Jeffrey Seller and Cameron Mackintosh, producers of the West End production of Lin-Manuel Miranda’s Hamilton, have announced new casting for the show. They’ll deliver their first performance at the Victoria Palace Theatre on 21st June 2022, where tickets are currently on sale to 1st October 2022.
Reuben Joseph will play the title role of Alexander Hamilton with Simon-Anthony Rhoden as Aaron Burr, Allyson Ava-Brown as Angelica Schuyler, Shan Ako as Eliza Hamilton, Roshani Abbey as Peggy Schuyler/Maria Reynolds, Trevor Dion Nicholas as George Washington, Waylon Jacobs as Marquis De Lafayette/Thomas Jefferson, Emile Ruddock as Hercules Mulligan/James Madison, Jake Halsey-Jones as John Laurens/Philip Hamilton and Joel Montague as King George III. At certain performances the role of Alexander Hamilton will be played by Alex Sawyer. Continue reading “News: Reuben Joseph to lead new cast of Hamilton”
A cheeky return visit to the Victoria Palace Theatre sees Hamilton in rude health, with the 2021 cast in fine form
“You’ll be back, soon you’ll see”
You know how it is, when a ticket to Hamilton falls into your lap, you can’t really say no to this… So a return to the Victoria Palace Theatre, my first since this behemoth of a show actually opened up and one which was surprisingly rewarding, over and above the pleasures of the show itself.
Karl Queensborough and Simon-Anthony Rhoden now occupy the key roles of Alexander Hamilton and Aaron Burr and what I found really interesting was that my sympathies actually altered between them. I’ve always been team Burr (it must have been the Terera of it all) but Rhoden has introduced a brusquer, harsher characterisation, which combined with Queensborough’s hugely open charisma, had me swapping sides quicker than James Madison. Continue reading “Re-review: Hamilton, Victoria Palace Theatre”
The Distance You Have Come recorded live at The Apollo Theatre will be available to stream on stream.theatre from 5th to 11th August 2021. In a song cycle of his most acclaimed works, sung by some of the best voices in the west end, award winning composer and lyricist Scott Alan leads us through a year in the intertwined lives of six people facing the joy and heartache of the human experience, as they each search for their own version of happiness – which is, after all, what it’s all about.
This phenomenal cast features Andy Coxon (West Side Story, Beautiful – The Carole King Musical); Alice Fearn (Come From Away, Wicked); Adrian Hansel (Starlight Express, Hairspray); Emma Hatton (Evita, Wicked); Dean John-Wilson (The King and I, Aladdin) and Maiya Quansah- Breed (SIX, Rent).
Orchestrations are by Scott Hayes (Rent; I Love You, You’re Perfect, Now Change) who will also be the Musical Director, Kirk Jameson joins as Director (I Love You, You’re Perfect, Now Change; Marry Me a Little; Madagascar) with Lighting Design by Andrew Ellis (Eugenius, Flashdance): Original Direction was by Scott Alan and original Production Design by Simon Daw. The production is produced by Sevans Productions and Krystal Lee.
New UK Musicals and Parkwood Theatres have announced the cast and creatives of the world premiere of new British musical Ordinary People. Supported by funding from the Farnham Maltings Our Town Project and written by Darren Clark, Ordinary People takes real life stories from the lives of the people of Maidstone in Kent and turns them into a truly British musical. At its heart the show explores the idea that there is nothing ordinary about ordinary people.
The cast features actor musicians Anne Marie Piazza (RSC’s The Day of the Living, These Trees Are Made of Blood), Jared Leathwood (Billionaire Boy), Tom Self (The Hired Man UK Tour) and Sorrel Jordan (The Juliet Letters). This new musical is directed by Jenny Longley with choreography by Lorna Thomas and musical direction by Tom Self. Ordinary People premieres at Maidstone’s Hazlitt Theatre for two performances on the 30th and 31st July.
The highly anticipated tour of the Edinburgh Fringe hit Tokyo Rose has announced their all-female cast, starring Kanako Nakano (Miss Saigon, West End; Priscilla Queen of the Desert, West End). The production, winner of the coveted Les Enfant Terribles Stepladder Award, will also feature Maya Britto (Tokyo Rose, New Diorama Theatre/Edinburgh Fringe; Arabian Nights, Hoxton Hall) in the titular role, Lucy Park (Tokyo Rose, New Diorama Theatre/Edinburgh Fringe; Game Face, Q Theatre/Tristan Bates Theatre), Yuki Sutton (Tokyo Rose, New Diorama Theatre/Edinburgh Fringe; Satanic Panic ’87, Channel 4), Amy Parker (Ride, Vault Festival; Dancing By Myself, King’s Head Theatre), and Cara Baldwin (The Marathon Project, online; The Half Moon Shania, Zoo Venues/Vault Festival).
Tokyo Rose is an electrifying new musical about one of America’s most controversial trials, examining a real-life story of scaremongering and scapegoating. New Diorama Theatre and Underbelly first commissioned this exciting project as part of the Untapped Award, and its potential was realised following a sold out run at the Edinburgh Festival Fringe in 2019. From September, the tour will visit MAST Mayflower Studios, Southwark Playhouse, Curve Theatre, Leicester, The North Wall Arts Centre, Oxford, Corn Exchange Newbury, and Birmingham Hippodrome.
Michael Harrison and David Ian have announced that Adam J Bernard, Tarinn Callender, Matt Henry and Tosh Wanogho-Maud will play The Drifters in a brand new musical also starring Beverley Knight, which tells the remarkable story of one of the world’s greatest vocal groups and the woman who made them.
The Drifters Girl will begin performances in Newcastle on Saturday 9 October 2021, playing until Saturday 23 October. Performances at the Garrick Theatre in London start on Thursday 4 November 2021.
Hamiltonreturns to the Victoria Palace from 19th August and has revealed its new cast. Karl Queensborough will play the title role of Alexander Hamilton with Simon-Anthony Rhoden as Aaron Burr, Ava Brennan as Angelica Schuyler, Sharon Rose as Eliza Hamilton, Trevor Dion Nicholas as George Washington, Waylon Jacobs as Marquis De Lafayette/Thomas Jefferson, Emile Ruddock as Hercules Mulligan/James Madison, Khalid Daley as John Laurens/Phillip Hamilton, Emilie Louise Israel as Peggy Schuyler/Maria Reynolds and Harry Hepple as King George. At certain performances the role of Alexander Hamilton will be played by Nuno Queimado.
The cast also comprises Jade Albertsen, Curtis Angus, Robson Broad, Matthew Caputo, Filippo Coffano, Ashley Daniels, Kelly Downing, Lydia Fraser, Jordan Frazier, Manaia Glassey-Ohlson, Jake Halsey-Jones, Olivia Kate Holding, Peter Houston, DeAngelo Jones, Nicolais-Andre Kerry, Travis Kerry, Ella Kora, Natasha Leaver, Aaron Lee Lambert, Phoebe Liberty Jones, Sinead Long, Louis Mackrodt, Jay Perry, Lindsey Tierney and Brandon Williams.
Auburn Jam Music are delighted to be releasing ‘You Will Be Found’ by #CheerUpCharlie & West End Friends, a fundraising charity single in aid of youth charity The Diana Award, on Sunday 15 November to tie in with the start of National Anti-Bullying Week (16-20 November).
Kwame Kwei-Armah, Artistic Director of the Young Vic, has announced the start of the Young Vic’s 50th birthday with a year-long programme of work entitled We are the New Tide, dedicated to the theatre’s milestone birthday.
The 50th birthday year of work begins with three major commissions:
YV 50thProjection Project– a projection celebrating the people and productions from across five extraordinary decades, illuminating the front of the Young Vic building each evening, with video design by Duncan McLean – check out just some of those productions in the gallery above.
The Unforgotten–an interactive outdoor art installation commemorating trailblazers Mary Seacole, Marsha P. Johnson and Ulric Cross. Furthering the conversation within the Black Lives Matter movement, the Young Vic community will be invited to contribute to the installation by submitting their own nominations in writing on the side of the building and online, asking us all to (re)consider who we celebrate as our heroes. Created by artists Sadeysa Greenaway-Bailey and Anna Fleischle. From 11 September, free.
The New Tomorrow– for the first piece of live theatre since the pandemic closed UK theatres, this weekend festival of speeches and monologues asks what the next fifty years hold. Writers and artists Jade Anouka, Marina Carr, Jasmine Lee-Jones, Ruth Madeley, Amy Ng, Stef Smith, Jack Thorne, Isobel Waller-Bridge and Steve Waters will explore the change that has come and is coming. Cast to be announced. 3 & 4 October, 4pm, Main House, free
The 2013 Young Vic production of The Scottsboro Boys was a late highlight of that year and its well-deserved transfer at the end of 2014 extended the run for this stirring Kander + Ebb show. Taking on the format of a minstrel show and tipping it almightily on its head, a group of African-American performers come together to tell the chilling story of the Scottsboro Boys trial, a tipping point of both racism and the inequity of the US justice system.
Whilst not the most obvious subject for a musical, it’s possibly all the more effective for it, it’s disarmingly suave charm easily seducing the listener musically whilst horrifying them lyrically. This potent mixture is thus wonderfully conflicting as you tap your foot and bob your head to the undeniably tuneful minstrelsy before you realise how chilling Julian Glover’s Cullum really is. It makes a mockery of the fact that the show could ever have been protested on Broadway. Continue reading “Album Review: The Scottsboro Boys (2014 Original London Cast Recording)”
The Scottsboro Boyswere nine black teenage boys who found themselves in the wrong place at the wrong time, Alabama in 1931 to be precise, and falsely accused of the rape of two white women, found themselves imprisoned in the hostile Deep South. But theirs was a case that ignited the racial debate in the USA and turned it into something of a cause célèbre, perhaps losing sight of the lives of these young men – some illiterate, all poor – that were irrevocably changed by their experiences. And ironically, that is the same fate suffered in this sharp-edged musical adaptation by Kander and Ebb, their last collaboration, and book writer David Thompson.
The show uses the minstrel form to frame the action, staging its own version of events in the vignettes of a minstrel show led by Julian Glover’s Interlocutor, a benign presence but in the way that some plantation owners were ostensibly nice. But rather than have white men wearing blackface, it is a black cast who play the white characters alongside the tribulations and many trials of the boys as they come up repeatedly against a society that is determined to deny them everything. And using an exaggeratedly vaudevillian style of performance, the truly shocking nature of what they went through is unblinkingly portrayed. Continue reading “Review: The Scottsboro Boys, Young Vic”