August casting update

 

Linda Bassett and John Heffernan have been cast in Caryl Churchill’s new play What If If Only, which will be directed by James Macdonald. With set design by Miriam Buether, lighting design by Prema Mehta, sound design by Christopher Shutt and assistant direction from Grace Duggan.

What If If Only will run in the Royal Court Jerwood Theatre Downstairs from Wednesday 29 September 2021 – Saturday 23 October 2021. Performances run Monday – Saturday at 6pm, plus Friday 8, 15 & 22 October 2021 at 10pm. The running time is a lush 14 minutes. Continue reading “August casting update”

Review: Still Life: Untold Stories of Nottingham Now

Julie Hesmondhalgh and Frances De La Tour, among others, star in the heartbreakingly excellent Still Life: Untold Stories of Nottingham Now

“So, this is where the magic happens”

At a moment when theatreland is full of news of planned reopenings and hopes for the future, it is good to still be able to look at the cultural contributions that reflect on the recent past. Still Life: Untold Stories of Nottingham Now does just that by offering up 5 short tales of what life in Nottingham during lockdown has been like, stories that speak to the human impact of a global pandemic.

Writers Olu Alakija, Nathan Ellis, Amy Guyler and Emteaz Hussain take us through the full gamut of experiences – from volunteering at food banks to life as a delivery driver, students dealing with disrupted schooling and the strange ballet of getting a COVID safe Uber. And not only that, there’s a special short but spiky sketch from Alan Bennett performed by the luminous Frances De La Tour. Continue reading “Review: Still Life: Untold Stories of Nottingham Now”

News: Angels in America amongst productions added to National Theatre at Home

The National Theatre has today announced three new filmed productions have been added to its streaming service National Theatre at Homeincluding Angels in America Part One: Millennium Approaches and Angels in America Part Two: Perestroika, Marianne Elliott (The Curious Incident of the Dog in the Night-Time, War Horse)’s multi-award-winning production of Tony Kushner’s two-part masterpiece, with a cast including Andrew Garfield (The Social Network), Denise Gough (Paula), Nathan Lane (American Crime Story), James McArdle (Ammonite), Susan Brown (It’s A Sin) and Russell Tovey (Years and Years). Continue reading “News: Angels in America amongst productions added to National Theatre at Home”

News: NT launches new streaming service National Theatre at Home

The National Theatre, in partnership with Bloomberg Philanthropies, has today launched  National Theatre at Home, a brand-new streaming platform making their much-loved productions available online to watch anytime, anywhere worldwide.

Launching today with productions including the first ever National Theatre Live, Phèdre with Helen Mirren,  Othellowith Adrian Lester and the Young Vic’s Yermawith Billie Piper, new titles from the NT’s unrivalled catalogue of filmed theatre will be added to the platform every month.

In addition to productions previously broadcast to cinemas by National Theatre Live, a selection of plays filmed for the NT’s Archive will be released online for the first time through National Theatre at Home, including Lucy Kirkwood’s Mosquitoes with Olivia Colman and Inua Ellams’ new version of Chekhov’s Three Sisters (a co-production with Fuel).   Continue reading “News: NT launches new streaming service National Theatre at Home”

TV Review: Unprecedented, Episode 3

Episode 3 of Unprecedented proves a bleak and brutal one-two of hard-hitting Covid drama

“I don’t see what good it does to worry, sitting around panicking”

Due to the (presumably intentional) programming, Part 1 and Part 2 of Unprecedented – Headlong and Century Films’ creative response to Coronavirus – found a sense of balance in their collections of short plays, tragicomic probably being the watchword. Episode 3 however goes all in on the tragedy, making it a pretty bleak half hour.

First up is Duncan Macmillan’s Grounded, directed by Jeremy Herrin, which takes aim at the generation gap and how that has dictated people’s response to the crisis. Katherine Parkinson’s event planner is wracked with job worries and concerns over her ability to home-school. But what really drives her over the edge is the casualness with which her retired parents are taking the whole affair, screaming into the ether as they amble on as if life hasn’t changed but at all. Alison Steadman and Michael Elwyn are excellent as the slightly daffy, devoted couple belatedly coming round to the seriousness of it all. Continue reading “TV Review: Unprecedented, Episode 3”

News: cast announced for Unprecedented: Theatre from a State of Isolation

Headlong and Century Films have today announced a cast of over 50 UK actors taking part in Unprecedented: Theatre from the State of Isolation. A series of new digital plays written in response to the current Covid-19 Pandemic, Unprecedented will be broadcast across the nation during lockdown as part of BBC Arts’ Culture in Quarantine initiative.

Written by celebrated playwrights and curated by Headlong, Century Films and BBC Arts, Unprecedented explores our rapidly evolving world, responding to how our understanding and experiences of community, education, work, relationships, family, culture, climate and capitalism are evolving on an unprecedented scale. The series will ask how we got here and what the enduring legacy of this historic episode might be. Continue reading “News: cast announced for Unprecedented: Theatre from a State of Isolation”

Full list of 2019 UK Theatre Awards winners

The UK Theatre Awards are the only nationwide Awards to honour and celebrate outstanding achievements in regional theatre throughout England, Scotland, Wales and Northern Ireland. And looking at this list of winners, it was a great day for Sheffield Theatres!

Best New Play
WINNER LIFE OF PI adapted by Lolita Chakrabarti from the novel by Yann Martel – a Sheffield Theatres production
THE WATSONS by Laura Wade – a Chichester Festival Theatre production
ULSTER AMERICAN by David Ireland – a Traverse Theatre Company production at Lyric Theatre, Belfast

Best Musical Production
THE COLOR PURPLE
directed by Tinuke Craig – a Curve and Birmingham Hippodrome co-production
WINNER STANDING AT THE SKY’S EDGE directed by Robert Hastie – a Sheffield Theatres production
WEST SIDE STORY directed by Sarah Frankcom – a Royal Exchange Theatre, Manchester production Continue reading “Full list of 2019 UK Theatre Awards winners”

Nominations for the 2019 UK Theatre Awards

The UK Theatre Awards are the only nationwide Awards to honour and celebrate outstanding achievements in regional theatre throughout England, Scotland, Wales and Northern Ireland and they have just announced the nominations for the 2019 awards, the results of which will be revealed at a ceremony on Sunday 27th October. It’s always interesting to see a different perspective on award season, particularly one that doesn’t focus on London productions, but it does make me wish I’d could have taken in a few more of these UK-wide shows from this year.

Best New Play
LIFE OF PI adapted by Lolita Chakrabarti from the novel by Yann Martel – a Sheffield Theatres production
THE WATSONS by Laura Wade – a Chichester Festival Theatre production
ULSTER AMERICAN by David Ireland – a Traverse Theatre Company production at Lyric Theatre, Belfast

Best Musical Production
THE COLOR PURPLE
directed by Tinuke Craig – a Curve and Birmingham Hippodrome co-production
STANDING AT THE SKY’S EDGE directed by Robert Hastie – a Sheffield Theatres production
WEST SIDE STORY directed by Sarah Frankcom – a Royal Exchange Theatre, Manchester production Continue reading “Nominations for the 2019 UK Theatre Awards”

Review: Absolute Hell, National Theatre

A characterful slice of seedy Soho life,  Absolute Hell is anything but at the National Theatre

“You won’t call the police, I’ll call the police”

We’ve all got a history, a bit of a chequered past and Rodney Ackland’s play Absolute Hell is no exception. Premiered in 1952 under the title The Pink Room, it received an enormous critical drubbing which led to a 40 year near-silence from the playwright. But as time passes, trends shift and plays eventually get rewritten, a new version of the drama emerged in the late 1980s to considerably more success.

It is that version that is being revived here by Joe Hill-Gibbins with the kind of luxury casting that National Theatres are made for. And with the world of this slice-of-life play being made up of a vast ensemble of characters, it’s a great fit. Absolute Hell is set in a Soho members club in the period between the end of WWII and the Labour general election win and follows its patrons as they retreat from the social (and physical) upheaval of wartime into a fug of drink, drugs and debauchery. Continue reading “Review: Absolute Hell, National Theatre”