“No greater pleasure than work done well”
The Hired Man was Howard Goodall’s first musical, setting Melvyn Bragg’s story of turn-of-the-century everyday rural Cumbrian life to a score inspired by Kurt Weill but primarily influenced by English choral and folk music. Based on events that happened to Bragg’s grandfather, the plot revolves around farmhand John Tallentine, his wife Emily and their family during a period of considerable social and economic upheaval as agriculture declines, pit mining advances and the shadow of the First World War threatens everything and everyone.
Though the scope of the story is huge, taking in a significant chunk of British social history, it is actually intimately told by focusing in on this single family and how the larger events impact their daily lives. In this respect, Andrew Keates’ production at the Landor is a great match of venue and material as we are taken right into the heart of this story and the struggles of its tightly-knit society to find just a little daily happiness as they work the land whether through a pie and a pint in the local or breaking marriage vows. Continue reading “Review: The Hired Man, Landor”
I quite often come out of shows knowing exactly which of my acquaintances I will be recommending it to, and Once Upon A Time At The Adelphi was no exception. However, this time I decided to go again as well, such was my enjoyment of the show. You can read my original review here, but I enjoyed it just as much the second time round and still found it just as moving.
Performances throughout were just as strong, if anything the choreography was delivered with even more confidence, and it was interesting to watch it from a different seat. Despite the Union being such a small space, it was a completely different viewing experience from the side and I also quite liked the fact that I heard much more of the harmony work going on in the ensemble, without the band being right behind me as it was last time. Continue reading “Re-review: Once Upon Another Time at the Adelphi, Union Theatre”
“For tonight if we dream, the world will dream along with us”
Phil Wilmott is clearly a master at directing large casts in tiny spaces and combined with Andrew Wright’s amazingly precise choreography, conjures more energy and life in the intimate space of the Union Theatre on a shoestring here with Once Upon A Time at the Adelphi than I saw at any point during that other show that I saw at another Adelphi recently. A Christmas Carol also by Wilmott and also produced by MokitaGrit, filled me with a whole Santa’s sackful of festive cheer and they are obviously doing something right as this show filled me with the joys of spring, even on this bitterly cold March evening.
A huge success with its run in Liverpool, picking up some big awards along the way, this is the London premiere although the programme talks ominously of this being the final chance to see the show. It’s an old-fashioned love story, albeit one set in two different timezones, set against the backdrop of the Adelphi hotel in Liverpool, a venue that capitalised on its location as a major transatlantic port in providing an ideal stopping point for Hollywood stars en route to more glamorous locations. We follow Jo and Neil in the present day as he tries to tempt her into backpacking round Japan with him and Alice and Thompson in the 1920s and 30s with their on-off romance being constantly challenged by events and circumstances seemingly out of their control. Continue reading “Review: Once Upon A Time At The Adelphi, Union Theatre”