Emma Stone and Emma Thompson have lots of fun in the entertaining Cruella, which is only just a little bit too long
“Darling, if I’m going to need to repeat myself a lot, this isn’t going to work out”
There’s something a little curious about a film that simultaneously wants to highlight one of cinema’s most iconic villains yet also neuter her most defining attributes. So we can rest assured that no dalmatians are harmed in the telling of this story (or presumably making of this movie) nor is there a cigarette holder to be seen. So what’s left for Cruella to do?
A fair amount as it turns out. Craig Gillespie’s film finds an origin tale for her in 1970s London (story by Aline Brosh McKenna, Kelly Marcel, and Steve Zissis), locating her at the vanguard of the nascent punk movement (or at least a Disneyfied version of it). It’s a nifty move that forefronts her creative endeavours, whilst adding to a notorious canon of fashion geniuses gone ‘woo-hoo’. Continue reading “Film Review: Cruella (2021)”
Sovereign is proud to announce the return of Effie Gray, the true story of a scandal that shocked Victorian England, on 19th April in Virtual Cinemas and on VOD, and out 31st May as a special collector’s edition DVD and Blu-ray.
Nineteen-year-old Effie Gray marries esteemed art critic John Ruskin, a cold and distant man who, seemingly repelled by his young bride, refuses to consummate their marriage. Neglected and shunned, and her health suffering from the strain of the crumbling relationship, Effie defies Victorian society by striking up a friendship with one of Ruskin’s acolytes, the Pre-Raphaelite Brotherhood painter John Everett Millais. It’s friendship that blossoms into something else, that sends shockwaves through polite society. Continue reading “News: Effie Gray to be re-released in the UK”
Johnny English, Johnny English Reborn and Johnny English Strikes Again prove ideal brainless festive watching
“I’ve been dropped into the Kalahari Desert carrying nothing more than a toothbrush and a packet of sherbet lemons”
I don’t believe in any of my pleasures being guilty, if something makes you smile then who is anyone else to dictate whether that’s acceptable? The Johhny English film trilogy – Johnny English (2003), Johnny English Reborn (2011), and Johnny English Strikes Again (2018) – holds a special place in my heart (well, the first two do) as they formed the backdrop to a couple of great family holidays and several of the funnier lines have snuck into the family vernacular.
Written by Neal Purvis, Robert Wade and William Davies and directed by Peter Howitt, Johnny English is an amusing entry into the series. Rowan Atkinson’s English is a hapless MI7 employee whose bumbling sees their top agent accidentally killed and then all their other agents massacred in a bomb at his funeral. As the sole agent left, he has to thwart a plot to steal the Crown Jewels and decipher John Malkovich’s comedy villain French accent. Continue reading “Film review: the Johnny English trilogy”
A Marvellous Party – Digital celebration to mark the centenary of Noël Coward’s West End Debut
The Noël Coward Foundation has announced A Marvellous Party, a transatlantic, star-studded collection of performances celebrating the continuing legacy of Noël Coward and coinciding with the 100th anniversary of his West End debut as a 19-year-old playwright.
This unique celebration features words and music by Noël Coward, performed by Kate Burton, Judi Dench, Stephen Fry, Montego Glover, Derek Jacobi, Josh James, Cush Jumbo, Robert Lindsay, Kristine Nielsen, Bebe Neuwirth, Julian Ovenden, Patricia Routledge, Kate Royal, Emma Thompson, Giles Terera, Indira Varma and Lia Williams. Continue reading “News: Digital celebration to mark the centenary of Noël Coward’s West End Debut”
With a long list of major founding donors, including Danny Boyle, Emilia Clarke, Tom Hiddleston, James McAvoy, Ian McKellen, Daniel Radcliffe, Emma Thompson and Rachel Weisz, the Theatre Community Fund has received a pledge of £1 million.
Some of the biggest names from British stage and screen have joined together to support creatives in the beleaguered theater industry as it struggles to survive the COVID-19 crisis.
Created by Phoebe Waller-Bridge, Olivia Colman and theatre producer Francesca Moody (who was the original producer of Waller-Bridge’s Fleabag stage show), the newly-launched Theatre Community Fund has already received a pledge of £1 million and amassed £500,000, having signed up a who’s who of actors, directors, writers and producers as founding donors. Continue reading “News: Phoebe Waller-Bridge and Olivia Colman launch theatre support fund”
The neglect of Stanley Tucci aside, The Children Act does a decent job of bringing Ian McEwan’s novel to the screen, with Emma Thompson on fine form
“I think it’s my choice
‘I’m afraid the law doesn’t agree'”
The first half of The Children Act is astounding. Family court judge Fiona Maye is utterly devoted to her career, deciding carefully but firmly on the most delicate of ruilngs. But the case of Adam Henry gives her cause, a 17 year old cancer victim whose Jehovah’s Witnesses’ beliefs are leading him to refuse the blood transfusion that could save his life.
As Maye, Emma Thompson makes you feel every inch of the emotional stoicism she has developed in order to rise through the judicial ranks so. There’s admiration sure but also a touch of apprehension – the brittleness with which she interacts with her devoted clerk (Jason Watkins) and the casual callousness with which she takes her long-suffering husband (Stanley Tucci) for granted. Continue reading “Film Review: The Children Act (2017)”
Any film with Patti LuPone has to be a winner, even if Last Christmas only features her for 90 seconds or so. Nowhere near as bad as they’d have you believe…
“Before we eat lesbian pudding…”
There’s always a measure of slight disappointment when something doesn’t live up to its billing. To look at most of its press coverage, you’d think Last Christmas was ZOMG WORST FILM IN THE WORLD™ (a title it might have held at least for the four weeks before Cats came out…). But the reality, as per usual, is something much more mundane – it’s a perfectly serviceable piece of festive fluff, hardly ground-breaking but then what rom-com is?
Obviously I’m biased since the great Patti LuPone makes a random cameo early on, but I found the whole thing to be quite watchable. Its guest cast is a winner from start to finish – Michelle Yeoh! David Mumeni’s inexplicably rebuffed pub guy, Anna Calder-Marshall’s spiky homeless woman, Lydia Leonard and Jade Anouka as a lesbian couple, Amit Shah’s bumbling estate agent…and that joy of trying to work out which bit of London is being used at any given time. Continue reading “Film Review: Last Christmas (2019)”
Best Motion Picture
The Two Popes
Musical or Comedy
Dolemite Is My Name
Once Upon a Time in Hollywood
Rocketman Continue reading “The 77th Golden Globe Awards – nominations”
Best Comedy Series
The Marvelous Mrs. Maisel (Amazon)
One Day at a Time (Netflix)
Schitt’s Creek (Pop)
Best Drama Series
The Crown (Netflix)
David Makes Man (OWN)
Game of Thrones (HBO)
The Good Fight (CBS All Access)
This Is Us (NBC)
Watchmen (HBO) Continue reading “10th Critics’ Choice Television Awards nominees”
Years and Years sees Russell T Davies take on dystopian near-future sci-fi to startling effect
“We’re not stupid, we’re not poor, we’re not lacking. I’m sorry, but we’re clever. We can think of something, surely.”
What if…? What if…? What Brexit happens, what if Trump is voted in again and fires a nuclear bomb towards China, what if global warming happens today and not tomorrow, what if Lee from Steps is the most successful one…? Such is the world of Years and Years, Russell T Davies’ latest TV venture, a six-part drama that dares to ask what if it is already too late.
He uses the Lyons family as a prism to explore what the next 15 years of human history might look like, as technological advances make leaps and bounds alongside the political and social upheaval that strikes at the very heart of this sprawing middle-class Manchester-based family. It’s a daring piece of drama, full of Davies’ typically big heart and bold emotional colours and I have to say I rather loved it. Continue reading “TV Review: Years and Years”