New musical The Green Fairy is a bleak but bold experience at the Union Theatre, featuring the unmissable, almighty voice of Julie Atherton
“So how are you, aside from being an alcoholic”
The Green Fairy announces itself as “a queer pub musical” which sounds like a genre that should have existed for years already and certainly feels like one rich with potential. And in the hands of debut musical writers Jack Sain (book, music and lyrics) and Stephen Libby (lyrics) together with dramaturg Hannah Hauer-King, it proves intriguing, even if the final effect is considerably more Once than Old Compton Street.
Which is a good thing because this musical fully embraces its intimate actor-musician ensemble and in a still all-too-rare occurrence, focuses on the L (or perhaps the B) in LGBT+. It is open mic night at newly refurbished pub The Green Fairy and knowing her estranged daughter is going to be singing, Jo turns up to the place where she used to work and live and drink, and where the ghosts of her past – her girlfriend, her husband, her childhood best friend – still linger on. Continue reading “Review: The Green Fairy, Union Theatre”
“I’m too old to lie to myself”
Louis Armstrong used to sing ‘it don’t mean a thing if it ain’t got that swing’ and unfortunately, Ruby in the Dust’s Gatsby hits the floor rather flat-flooted and singularly lacking in any discernible rhythm. The Roaring Twenties that characterise F Scott Fitzgerald’s iconic novel The Great Gatsby were all about the freedom of jazz, the liberating release of the Charleston, the fizziness of gin rickeys but so little of that spirit is in evidence here, in a production intended to mark 10 years since this company opened their first show here at the Union.
Bookwriter Linnie Reedman and composer and lyricist Joe Evans first adapted Gatsby a few years back and have retooled the show for this new venue but this new version struggles on a number of counts. The decision to make Jay Gatsby’s compadre Wolfshiem the focal narrating figure as opposed to the novel’s Nick Carraway could have worked if implemented more thoroughly but where as the latter is present at many of the key moments (and thus able to tell us about them), the former isn’t and so neither actor is able to make their character find a satisfactory role in the unfolding of this version of the tale. Continue reading “Review: Gatsby, Union Theatre”