Winners for The Stage Debut Awards 2020

Best performer in a play – sponsored by Audible
• Saida Ahmed for Little Miss Burden at the Bunker, London
• Katie Erich for Oliver Twist at Leeds Playhouse (in a co-production with Ramps on the Moon)
• Brooklyn Melvin for Oliver Twist at Leeds Playhouse (in a co-production with Ramps on the Moon)
• WINNER – Daniel Monks for Teenage Dick at the Donmar Warehouse, London
• WINNER – Rachel Nwokoro for Little Baby Jesus at the Orange Tree Theatre, London
• Jessica Rhodes for The Sugar Syndrome at the Orange Tree Theatre, London
• Khai Shaw for Little Baby Jesus at the Orange Tree Theatre, London
• Bobby Stallwood for Faith, Hope and Charity at the National Theatre, London Continue reading “Winners for The Stage Debut Awards 2020”

Nominees for The Stage Debut Awards 2020

An interesting set of nominations from The Stage which range from the inspired to the incredible (in the bad sense) – trying to encompass all theatre will always have its trials but who in the world thought Robbie Williams deserved the nod here?!

Best performer in a play – sponsored by Audible
• Saida Ahmed for Little Miss Burden at the Bunker, London
• Katie Erich for Oliver Twist at Leeds Playhouse (in a co-production with Ramps on the Moon)
• Brooklyn Melvin for Oliver Twist at Leeds Playhouse (in a co-production with Ramps on the Moon)
• Daniel Monks for Teenage Dick at the Donmar Warehouse, London
• Rachel Nwokoro for Little Baby Jesus at the Orange Tree Theatre, London
• Jessica Rhodes for The Sugar Syndrome at the Orange Tree Theatre, London
• Khai Shaw for Little Baby Jesus at the Orange Tree Theatre, London
• Bobby Stallwood for Faith, Hope and Charity at the National Theatre, London Continue reading “Nominees for The Stage Debut Awards 2020”

Not-a-re-review: Death of a Salesman, Piccadilly Theatre

This striking reinterpretation of Death of a Salesman raises the roof at the Piccadilly Theatre, it literally brings the house down…

“I don’t say he’s a great man…but he’s a human being”

Gonna be a bit cheeky with this, as I got to go the West End transfer of Death of a Salesman as a guest. And even though I loved it at the Young Vic, I didn’t particularly feel inclined to write about it again, in this slightly recast version co-directed by Marianne Elliott and Miranda Cromwell. So check back for that previous review and rest assured that it is a corking night at the theatre.

Running time: 3 hours (with interval)
Photos: Brinkhoff Mogenburg
Death of a Salesman is booking at the Piccadilly Theatre until 4th January

Nominees for The Stage Debut Awards 2019

All winners will be announced at the awards ceremony at The Brewery, London on September 15, 2019 which will be streamed live on The Stage’s Facebook page.

Best Actress in a Play – sponsored by Audible

  • Liv Hill for Top Girls at the National Theatre, London
  • Urielle Klein-Mekongo for Yvette at the Bush Theatre, London
  • Lauren O’Leary for The Awkward Years at The Other Room, Cardiff
  • Bea Webster for Mother Courage at the Albion Electric Warehouse, Leeds

Best Actor in a Play – sponsored by Audible

  • Jamal Ajala for ear for eye at the Royal Court, London
  • Stuart Campbell for The Hunt at the Almeida Theatre, London
  • Patrick Gibson for Sweat at the Donmar Warehouse and the Gielgud Theatre, London
  • Ivan Oyik for Blue/Orange at the Birmingham Repertory Theatre, Birmingham

Continue reading “Nominees for The Stage Debut Awards 2019”

Review: Death of a Salesman, Young Vic

A brilliant cast shine in this striking revival of Arthur Miller’s Death of a Salesman at the Young Vic

“Attention, attention must finally be paid to such a person”

The American dream hasn’t often looked like this. Marianne Elliott and Miranda Cromwell’s re-imagining of Arthur Miller’s Death of a Salesman reaffirms the Young Vic as the place to go to shake up these American classics (qv A View from the Bridge) with a startling revival that seems destined to go far.

Elliott has recent form of course in reinterpretations and Cromwell was the Associate Director on Company too. And if Death… might not go quite as far, it still emerges as a thoughtful reconsideration with a decidedly psychological bent, trapping us as much as Willy in his troubled mind. Continue reading “Review: Death of a Salesman, Young Vic”