Royal & Derngate has announced four further productions to complete its 2021/22 Made in Northampton season. A new production of Joe Penhall’s biting contemporary satire Blue/Orange is brought to the stage this autumn by the producing team behind Ralph Fiennes’ hugely successful Four Quartets which is soon to transfer to the West End. Giles Terera and Michael Balogun will collaborate with Artistic Director James Dacre with original music by Valgeir Sigurðsson of Bedroom Community. The venue then premieres The Wellspring, an autobiographic work from playwright Barney Norris and his father David Owen Norris, directed by Jude Christian. The venue’s previously announced production of An Improbable Musical will then premiere with a cast including Niall Ashdown, Ruth Bratt, Adam Courting, Josie Lawrence and Janet Etuk.
This autumn also sees Royal & Derngate’s artist development programme Generate host a festival of new work and present 60 Miles by Road or Rail chronicling the recent history of Northampton Town. Meanwhile, the venue’s charity compilation album Incidental: Music for the Stage, will be released on 24 September on CD and all major streaming platforms. Continue reading “News: Royal & Derngate announces further productions for its 2021/22 Made in Northampton season”
Royal & Derngate Theatres and Atlantic Screen Music have announced the release of a contemporary classical and electronic music album INCIDENTAL: Music For The Stage featuring original compositions for theatre inspired by some of the most famous plays and novels in the English Language. The charity compilation album will contain original music from stage productions by composers such as White Lies, Anne Dudley, These New Puritans, Rachel Portman, Valgeir Sigurðsson, Isobel Waller-Bridge, Nick Cave and the Bad Seeds and Renell Shaw alongside spoken performances from actors including Judi Dench, Amanda Seyfried, David Harewood, Felicity Jones, Giles Terera, Patricia Routledge, James Norton, Sharon D Clarke, Iain Glen, Lesley Sharp, Stephen Fry, Indira Varma, Maxine Peake, Roger Allam, Anton Lesser and Simon Russell Beale.
Together they will raise vital funds to support Northampton Royal & Derngate Theatres’ reopening, helping the venue to recover from the devastating impact of the pandemic and to continue to produce their award winning Made in Northampton productions. The album is available to pre-order at incidentalmusicforthestage.com or pre-save on Spotify, Bandcamp, iTunes, Deezer and Tidal here. To launch the project today, two singles from the album are being released: Rachel Portman’s prologue to A Tale of Two Cities featuring Judi Dench and White Lies’ prologue to Cat on a Hot Tin Roof featuring Amanda Seyfried, both of which are available to listen to here and to download here. Continue reading “News: Royal & Derngate and Atlantic Screen Music announce new album Incidental: Music For The Stage”
Clearly, the first before-they-were-famous photo montage was a click-winner for the Guardian as they’ve gone back into Tristram Kenton’s archive for a second dip of notable actors earlier in their careers:
Photos: Tristram Kenton
Simon Annand’s Time To Act is a beautiful book of photos capturing actors in the minutes before they go on stage
Tackling the constraints of the pandemic in its own way, Simon Annand’s fantastic new book of photos Time To Act has launched a virtual exhibition of some of the photographs which has now been extended to until Christmas. It’s an ingenious way of sharing some of the hundreds of images from the book and should surely whet the appetite for either just buying it now or putting on your list for Santa to collect soon.
Continue reading “Book review: Time To Act – Simon Annand”
“Donna Noble has left the library. Donna Noble has been saved”
And here we are, my favourite series of Doctor Who. So much huge wonderfulness and even its less good moments are still more than halfway decent. Key to the series’ success is Catherine Tate’s Donna Noble – gobby and one-dimensional in her introductory episode the Christmas special The Runaway Bride, her character journey throughout this season is magisterially constructed, a true awakening of self (with thankfully no romantic inclinations towards our Time Lord) and one given unbearable poignancy due to its frustratingly tragic end.
It’s also one of the best constructed series in terms of its over-arching season arc, its warnings and clues layered meaningfully into several stories and building into a momentous and properly climactic finale, which lands just about the right level of grandiosity. There’s also the first companion-lite episode (the superbly creepy Midnight) to go with the Doctor-lite one (the achingly beautiful dystopian Turn Left); a typically brilliant Moffat double-header in Silence in the Library and Forest of the Dead with gorgeous work from Alex Kingston as the soon-to-be-hugely-significant River Song; and if the return of Rose undoes some of the emotional impact of the Series 2 finale, Billie Piper’s work is spikily powerful. These are episodes I can, and have, watched over and over again.
Continue reading “Countdown to new Who: Doctor Who Series 4”
“It’s not a question of how it is, it’s a question of how it appears”
Salting the Battlefield is the third and concluding part of the Johnny Worricker trilogy, following on from Page Eight and Turks and Caicos, and sees David Hare wrap up the dramas that he both wrote and directed. Worricker is an ex-MI5 analyst who is on the run from the British authorities after exposing a couple of massive secrets that threaten PM Alec Beasley, a marvelously slimy Ralph Fiennes. From the Caribbean he’s ended up in Germany with former lover and current conspirator Margot but the net is drawing ever closer for an endgame to settle all scores.
It’s grand to see original players from Page Eight returning. Saskia Reeves’ ambitious Deputy Prime Minister still precarious as ever in her position but finding opportunity in the chaos of her personal and professional life; Judy Davis’ plain-speaking MI5 head still bemoaning the old boys’ club of an institution she appears to have firmly by the balls; and Felicity Jones as Worricker’s under-used daughter. And as stakes are raised in order for scores are settled, there’s a fantastic amount of Machiavellian manipulation by all parties, chillingly conversational confrontation the order of the day here. Continue reading “DVD Review: Salting the Battlefield”
Outstanding British Contribution to Cinema
Birdman – Alejandro González Iñárritu, John Lesher and James W. Skotchdopole
Boyhood – Richard Linklater and Cathleen Sutherland
The Grand Budapest Hotel – Wes Anderson, Scott Rudin, Steven M. Rales and Jeremy Dawson
The Imitation Game – Nora Grossman, Ido Ostrowsky and Teddy Schwarzman
The Theory of Everything – Tim Bevan, Eric Fellner, Lisa Bruce and Anthony McCarten Continue reading “68th British Academy Film Awards nominations”
“One simple, elegant equation to explain everything”
Alongside The Imitation Game, The Theory of Everything offers a double whammy of Oscar-baiting, British-biopicing filmic goodness – Benedict Cumberwhatsit’s Alan Turing and Eddie Redmayne’s Stephen Hawking seem dead certs for Academy Award nominations alongside their respective films – and for my money, it is the latter has the edge on the Cumbersnatch-starring film as something slightly less Hollywoodised and thus more interesting. That’s not to say that James Marsh’s The Theory of Everything is all rough edges – it is based on Jane Wilde Hawking’s memoir of her marriage after all and both she and Hawking have ‘blessed’ the film – but it is a complex love story that doesn’t shy away from too much challenge.
The focus of the film is in fact the relationship and marriage between physicist Stephen and Jane Wilde, his contemporary at Cambridge University where she studied literature, and the severe pressure that it came under after his diagnosis with motor neurone disease and then his increasing fame as his discoveries broke exciting fresh ground. Redmayne’s physical performance as Hawking is undoubtedly astounding as his condition worsens but there’s something deeper there too that comes across later on, in the merest flicker of the lips and glints in the eye that come before the synthesised voicebox kicks in, an enigmatic level of emotion that we never get to truly discover and that is entirely beguiling.
Continue reading “Film Review: The Theory of Everything”
Film of the Year
The Grand Budapest Hotel
The Theory of Everything
Under the Skin
Foreign Language Film of the Year
Norte, the End of History
Two Days, One Night
Winter Sleep Continue reading “London Film Critics Circle Awards 2014 nominees”
The Grand Budapest Hotel
The Imitation Game
The Theory of Everything
Wes Anderson – The Grand Budapest Hotel
Ava DuVernay – Selma
David Fincher – Gone Girl
Alejandro G. Iñárritu – Birdman
Angelina Jolie – Unbroken
Richard Linklater – Boyhood Continue reading “20th Critics’ Choice Awards nominees”