Just a quickie for this as the book is almost sold out now, but Sophie Ross and Danny Kaan’s coffee-table book Dear Audience is such a beautiful book that I’d encourage you to go and purchase one of the few remaining copies. Striving to photographically celebrate the arts industry from a wide range of performers through producers, MDs and writers, it is a nicely high-quality publication that matches that aim.
In the interest of fairness, I can’t pick favourites from the many many names featured here, just look at the tags to see the impressive roll-call. What really elevates the book though is the inclusion of heartfelt letters from some of the participants, adding a really personal note to the whole endeavour, reminding us of the personal cost of the pandemic alongside what it has done to the sector as a whole. Track down those last copies now.
Priscilla Queen of the Desert will restart its tour at the Everyman Theatre, Cheltenham on 23rd June. Miles Western will take on the role of Bernadette, with Nick Hayes as Adam/Felicia and Edwin Ray playing Tick/Mitzi. They are joined by Daniel Fletcher (Bob), Rebecca Lisewski (Marion), Kevin Yates (Miss Understanding), Gracie Lai (Cynthia) and Ronan Burns (Frank). The Divas will be played by Claudia Kariuki, Rosie Glossop and Aiesha Pease, and the cast is completed by Emma Katie Adcock, Jak Allen Anderson, Allie Daniel, Martin Harding, Clarice Julianda, Jemima Loddy, Nathan Ryles, Tom Scanlon and Jermaine Woods. Continue reading “News: a whole load of UK musical tour casting announcements”
Lambert Jackson Productions and The Theatre Café have announced the return of popular online concert series Leave A Light On, with 70 performances being re-streamed via stream.theatre.
Shows from across the two series’ feature Zoe Birkett, Jordan Luke Gage, David Hunter, Cassidy Janson, Lucie Jones, Beverley Knight and Layton Williams many more famous West End faces.
Shows will be available to watch every day at 5pm and 8pm from 15 March to 24 April. Continue reading “News: Lambert Jackson Productions and The Theatre Café announce the return of Leave A Light On”
Some cracking original London cast members reunite for this Spring Awakening track
Heart vector created by starline – www.freepik.com
Lambert Jackson Productions and the Theatre Café have announced the line-up for the first week of their Leave A Light On series. The series of intimate, piano vocal concerts streamed live from The Theatre Café will feature performances from Blake Patrick Anderson, Aimie Atkinson, Christopher Cameron, Alice Fearn, Victoria Hamilton-Barritt, Evelyn Hoskins, David Hunter, Cassidy Janson, Lucie Jones, Bradley Judge and Harry Cooper-Millar, Emma Kingston, Sarah O’Connor, Steph Parry, Danielle Steers, and Layton Williams.
For a fee of £7.50, significantly less than a ticket to a show, audiences around the country will be able to access a live concert from their favourite West End performer from the best seat in the house – their own home! Continue reading “News: line-up for the first week of Leave A Light On”
It’s impossible to resist another visit to Joe’s Diner as Sara Bareilles and Gavin Creel begin their limited run in Waitress at the Adelphi Theatre
“I’ll slice and serve my worries away”
I wasn’t going to go back to Waitress, having enjoyed both my previous visits to the Adelphi Theatre where I was blown away by Katharine McPhee and then Lucie Jones in the leading role of Jenna. But then a genius casting move (surely this doesn’t count as stunt casting? who knows…?) saw the show’s composer and lyricist Sara Bareilles and Olivier and Tony Award winner Gavin Creel announced for a limited run and so I couldn’t help but book myself in for another slice of pie.
Both of them appeared in the show on Broadway so they’re clearly au fait with their roles but more significantly, they clearly share a special connection and so their electricity as Jenna and Dr Pomatter is off the charts. The shenanigans in the doctor’s surgery are always fun but here, they’re fricking hilarious as Creel and Bareilles bounce off each other while having the time of their lives and almost, almost, making you forget the slight ickiness of the boundaries that their incipient relationship crosses. Continue reading “Review: Sara Bareilles and Gavin Creel in Waitress, Adelphi Theatre”
Mayfly, Orange Tree
“It’s the little stuff that counts, isn’t it?”
Short and sweet, Mayfly continues the Orange Tree’s strong recent record of showcasing new writing by supporting debut writer Joe White with this glistening production by Guy Jones. A low-key trip through rural English life impacted by tragedy, its ephemeral nature shows much promise.
In a tiny Shropshire community where village life is withering away, a family are further struggling to deal with the one-year anniversary of a particular tragedy. Grief has pole-axed mother, father, and daughter in different ways and it takes the arrival of a stranger who interacts with each to hint at light at the end of this tunnel. Continue reading “Review: Mayfly, Orange Tree Theatre”
A bitesize new musical from Barlow & Smith at the VAULT Festival, Lock and Key asks how bloody far will you go to succeed in the office…
“Don’t you use my little red key”
A nippy little thing this, Lock and Key. A new musical from writing duo Barlow & Smith, a couple of cracking musical theatre actresses in Tiffany Graves and Evelyn Hoskins, and the sweaty intimacy of the Pit, one of the VAULT Festival’s less hospitable spaces. It all adds up to something really rather entertaining.
Set in the children’s literature department of a publishing firm, office junior Jess is doing everything she can to impress boss Samantha as the end of her probationary period fast approaches. She’s even missing her birthday party in order to seize a key opportunity but she soon finds out that that is not all she will have to sacrifice to make it to the top. Continue reading “Review: Lock and Key, VAULT Festival”
“This world should be notified.
It’ll be a bumpy ride.
Thanks to Bonnie and Clyde!”
My first work-in-progress show at The Other Palace in the form of Bonnie and Clyde and as it is a developmental work, I ain’t gonna say a thing!