“I’m the only person whose ever loved you”
Reflecting the impressive balance of their Roundabout season (an ensemble that’s 2/3s female and two out of three playwrights being women as well – see artistic directors, it can be done!), Elinor Cook’s Out Of Love places female friendship at the heart of its storytelling. 30 years of love and loss, dreams and betrayals, wrapped into a fractured narrative which denies nothing of how complex a thing friendship can be.
Lorna and Grace have been great pals since as long as they can remember. But given the structure of the play, as soon as they’re declaring that they are going to be friends forever and that nothing can tear them apart, we’re 10, 15, 20 years down seeing exactly that. The one steals a creative idea and scores an amazing job, the other steals a boyfriend and ends up with a baby, people die and they’re brought back together but much has changed. Much keeps changing. Continue reading “Review: Out Of Love, Orange Tree Theatre”
As Paines Plough’s 2017 Roundabout season of Brad Birch’s Black Mountain, Elinor Cook’s Out Of Love and Sarah McDonald-Hughes’ How To Be A Kid – co-produced with the Orange Tree Theatre and Theatr Clwyd – arrives in London (running until 3rd March), news of their 2018 programme has now been announced.
Roundabout 2018 features world premieres from Georgia Christou (How To Spot An Alien), Simon Longman (Island Town) and Vinay Patel (Sticks and Stones) in co-production with Theatr Clywd and after opening there in Wales, will tour to touring to The Lowry (Salford), Brewery Arts Centre (Kendal), Lighthouse (Poole), Theatre Royal Margate, Lincoln Performing Arts Centre, Appetite (Stoke-on-Trent), Darlington Theatre Town and Luton Culture. Continue reading “News: Paines Plough announces their 2018 programme”
“Is there a cause that I’d die for?”
Taking aim at anyone who tweeted #JesuisCharlie (and plenty more besides), Elinor Cook’s Image of an Unknown Young Woman continues the Gate Theatre’s long-running investigations into how the modern world sees and deals with revolution. The nation torn apart by civil war here is unspecified, just A N Other country with a repressive regime but when footage of a young woman in a yellow dress being shot by police at a demo gets uploaded to the internet, the video quickly goes viral, inciting a new social media phenomenon, and is adopted as the latest cause du jour by all and sundry.
Twitterstorms flare up about the correct level of anguish to show, sales of yellow dresses on ASOS increase, aid charities start pumping the wealthy for donations and the BBC send over a news crew. But as well as exploring how we, a Western audience (quite literally) respond, Cook also delves into the effects on the people still there like the young couple who uploaded the clip and the woman searching for her mother who may have gotten swept up in the mob. Ricocheting between the emotionally explosive and the physically threatening, between ‘us’ and ‘them’, unsettling truths come to light. Continue reading “Review: Image of an Unknown Young Woman, Gate Theatre”
“Are you in a relationship now?”
The Secrets now turns to Elinor Cook’s for The Lie as once again marriage falls under the scrutiny of our young writers. Here, Lexie’s domestic bliss is shattered when an inopportune phone call reveals that her husband is hiding something from her, a double life as she quickly finds out. And as with all such things, she visits the other woman’s house, who turns out to be a counsellor, and pretends to be a client in need of help.
Thus Lexie tries to explore what her husband has been up to and why, whilst not letting on to him that she knows, Joanne Froggatt’s brittle intensity perfect for the role as she comes up against the comparative glamour of Emilia Fox’s Zara. Their shared scenes are excellent and the hints of psychodrama that creep in here are amongst the story’s highlights. Ben Chaplin’s Philip isn’t quite the draw he needs to be though, the character never really suggesting adequate appeal.
Continue reading “TV Review: The Secrets 4 – The Lie”
“Do you think – deep down – that all men secretly hate women?”
Elinor Cook was the 2013 winner of the George Devine Award for Most Promising Playwright and so it is a natural fit that her play The Girl’s Guide to Saving the World should premiere at HighTide this year. Billed as “a frank and funny new play about friendship, feminism and what it means to be successful”, it’s a tale of nearly-30-something angst as Jane, Bella and Toby deal with the difficulties of accepting adulthood and what that means for their lives.
For Bella, it is calming down her chaotic sex life, just a little, and figuring out how to become the writer she wants to be rather than an in-house retail magazine scribe; for Jane and Toby, it is first recognising and then reconciling the huge differences in what they want from their partnership; and Jane’s relationship with longstanding best friend Bella is also under threat as their interests diverge even as they work together to tackle cultural representations of women via the medium of a blog. Continue reading “Review: The Girl’s Guide to Saving the World, HighTide”