Elevator Pitch is a brilliantly ingenious short which manages to pack in a huge amount into its couple of minutes, layer upon layer builds up as the fourth wall is continually smashed by an intern trying to make a pitch to a film producer. Highly recommended. Continue reading “Short Film Review #45”
WONDER from johnnydaukes on Vimeo.
A real work of art this. Johnny Daukes’ Wonder has much of the multi-stranded, deeply emotional feel of one of my favourite films Lantana and is just beautifully made. Set in London with the odd excursion to the picturesque Dorset coast, a set of disparate lives are shown to us – a couple about to separate, another one tired of their long relationship, a family grieving, a jealous lover wanting to trust his boyfriend. Daukes spares us too much dialogue and focuses instead on gorgeous shots and an evocative, self-penned score, making this a deserved success.
“People spoil things”
Were I watching Alan Bennett’s new play People at home on DVD, I would probably make it a drinking game, with a shot to be taken every time the title appears. Except it wouldn’t last very long at all, no matter how strong your liver, as it is repeated, repeated and repeated in this lament for the fading fortunes of the English aristocracy. Dorothy Stacpoole, a former model who now lives a semi-reclusive life with her companion Iris, is being forced to decide the fate of her near-decrepit South Yorkshire stately home: should some of the contents be sold on to private investors, who are also interested in buying the whole house, or should it be given to the National Trust, who Bennett has decided to take aim at with this piece of writing.
In an incredibly slow-moving opening 30 minutes or so, it becomes apparent that Dorothy – Frances De La Tour oozing hauteur – favours the former option, whilst her Archdeacon sister June is determined that it should be the latter. Bennett rails against the commodification of history and the creation of ‘experiences’ but curiously he makes Dorothy the mouthpiece with her fears of having people traipsing through her home and disrupting her life. Quite why we’re expected to feel sympathy for this poor little (formerly) rich girl whose inability to take responsibility has left the house, and her life, in the state it is in, I’m not sure. Continue reading “Review: People, National Theatre”