Royal & Derngate has announced four further productions to complete its 2021/22 Made in Northampton season. A new production of Joe Penhall’s biting contemporary satire Blue/Orange is brought to the stage this autumn by the producing team behind Ralph Fiennes’ hugely successful Four Quartets which is soon to transfer to the West End. Giles Terera and Michael Balogun will collaborate with Artistic Director James Dacre with original music by Valgeir Sigurðsson of Bedroom Community. The venue then premieres The Wellspring, an autobiographic work from playwright Barney Norris and his father David Owen Norris, directed by Jude Christian. The venue’s previously announced production of An Improbable Musical will then premiere with a cast including Niall Ashdown, Ruth Bratt, Adam Courting, Josie Lawrence and Janet Etuk.
This autumn also sees Royal & Derngate’s artist development programme Generate host a festival of new work and present 60 Miles by Road or Rail chronicling the recent history of Northampton Town. Meanwhile, the venue’s charity compilation album Incidental: Music for the Stage, will be released on 24 September on CD and all major streaming platforms. Continue reading “News: Royal & Derngate announces further productions for its 2021/22 Made in Northampton season”
Royal & Derngate Theatres and Atlantic Screen Music have announced the release of a contemporary classical and electronic music album INCIDENTAL: Music For The Stage featuring original compositions for theatre inspired by some of the most famous plays and novels in the English Language. The charity compilation album will contain original music from stage productions by composers such as White Lies, Anne Dudley, These New Puritans, Rachel Portman, Valgeir Sigurðsson, Isobel Waller-Bridge, Nick Cave and the Bad Seeds and Renell Shaw alongside spoken performances from actors including Judi Dench, Amanda Seyfried, David Harewood, Felicity Jones, Giles Terera, Patricia Routledge, James Norton, Sharon D Clarke, Iain Glen, Lesley Sharp, Stephen Fry, Indira Varma, Maxine Peake, Roger Allam, Anton Lesser and Simon Russell Beale.
Together they will raise vital funds to support Northampton Royal & Derngate Theatres’ reopening, helping the venue to recover from the devastating impact of the pandemic and to continue to produce their award winning Made in Northampton productions. The album is available to pre-order at incidentalmusicforthestage.com or pre-save on Spotify, Bandcamp, iTunes, Deezer and Tidal here. To launch the project today, two singles from the album are being released: Rachel Portman’s prologue to A Tale of Two Cities featuring Judi Dench and White Lies’ prologue to Cat on a Hot Tin Roof featuring Amanda Seyfried, both of which are available to listen to here and to download here. Continue reading “News: Royal & Derngate and Atlantic Screen Music announce new album Incidental: Music For The Stage”
I couldn’t be doing with idle hands (or an idle mind) over the bank holiday weekend so I’m starting a new mini feature of Lockdown treats – social media posts that are bringing a little joy into our lives, just following Dame Judi’s advice really
I might have taken a break from reviewing for the last couple of months, but I didn’t stop going to the theatre. Here’s some brief thoughts on most of what I saw in August.
Joseph and the Amazing Technicolor Dreamcoat, aka the Sheridan Smith show
Queen of the Mist, aka the surprisingly affecting one
Appropriate, aka all hail Monica Dolan
Waitress, aka ZZZZZZZOMGGGGG STUNT CASTING oh wait, Joe Suggs hasn’t started yet
The Doctor, aka all hail Juliet Stevenson
A Very Expensive Poison, aka it was a preview so I shouldn’t say anything
Blues in the Night, aka all hail Broadway-bound Sharon D Clarke (and Debbie Kurup, and Clive Rowe too)
The Night of the Iguana, aka justice for Skyler Continue reading “August theatre round-up”
“I would you were as I would have you be”
Our journey along the Complete Walk, at our own speed and from the comfort of our own home, continues apace. Here’s my thoughts on the first suite of films and now there’s four more for your delectation. Continue reading “The Complete Walk, from the comfort of your sofa #2”
“He might like some of my bottled pears”
A world where the purchase of pilchards instead of coley is the height of excitement seems about right for Ladies in Lavender, the 2004 film written and directed by Charles Dance, from a short story by William J Locke. In a sleepy Cornish fishing village, sisters Janet and Ursula Widdington are living out their days in content co-habitation but the discovery of a shipwreck victim on the beach near their house rumples their quiet existence as they nurse the foreigner back to health.
It’s all very genteel and formally unexciting, the writing veers from soapy contrivances to unsatisfying denouements and it’s hard to get too excited about the film. Where Ladies in Lavender delivers in bucketloads is in casting Maggie Smith and Judi Dench as the sisters, allowing them to work wonders with the slightest of material. Smith’s forthright war widow and Dench’s more wistful spinster imbue their scenes with such aching grace, that you almost forgive the plotting. Continue reading “DVD Review: Ladies in Lavender”
“The key to civilization is to fight the impulse to just chuck it all”
For so long Michael Spence in Holby City, Hari Dhillon’s ventures onto the stage have been sparse indeed but it’s clear that he has high standards – Pulitzer Prize-winning plays about middle-class dinner parties. 2013 saw him take on Ayad Akthar’s Disgraced (2013 winner) for the Bush and then Broadway and now he stars in Donald Margulies’ Dinner With Friends (2000 winner) for the Park for director Tom Attenborough.
It’s a tale of marriage and mid-life crises – Gabe and Karen are happily, well smugly, married but their satisfied outlook is shaken when the relationship of their friends Tom and Beth crumbles in front of them. Interestingly, Margulies explores what happens to the people in the middle of break-ups, especially when they’re mates with both parties. Beth has got there first, announcing the split at a dinner at Gabe and Karen’s, but Tom soon turns up to get his side across. Continue reading “Review: Dinner With Friends, Park Theatre”
“This after all has been a very careful election”
A fascinating experiment from James Graham and Josie Rourke, The Vote was a “play for theatre and television” which after two weeks of performances at the Donmar Warehouse – for which you had to enter a ballot for tickets – aired live on More4 at the very moment that it was set, the night of the UK general election. I wasn’t one of the lucky few in the ballot and am rarely inclined to dayseat (though I know several people who managed it) so I’ve only just got around to catching up with it on All4 (formerly 4OD) where it is on for another couple of weeks.
I’m glad I did get to see it as it is very funny and pulled together an extraordinary cast, the vast majority of whom spend mere moments onstage. Graham’s play focuses on the trials and tribulations of a South London polling station in the 90 minutes before voting closes and though there’s a farcical plot that holds the play together in the larger sense, the real joy comes in the microstories of the various voters who come in to exercise their democratic right as best they see fit. Drunks losing their polling cards, giddy lesbians brandishing selfie sticks, teenagers asking Siri who to vote for, all amusing slices of life are represented by a stellar cast who seem to be having just as much as the audience. Continue reading “TV Review: The Vote, Donmar Warehouse via All4”
“The most powerful people in the world have sex in hotels. In fact, having sex in the best hotels makes you powerful. It doesn’t matter how good the sex is, only how good the hotel is.”
Last year saw Defibrillator Theatre take over three rooms in The Langham Hotel, down the posh end of Regent Street, to present the short Tennessee Williams plays that made up The Hotel Plays and given its resounding success, they’ve gone back there again this year to occupy three more spaces. With 380 rooms in this self-titled “first Grand Hotel in Europe”, it will only take another 125 years to work through all of them at this rate… This year though, Defibrillator have come armed with an original piece – The Armour – written by Ben Ellis and especially commissioned to celebrate the 150th anniversary of The Langham itself.
Stretching from the late nineteenth century to the present day, the three duologues each take place at a key moment in the building’s history and make for a beguiling combination. First off is a nod to the hotel’s revitalised presence as a luxury venue as Hannah Spearritt’s pop star Jade suffers a minor meltdown in the middle of a crucial comeback concert tour. Trying to calm her down in this basement suite is manager Franky, a nicely lived-in Thomas Craig, who tolerantly indulges her complaints about the trappings of fame but also can’t disguise the note of genuine fatherly concern for a young woman whose life has long not been her own to control. Continue reading “Review: The Armour, Langham Hotel”
“A lot of testosterone flying about but that’s kitchens for you”
Louise Brealey really does seem like she’d be a brilliant friend, having navigated the potential pitfalls of starring in a hit TV show to forge a fascinating career as an actor and playwright and being a wonderfully, refreshingly honest presence on Twitter. So I was more than happy to take in her recent film role in Delicious, an indie Brit-flick from 2013 written and directed by Tammy Riley-Smith, available on DVD and also on iTunes.
It’s an admirably spiky little thing, diverging from its apparent rom-com/family reunion beginnings into something altogether darker, a contrasting layer of sharp lemon under the sweet meringue if you will. So handsome Gallic chef Jacques arrives in London looking for a job and his biological father, conveniently finds both in the same restaurant and when he’s offered a flat-sitting arrangement, meets an intriguing young woman Stella who is living one floor down. Continue reading “DVD Review: Delicious”