Vanessa Kirby is searingly good in the ferocious and grief-stricken Pieces of a Woman
“Tell her what it’s like for you now, what this feels like”
Back in 2011, it was clear to see that the cast of Royal Court play The Acid Test would be destined for great things and it is pleasing to see Phoebe Fox and Lydia Wilson graduating to such interesting careers. The third key member of that company though – Vanessa Kirby – has managed to climb the gradient to another level, parlaying her big-time break through role as Princess Margaret in The Crown to roles in two major action franchises in Fast & Furious and Mission: Impossible and now Oscar buzz for two of her roles this past year.
First up here is Pieces of a Woman, directed by Kornél Mundruczó from a screenplay by Kata Wébe and based on their play for TR Warszawa. It is a powerful and punishing look at the shattering effects of the loss of a newborn on a young-ish couple expecting their first child. Born out of the experiences of the writer/director couple, the film hooks on an astonishing single-shot take that lasts for 23 queasily, uneasy minutes that takes us through the increasingly traumatic labour of Kirby’s Martha, supported by partner Sean (Shia LeBeouf) and last-minute replacement midwife Eva (Molly Parker). Continue reading “Film Review: Pieces of a Woman (2020)”
Simon Annand’s Time To Act is a beautiful book of photos capturing actors in the minutes before they go on stage
Tackling the constraints of the pandemic in its own way, Simon Annand’s fantastic new book of photos Time To Act has launched a virtual exhibition of some of the photographs which has now been extended to until Christmas. It’s an ingenious way of sharing some of the hundreds of images from the book and should surely whet the appetite for either just buying it now or putting on your list for Santa to collect soon.
Continue reading “Book review: Time To Act – Simon Annand”
Spotlight on Plays from Broadway’s Best Shows is the virtual theatre experience you’ve been waiting for. It’s Morgan Freeman, Patti LuPone, Laura Linney, Paul Mescal, Alan Cumming, and more of the world’s top actors performing their hearts out in a series of must-see plays, live from their living rooms — while you watch from yours.
Right now, get pay-what-you-can tix to 7 upcoming virtual productions by some of the most popular playwrights ever. These tickets are available only on TomorrowTix and every single purchase supports The Actor’s Fund.
Continue reading “News: 7 star-studded plays — streaming only on TomorrowTix”
“You ought not to say things like that about people, Mary”
After her (somewhat surprisingly) Olivier-nominated turn in The Misanthrope, Keira Knightley has returned to the same West End stage at the Comedy Theatre to further stretch her dramatic wings in a production of Lillian Hellman’s The Children’s Hour which also features the London stage debut of Ellen Burstyn, plus Carol Kane, Elizabeth Moss and a host of UK actresses in a rare play full of meaty parts for women. I hadn’t originally intended to see this show, the inflated ticket prices proving a step too far for a desperately uncomfortable theatre, especially in the (now no longer) cheap seats, but the offer from a kind soul to do the queuing for the £15 day seats meant that we ended up on the front row (A2&3) on a rainy Wednesday afternoon to be quite pleasantly surprised.
Set in 1930s New England at a small boarding school run by Karen and Martha, two women who after years of hard work and building up the school, are finally secure enough to begin looking at other things in life, in the case of Karen, marrying her patient fiancé. The only cloud on the horizon is problem child Mary, a massively disruptive influence and constant troublemaker who after yet another punishment is doled out to her, decides to run away to her grandmother’s house. But when an argument between Martha and her dippy aunt turns particularly rancorous with accusations of unnatural feelings towards Karen and is overheard by some of the other schoolgirls who pass on the tidbit to Mary, the malevolent child accuses her teachers of being secret lovers. It’s a charge which the grandmother takes deadly seriously, encouraging all the parents to withdraw their children and thereby threatening the very livelihood of the two women as they battle to clear their name. Continue reading “Review: The Children’s Hour, Comedy Theatre”
Animals Out of Paper; Written by Rajiv Joseph; Produced by Second Stage Theatre
Becky Shaw; Written by Gina Gionfriddo; Produced by Second Stage Theatre
Ruined; Written by Lynn Nottage; Produced by Manhattan Theatre Club and Goodman Theatre
The Good Negro; Written by Tracey Scott Wilson; Produced by The Public Theater in association with Dallas Theater Center
The Sound and the Fury (April Seventh, 1928); Text by William Faulkner, Created by Elevator Repair Service; Produced by New York Theatre Workshop and Elevator Repair Service
Fela! A New Musical; Book by Jim Lewis and Bill T. Jones, Music and Lyrics by Fela Anikulapo Kuti, Add’l Music by Aaron Johnson and Jordan McLean, Add’l Lyrics by Jim Lewis; Produced by Ruth and Stephen Hendel and Roy Gabay
My Vaudeville Man!; Book by Jeff Hochhauser, Music by Bob Johnston, Lyrics by Bob Johnston and Jeff Hochhauser; Produced by The York Theatre Company and Melanie Herman
Road Show; Music and Lyrics by Stephen Sondheim, Book by John Weidman; Produced by The Public Theater
Saved; Music and Lyrics by Michael Friedman, Book and Lyrics by John Dempsey and Rinne Groff; Produced by Playwrights Horizons in association with Elephant Eye Theatrical
This Beautiful City; Composer and Lyricist Michael Friedman, Librettist Steve Cosson and Jim Lewis, Created by The Civilians; Produced by Vineyard Theatre Continue reading “Nominations for 2009 Lucille Lortel Awards”