Luther Series 5 aka the one that maybe goes too far?
“Can we do that?
Not quite flogging a dead horse yet, but the much anticipated fifth series of Luther indulges its title character far too much in the name of shocks and thrills, whilst simultaneously begging us not to misunderstand him, Nina Simone’s glorious voice plays out over the violent wreckage of the final scene.
As a crime drama, Neil Cross’ Luther really does manage to come up with inventively appalling serial killers and attackers that seem design to lurk in nightmares (the bus murder here…). But it is also increasingly tied up in the mythology of the show itself, the design here clearly aiming for some kind of apotheosis. Continue reading “TV Review: Luther Series 5”
“We’re gonna Jean Valjean the shit out of this”
PLAY – The Subterranean Season takes in plays 23-26 in their ever-growing programme of short plays, devised in just two weeks by a collaboration of writers, directors and actors up for the challenge of creating something sparklingly, spankingly, brand new and fresh. I saw PLAY Theatre Theatre Company for the first time at the VAULT Festival last year and fell for them hard, as is evident from the pull quote they’ve opted to use on their publicity this year (one for my scrapbook!).
As ever, the four PLAYs cover a wide range of themes and styles, from the deceptively whimsical to the psychologically acute, sometimes within the same 15 minutes. For me, Aisha Zia’s 24 and Miriam Battye’s 26 achieved this balance perfectly, the former (directed by Holly Race-Roughan) mixing hipsterish shenanigans with guitars and cardboard boxes with a darkening look at the desperation of flat-hunting in South London. And the latter’s portrayal of an intense friendship was breath-takingly good, Matt Harrison teasing some sensational work from Emily Stott and Jessica Clark. Continue reading “Review: PLAY – The Subterranean Season, VAULT Festival”