From the Drive-In to your home, relive the biggest musical concert series of 2020. With 10 hours of incredible live performances from over 25 of the greatest West End stars, including Layton Williams (Everyone’s Talking About Jamie), Lucie Jones (Waitress), and Alice Fearn (Come From Away), this exciting digital series will bring five fantastic West End Musical Drive In concerts directly to you. A different concert will be available to stream each week from Friday 19th February to Sunday 21st March via Stream.Theatre.
Additional casting includes, Trevor Dion Nicholas (Hamilton),Shanay Holmes (The Bodyguard),Emma Hatton (Wicked), Shan Ako (Les Misérables), Sophie Evans (Wicked), Maiya Quansah Breed (Rent), Laura Pick (Wicked), Matthew Croke (Aladdin), Jon Robyns (Les Misérables), Kelly Agbowu (Waitress), Hiba Elchikhe (Aladdin), Jodie Steele (Heathers) and 12 previous cast members of Six The Musical.Continue reading “News: West End Musical Drive In comes to Stream.Theatre”
Songwriters Anderson & Petty have announced A Christmas Wish, a virtual concert with West End stars from Everybody’s Talking About Jamie, SIX: The Musical, Wicked and more, available to stream at select times from 17 December – 20 December 2020. The concert is hosted by Ben Stock and Hilary O’Neil and is in aid of theatrical charity Acting For Others who provide emotional and financial support to theatre workers in times of need through 14 member charities.
23 West End actresses who have played Elphaba or Glinda in Wicked have reunited to perform a stunning rendition of the show’s ‘For Good’ to support the Make a Difference Trust Covid 19 Emergency Appeal Fund to support those in the theatre community suffering hardship because of the coronavirus crisis.
Please consider donating either by texting “SUPPORT” to 70111 to donate £5 (UK ONLY) or donate any amount here
A Scott Alan song cycle promises much but The Distance You Have Come doesn’t quite deliver at the Cockpit Theatre, despite its excellent cast
“I deserve to be seen This dream feels way overdue”
Scott Alan’s reputation as a songwriter is without question. Over a number of albums over the last decade (a fair few of which I’ve reviewed here), he’s been able to count on an extraordinary array of performers to bring his music to life, songs which are unafraid to chart the lows as well as the highs of living, loving, losing, dreaming… The Distance You Have Come sees him maintain that quality of guestlist in a live setting, as he entwines together over 20 of his compositions into a song cycle.
It proves a curious enterprise though, one which doesn’t quite cohere in a way that the quality of these songs deserves. Alan wrote the book for the show, as well as directing, and you do wonder whether an outside perspective might have helped. The book tries to do an awful lot in the space of a few snatched sentences between songs and its ambition feels somewhat unnecessary if the show is to be a song cycle rather than a fledgling musical. Continue reading “Review: The Distance You Have Come, Cockpit”
As the ‘new’ is ushered out of the Phoenix, set to tour the UK from next summer, there’s a return to the tried and tested, the old if you will, as Evitareturns to the West End. Bill Kenwright and Bob Thompson’s production of Andrew Lloyd Webber and Tim Rice’s slice of Argentinian politics has been touring on and off for nearly 10 years now and it was actually in London at the Dominion just a couple of years ago.
So in some ways it can be a little hard to get too excited by the reappearance of such a stalwart, especially when there isn’t the presence of someone like Elena Roger to truly electrify the show as she did in the 2006 revival. That’s not to detract from Emma Hatton’s stirring performance here – subtle and characterful, always searching for the meaning rather than the big belt in this notoriously tricky of roles to sing. Continue reading “Review: Evita, Phoenix Theatre”
“When the playbill’s gone and your ego’s died, how you gonna feel”
I’m of course naturally inclined towards composing duo Dan & Laura Curtis as the quote that is proudly blazoned across their website is one of mine. It came from my review of their collection Love on 42nd Streetwhich was a pocket-sized treat which stands in real contrast to Overture – The Music of Daniel and Laura Curtis, which brings together well over 20 Broadway and West End stars to fill a double-album’s worth of new material.
And their grandly orchestral ambition (not for nothing is the album called Overture) is well realised here. Divided into two ‘acts’, the pair stretch their songwriting muscle over a range of genres and subject matters but they’re most comfortable, and effective, when turning their hand to stirring string-laden balladry. The simple elegance of Rachel John’s ‘I Won’t Let You Go’ epitomises this beautifully with its soaring grace, surely a cabaret standard in the making. Continue reading “Album Review: Dan & Laura Curtis – Overture”