TV Review: The Crown, Series 4 Episodes 1-3

I ration myself to Episodes 1-3 of Series 4 of The Crown in the first instance but find it is losing its lustre a little

“I’m struggling to find any redeeming features in these people at all”

Kicking off in 1977, Series 4 of The Crown swiftly moves into my lifetime with its second scene taking place in 1979, although not quite into events that I remember, at least in these first three episodes. And with the arrival of both Diana Spencer and Margaret Thatcher on the scene, there’s quite the decade to explore.

But something has gone a little awry for me and The Crown. The sheer scope of Peter Morgan’s writing means that there’s a mahoosive ensemble at work here but the nature of his construction of episodes that drill down to intimate focus means that there’s huge gaps and terrible wastage, particularly of Helena Bonham Carter’s delicious Princess Margaret. Continue reading “TV Review: The Crown, Series 4 Episodes 1-3”

News: October UK theatre news update

We’re beginning to see the fruits of some more of the lockdown programming that has seen theatres across England respond in a variety of impressive ways

Nottingham Playhouse’s Unlocked Festival continues to rocket up the must-see list as it announces more details. Their local writing commission has ended up with two winners – Wayward Thread’s Hand Me Down and Lapelle’s Factory’s Shuck, both of which will now receive work-in-progress performances as part of the festival.

Casting has also been announced for James Graham’s Bubble, which will star the marvellous Pearl Mackie and the equally marvellous Jessica Raine. They join the likes of Mark Gatiss and Jade Anouka reading ghost stories on
Halloween, new work from Naomi Obeng and a concert starring Rosalie Craig, Sandra Marvin and Jodie Prenger. Continue reading “News: October UK theatre news update”

September theatre news, the UK version

Chichester Festival Theatre has announced their Autumn plans and it looks to be a good’un. It includes:
– Sarah Kane’s Crave, directed by Tinuke Craig and starring Erin Doherty and Alfred Enoch, staged in a socially distanced Festival Theatre for 10 performances and live streamed to digital audiences
– for Christmas, a series of festive concerts (including one with Rebeccas Caine and Trehearn), followed by Chichester Festival Youth Theatre in a new version of Pinocchio by Anna Ledwich, directed by Dale Rooks
Michael Ball, Sheila Hancock and Patricia Routledge in conversation with Edward Seckerson
– cabaret and comedy including Frisky & Mannish, The Black Cat Cabaret, Barely Methodical Troupe, Rich Hall, Suzi Ruffell, Russell Kane and Rosie Jones
– music ranging from a celebration of Sondheim with West End stars, to a song recital by Kate Royal, a new concert from Joe Stilgoe and a portrait of Rachmaninoff with Henry Goodman and Lucy Parham Continue reading “September theatre news, the UK version”

TV Review: Unprecedented, Episode 5

Chloë Moss, Nathaniel Martello-White and Jasmine Lee-Jones make Episode 5 of Unprecedented unmissable 

“I want people not screens”

One of the main strengths, for me, of Unprecedented has been the sheer variety of the writing that has responded to Covid-19 here. Previous episodes (#1, #2, #3, #4) have all impressed but the combination of writers in this fifth instalment really captures that lightning-in-a-bottle potential that makes the best theatre spark.

I watched Chloë Moss’ Everybody’s Talkin’ whilst hungover but not even I can blame the huge weeping tears on that alone, this is a beautifully pitched, gorgeously performed slice of family drama in miniature. Three daughters gather on Zoom to speak with their recently bereaved mother but the trials of finding a new normal, within the context of already having find a new normal is full of unimaginable pain. Moss’ writing and Caitlin McLeod’s direction speaks directly to the challenges that so many faced even before coronavirus hit, and during, and Sue Johnston leads the cast marvellously.

Continue reading “TV Review: Unprecedented, Episode 5”

News: cast announced for Unprecedented: Theatre from a State of Isolation

Headlong and Century Films have today announced a cast of over 50 UK actors taking part in Unprecedented: Theatre from the State of Isolation. A series of new digital plays written in response to the current Covid-19 Pandemic, Unprecedented will be broadcast across the nation during lockdown as part of BBC Arts’ Culture in Quarantine initiative.

Written by celebrated playwrights and curated by Headlong, Century Films and BBC Arts, Unprecedented explores our rapidly evolving world, responding to how our understanding and experiences of community, education, work, relationships, family, culture, climate and capitalism are evolving on an unprecedented scale. The series will ask how we got here and what the enduring legacy of this historic episode might be. Continue reading “News: cast announced for Unprecedented: Theatre from a State of Isolation”

TV Review: The Crown Series 3

Series 3 of The Crown sees new actors in across the board but Olivia Colman is sadly no Claire Foy. Helena Bonham Carters rock though

“Sometimes duty requires one to put personal feelings…
‘And frivolity”
…aside”

Doing little to dispel rumours that she isn’t a Time Lord, The Crown takes its cues from Doctor Who as Series 3 sees the Queen regenerate from Claire Foy to Olivia Colman. And not just that, the whole cast of main players has been replaced as this new company will take us through the next couple of series. It’s a clever move, considering the spain of history that the show takes but it is also a little sad to lose such excellent performances as Vanessa Kirby’s Princess Margaret, Victoria Hamilton’s Queen Mum, Alex Jennings and Lia Williams as Edward and Wallis and of course, Foy’s exceptional work.     

Series 3 then, takes us from 1964 to 1977, featuring such notable events as the Aberfan tragedy, the moon landing and the arrival of Camilla in Charles’ life. And with its many millions and pick of the white acting talent in this country, it remains eminently watchable. That said, something has shifted for me and it just doesn’t feel as effective as the first two seasons. A large element of this is the way series creator and main writer Peter Morgan has structured the show, choosing to maintain a massive ensemble of recurring characters but keeping the focus, and turnover, of episodes relentlessly tight. Continue reading “TV Review: The Crown Series 3”

2017 BroadwayWorld UK Awards Shortlist

Best Actor in a New Production of a Musical
Andrew Polec, Bat Out of Hell, London Coliseum
John McCrea, Everybody’s Talking About Jamie, Sheffield Crucible
John Partridge, La Cage Aux Folles, UK Tour
Jon Robyns, The Wedding Singer, UK Tour
Michael C. Hall, Lazarus, King’s Cross Theatre
Robert Fairchild, An American in Paris, Dominion Theatre

Best Actor in a New Production of a Play
Andrew Scott, Hamlet, Almeida Theatre
Arinzé Kene, One Night in Miami…, Donmar Warehouse
Brendan Cowell, Life of Galileo, Young Vic
Conleth Hill, Who’s Afraid of Virginia Woolf?, Harold Pinter Theatre
Lucian Msamati, Amadeus, National Theatre
Nicholas Woodeson, Death of a Salesman, UK Tour Continue reading “2017 BroadwayWorld UK Awards Shortlist”

The 2016 Manchester Theatre Awards winners in full

“It’s grim up north”
 
The Manchester Theatre Awards represent the cream of theatre in my native North-West, too much of which I miss due to cheap train fares being like gold dust. I’m hoping to do better this year and in the meantime, here’s the full list of winners for the 2016 Awards.

 

 

Best Actor
Rob Edwards, To Kill A Mockingbird, Octagon Theatre, Bolton
David Neilson, Endgame, HOME, Manchester
Daniel Rigby, Breaking The Code, Royal Exchange, Manchester WINNER
Don Warrington, King Lear, Royal Exchange

Best Actress
Niamh Cusack, Ghosts, HOME
Kaisa Hammarlund, Sweet Charity, Royal Exchange
Julie Hesmondhalgh, Wit, Royal Exchange WINNER
Kathryn Hunter, The Emperor, HOME

Best Production
Breaking The Code, Royal Exchange WINNER
Ghosts, HOME
The Emperor, HOME
Wit, Royal Exchange

Best Supporting Actor
Daniel Crossley, Sweet Charity, Royal Exchange WINNER
Raad Rawi, Breaking The Code, Royal Exchange
Marc Small, To Kill A Mockingbird, Octagon Theatre
Miltos Yerolemou, King Lear, Royal Exchange

Best Supporting Actress
Natalie Dew, Breaking The Code, Royal Exchange WINNER
Sharon Duncan-Brewster, A Streetcar Named Desire, Royal Exchange
Natalie Grady, Martha Josie and the Chinese Elvis, Octagon Theatre
Amy Nuttall, The Winter’s Tale, Octagon Theatre

Best Visiting Production
946 – The Amazing Story of Adolphus Tipps, HOME
A Girl is a Half-Formed Thing, Lowry, Salford
Love’s Labour’s Lost / Much Ado About Nothing, Opera House
The Encounter, HOME
The James Plays, Lowry WINNER

Best Actor in a Visiting Production
Edward Bennett, Love’s Labour’s Lost / Much Ado About Nothing, Opera House
Rufus Hound, The Wind in the Willows, The Lowry WINNER
Simon McBurney, The Encounter, HOME
Michael Pennington, King Lear, Opera House

Best Actress in a Visiting Production
Lisa Dillon, Love’s Labour’s Lost / Much Ado About Nothing, Opera House
Aoife Duffin, A Girl Is A Half-Formed Thing, Lowry WINNER
Lisa Maxwell, End Of The Rainbow, Opera House
Zizi Strallen, Mary Poppins, Palace

Best Newcomer
Daisy Badger, Look Back In Anger, Octagon Theatre
Ben Hunter, The Girls, Lowry
Norah Lopez Holden, Ghosts, HOME WINNER
Kirsty Rider, Pride And Prejudice, Lowry
Holly Willock, The Wind In The Willows, Lowry
Young “Michael” cast, Billy Elliot, Palace WINNER
Young “Scout” cast, To Kill A Mockingbird, Octagon Theatre WINNER


Best Opera

Andrea Chénier, Opera North, Lowry WINNER
Billy Budd, Opera North, Lowry
Don Giovanni, ETO, Buxton Opera House
Tamerlano, Buxton Festival, Buxton Opera House

The Robert Robson Award for Best Dance
Akram Khan’s Giselle, Palace WINNER
Alvin Ailey American Dance Theater, Lowry
Nederlands Dans Theater 2, Lowry
The Red Shoes, Lowry

Best Musical
Billy Elliot, Palace
Parade, Hope Mill Theatre
Singin’ in the Rain, Octagon Theatre
Sweet Charity, Royal Exchange WINNER
The Wind in the Willows, Lowry

Best Fringe Production
Boomtown Gals, Various venues
Die Diana, Bandit, Mugger and Thief, Manchester
Multi Story, Monkeywood, Various venues
The Trial, Hope Mill Theatre, Manchester WINNER

Best Fringe Performance
Joyce Branagh, Boomtown Gals, Various venues WINNER
Sam Grogan, Waiting Room, King’s Arms, Salford
William J Holstead, The Trial, Hope Mill Theatre
Leanne Martin, The Brink, King’s Arms

Best Studio Production
Dirty Pakistani Lingerie, Lowry
Lemons Lemons Lemons Lemons Lemons, HOME
The Solid Life Of Sugar Water, Royal Exchange
Wish List, Royal Exchange WINNER

Best Actor in a Studio Production
Alexander Gatehouse, Ventoux, Lowry
Joseph Quinn, Wish List, Royal Exchange Studio WINNER
Rex Ryan, Pilgrim, Lowry

Best Actress in a Studio Production
Erin Doherty, Wish List, Royal Exchange Studio WINNER
Sarah Emmott, Declaration, Lowry
Georgia Henshaw, Bird, Royal Exchange Studio
Molly Vevers, Ross and Rachel, Lowry

Best New Play
A Pacifist’s Guide to the War on Cancer, HOME
Bird, Royal Exchange Studio
The Emperor, HOME WINNER
Wish List, Royal Exchange Studio

Best Design
Endgame, HOME
La Vie Parisienne, Royal Northern College of Music, Manchester
Singin’ In The Rain, Octagon Theatre WINNER
The Pitmen Painters, Coliseum, Oldham

Best Ensemble
946 – The Amazing Story of Adolphus Tipps, HOME
Singin’ In The Rain, Octagon Theatre WINNER
The Pitmen Painters, Coliseum
The James Plays, Lowry

Best Special Entertainment
An Anatomie In Four Quarters, Lowry
Cirque du Soleil – Amaluna, Trafford Centre
Summer, Autumn, Winter, Spring, Old Granada Studios
The Peony Pavillion, Lowry WINNER

Youth Panel Award
NOTHING – The Royal Exchange Theatre Young Company WINNER
The Secret Garden – Octagon Youth Theatre
The Factory – The Royal Exchange Theatre Young Company
The Siege of Christmas – Contact Youth Company with Swung Low

The 2016 Manchester Theatre Awards nominations

Best Actor
Rob Edwards, To Kill A Mockingbird, Octagon Theatre, Bolton
David Neilson, Endgame, HOME, Manchester
Daniel Rigby, Breaking The Code, Royal Exchange, Manchester 
Don Warrington, King Lear, Royal Exchange

Best Actress
Niamh Cusack, Ghosts, HOME
Kaisa Hammarlund, Sweet Charity, Royal Exchange
Julie Hesmondhalgh, Wit, Royal Exchange 
Kathryn Hunter, The Emperor, HOME

Best Production
Breaking The Code, Royal Exchange 
Ghosts, HOME
The Emperor, HOME
Wit, Royal Exchange

Best Supporting Actor
Daniel Crossley, Sweet Charity, Royal Exchange 
Raad Rawi, Breaking The Code, Royal Exchange
Marc Small, To Kill A Mockingbird, Octagon Theatre
Miltos Yerolemou, King Lear, Royal Exchange

Best Supporting Actress
Natalie Dew, Breaking The Code, Royal Exchange 
Sharon Duncan-Brewster, A Streetcar Named Desire, Royal Exchange
Natalie Grady, Martha Josie and the Chinese Elvis, Octagon Theatre
Amy Nuttall, The Winter’s Tale, Octagon Theatre

Best Visiting Production
946 – The Amazing Story of Adolphus Tipps, HOME
A Girl is a Half-Formed Thing, Lowry, Salford
Love’s Labour’s Lost / Much Ado About Nothing, Opera House
The Encounter, HOME
The James Plays, Lowry 

Best Actor in a Visiting Production
Edward Bennett, Love’s Labour’s Lost / Much Ado About Nothing, Opera House
Rufus Hound, The Wind in the Willows, The Lowry 
Simon McBurney, The Encounter, HOME
Michael Pennington, King Lear, Opera House

Best Actress in a Visiting Production
Lisa Dillon, Love’s Labour’s Lost / Much Ado About Nothing, Opera House
Aoife Duffin, A Girl Is A Half-Formed Thing, Lowry 
Lisa Maxwell, End Of The Rainbow, Opera House
Zizi Strallen, Mary Poppins, Palace

Best Newcomer
Daisy Badger, Look Back In Anger, Octagon Theatre
Ben Hunter, The Girls, Lowry
Norah Lopez Holden, Ghosts, HOME 
Kirsty Rider, Pride And Prejudice, Lowry
Holly Willock, The Wind In The Willows, Lowry
Young “Michael” cast, Billy Elliot, Palace 
Young “Scout” cast, To Kill A Mockingbird, Octagon Theatre 


Best Opera

Andrea Chénier, Opera North, Lowry 
Billy Budd, Opera North, Lowry
Don Giovanni, ETO, Buxton Opera House
Tamerlano, Buxton Festival, Buxton Opera House

Continue reading “The 2016 Manchester Theatre Awards nominations”

Review: The Glass Menagerie, Richmond

“People are not so dreadful when you know them”

And so to the second of three The Glass Menageries in a month for me. Ellen McDougall’s production for Headlong has already played extensive runs in Leeds and Liverpool before nipping down to Richmond and Warwick for a week each and I was glad of the opportunity to see this most intriguing of directors (Henry the Fifth, Idomeneus, Anna Karenina) take on Tennessee Williams’ classic memory play. With ‘a frustrated mother, a daughter lost in her imagination, and a son intent on rebellion’, all this family needs to tip it right over the edge is an inopportune visit from a gentleman caller.

Whereas Samuel Hodges layered up the Wingfields’ existence with a scrapbook full of video references and visual cues, McDougall goes the opposite way in stripping the play to its bare bones, excavating existence through bodies alone with minimal props. Fly Davis’ design suspends the black box of Tom’s mind above water in which naturally only he can paddle, a space in which his memories play out or are perhaps trapped, like the characters themselves. A staircase at the rear leads only into darkness, there’s no real escape possible from the drudgery of life with all its anecdotes repeated ad nauseam.  Continue reading “Review: The Glass Menagerie, Richmond”