Theatrical archaeology meets real archaeology in Hoard – Rediscovered as the New Vic Theatre revisit their Staffordshire Hoard Festival for the streaming age
“The archaeologists have of course found no evidence of dragons”
After a weekend immersed in the plummy accents of The Crown, it was wonderfully refreshing to counter-balance that with the everyday cadences of blessedly much more regular folk in Hoard – Rediscovered. Staffordshire’s New Vic Theatre has a rich tradition of verbatim work and with this characterful addition to theatre’s necessary shift to the streaming world, there’s quite the digital treasure trove in store.
Hoard – Rediscovered sees the New Vic revisit their 2015 Staffordshire Hoard Festival, a celebration of new writing focused on the remarkable discovery of a mighty hoard of Anglo-Saxon gold in a field in 2009. Written and directed by New Vic artistic director Theresa Heskins, Unearthed is a verbatim docu-drama that shifts the attention away from the thousands of pieces of treasure to focus on the stories of the real people whose lives it impacted. Continue reading “Review: Hoard – Rediscovered”
“If we took a vote now, whose side would you be on?”
The works of Henrik Ibsen are often cited as some of the greatest committed to paper but though his plays are frequently performed, they are rarely adapted, seldom excised from their 19th century Norwegian settings to explore how they might resonate in a more contemporary context. David Harrower had a go at putting Ibsen into the 1970s with Public Enemy for the Young Vic earlier this year but Rebecca Manson Jones has brought the same play – An Enemy of the People – bang up to date with this new adaptation which is now playing at the New Diorama Theatre after a tour of London and the South West of England.
She places the play in a modern-day but fictional small town on the Cornish coast – Porth Kregg – which is finding its way out of economic depression through a co-operative owned health spa, run by the Stockmann siblings. But when the ethical business ethos of one is compromised by the environmentally unsound supplier found by the other, the convictions of all concerned are challenged as the whole community is forced to identify what they consider to be more important – the health of the planet versus the weight of their purse. And it’s a question that we as the audience are also asked to contemplate, in a way that shapes the play itself. Continue reading “Review: An Enemy of the People, New Diorama”
“You’re not going into that whole load of hooey are you…”
To anyone who has read this blog for a bit, it will come as no surprise that one of my favourite venues in London is Wilton’s Music Hall: a striking historical wonder in the East End, one of the most atmospheric places in the city and one that is sadly in need of much support and funding. I’ve tried to do my part by attending everything there since I discovered it late last year (Edmond and The Waste Land, both remarkable), and the latest play to be put on there is A Sentimental Journey: The Story of Doris Day.
It does what it says on the tin, tells the story of 1950s sweetheart Doris Day, who can lay claim to being one of the most successful box-office stars of all time, and how behind the carefully cultivated wholesome image lay a life of frustration, unhappiness, debt and a whole load of marital shenanigans. The story is accompanied throughout by many of Day’s famous songs, played fabulously by a quartet on stage under the excellent musical direction of Jo Stewart and sung by all the actors. Continue reading “Review: A Sentimental Journey, Wilton’s Music Hall”