving. Knightley in particular is excellent as Georgiana (I’ve never understood why she is such a polarising figure), a woman ahead of her time in many ways with her intellect and political nous having no official outlet in the society of its time and also challenged by being unable to contain her passion for Dominic Cooper’s Charles Gray (great casting choice!). Her portrayal deepens as the film progresses too, she becomes a convincing mother and pained victim faced with a harrowing choice as Fiennes’ passive-aggressive Duke finally rouses into action. He is superbly controlled throughout, almost terrifying with his impassive domination of all around him and the best scenes of the film, in my opinion, are the masterful shots at the long dinner table with husband and wife at either end and his mistress in the middle – beautifully, excruciatingly done. Continue reading “DVD Review: The Duchess”