News: the Barn Theatre announces The Secret Society of Leading Ladies

The Barn Theatre have announced an upcoming digital musical theatre event entitled The Secret Society of Leading Ladies, which provides a new innovative format that allows the viewer to make decisions and control the set list.

The Secret Society of Leading Ladies, which will run from 22nd February – 7th March, takes audiences into a world where Musical Theatre characters can co-exist in the same space regardless of era or genre. The concept was created to reward die-hard musical theatre fans, whilst being mould-breaking enough to invite a new audience to discover the world of musical theatre. Continue reading “News: the Barn Theatre announces The Secret Society of Leading Ladies”

Blogged: long-running shows and long-running blogs – what does the future hold

I revisit long-runners The Mousetrap, Les Misérables and Wicked, and come to a decision (of sorts) about the future of this blog

“Here’s to you and here’s to me”

Well 2019 has been an interesting year so far and one full of significance – I’ve turned 40, this blog has turned 10 and it’s all got me in a reflective mood. Personally, professionally, is this what I want to be doing? Do quote a Netflix show I haven’t even seen, does all this bring me joy…? Over the last couple of weeks, I’ve revisited a few long-running shows in the West End to consider what cost longevity. 

The longest running show in the West End is The Mousetrap – 66 years old with over 27,000 performances and their answer to keeping going is to not change a single bit – has the show even ever cast a person of colour? My limited research suggests not… On the one hand, it’s a policy that does seem to have worked and that record is a mighty USP, although does the number of empty seats at the St Martin’s that afternoon suggest a waning of interest finally? Continue reading “Blogged: long-running shows and long-running blogs – what does the future hold”

Re-review: Wicked, Apollo Victoria

As Wicked powers towards its 13th year on the West End, Alice Fearn’s Elphaba ensures visitors to the Apollo Victoria won’t be disappointed

“Ah tum ah tum eleka nahmen…”

Off the top of my head, I couldn’t tell you how many times I’ve seen Wicked now – it feels like loads – so it’s useful that I have it all written down in a blog… I do know it is a good while since I last saw it, five years in fact, which was evidently my third visit to the Apollo Victoria and one which left me disappointed. So it has taken a little while for me to get interested in taking up an opportunity to go see it again but we got there, eventually.

And I have to say I enjoyed my return trip to Oz, mainly because of the sensational performance of Alice Fearn as Elphaba. It’s always nice to see a performer rewarded for paying their dues, working their way up through ensemble and chorus roles until they get that chance to shine. And because of that background, that experience, that starring role has the real sense of being a career-defining opportunity. Continue reading “Re-review: Wicked, Apollo Victoria”

Review: Closer to Heaven, Union Theatre

“It’s so vulgar. I love it”

There’s not a ticket to be had for the Union Theatre’s production of Closer to Heaven, the entire run selling out well in advance, which would seem to indicate the Pet Shop Boys have more fans than might have been expected. My 3 star review for Official Theatre can be read here which covers the sharp and sexy choreography, the tuneful score and the woeful book. Also be warned, only sit in the front row if you’re a fan of direct eye contact and nipples.

Running time: 2 hours 20 minutes (with interval)
Booking until 23rd May, run currently sold out