Saturday afternoon Evita treats

With Evita about to open once again in London, this edition of Saturday afternoon treats is a Perón spectacular.

First up is a collection of ‘Don’t Cry For Me’s’ – I love the newer versions of Madalena Alberto (the incumbent Eva) and Elena Roger which are more subtle (at least at first) interpretations but there’s also something thrilling about the full-on diva mode it provokes in Patti LuPone and Elaine Paige and their wardrobes.

But then I delved a little deeper and was simply blown away by the clips of LuPone’s performance in the first Broadway production so there’s a hugely charming take on ‘Buenos Aires’ and a scorching version of ‘A New Argentina’ that is breathtaking. The stirring choreography of Elena Roger’s own ‘Buenos Aires’ remains an absolute delight so I thought I’d stick that on the end too.

Continue reading “Saturday afternoon Evita treats”

Saturday afternoon music treats

In this week’s selection, we have Elaine Paige simply giving us life with one of the most amazing routines you will ever see (the arrival of genuine menacing jazz flute at 3.06 is the best bit), a gorgeous snippet from the forthcoming Water Babies musical, a much-needed reminder of why Bernadette Peters is as highly regarded as she is, an excerpt of the launch concert for the Words Shared With Friends album, a (probably illegal) clip from the Broadway version of Damn Yankees which I saw on stage for the first time recently and Jonathan Groff being dreamy. 

 

 
 

Continue reading “Saturday afternoon music treats”

Review: Eat Pray Laugh!, Palladium Theatre

“You’ve aged…but I’ve stayed the same”

Ours was never a household that watched “variety’s gigastar” Dame Edna Everage and to be honest, her schtick always seemed a little old-hat even as a young’un. Still, one has to appreciate the towering achievement of over 50 years in the business and so when a kind invitation to the opening night of Barry Humphries’ Farewell Tour came my way, a trip to the London Palladium was in order. And to further ram home how out of sync I am with this performer, I found myself amazed at the size of the star-studded gala put on and the near-full critical complement that had turned out to see Eat Pray Laugh!

Additionally, I don’t watch much live comedy at all. It’s always a bit too hit and miss for my liking – there’s nothing worse than feeling like you’re the only person not laughing – and being deaf, the acoustic challenges are often too much to surmount – actually, there’s nothing worse than a hall full of people pissing themselves at a joke you didn’t hear clearly. But along with the range of celebrities that turned up this Friday night, who am I to turn up my nose to a free ticket and so I shuffled past Elaine Paige and Maureen Lipman having a gossip, Richard E Grant taking sneaky pics of the set and Vivienne Westwood looking flawless to take my seat in the stalls. Continue reading “Review: Eat Pray Laugh!, Palladium Theatre”

Nominations for the 2012 Drama Desk Awards

Outstanding Play
David Henry Hwang, Chinglish
Dan LeFranc, The Big Meal
Members of the Plastic Theatre, Unnatural Acts
Itamar Moses, Completeness
Lynn Nottage, By the Way, Meet Vera Stark
Nina Raine, Tribes
Nicky Silver, The Lyons

Outstanding Musical
Bonnie & Clyde
Death Takes a Holiday
Leap of Faith
Newsies The Musical
Nice Work If You Can Get It
Once
Queen of the Mist Continue reading “Nominations for the 2012 Drama Desk Awards”

DVD Review: Hey Mr Producer

“Do something special, anything special…”

This charity shop malarkey is proving to be a veritable treasure trove of theatrical goodies, of variable quality I should stress, but after the delights of Ms Paige – which will be continued shortly with an upcoming DVD review – I was given this DVD of the 1998 Cameron Mackintosh extravaganza Hey Mr Producer which cost a whole 99p from a British Heart Foundation shop in north west London. A benefit concert ostensibly put together for the RNIB but also honouring and celebrating the work of producer Mackintosh (although oddly he was involved in putting the show together – honouring himself…) by bringing together excerpts from many of the most famous shows he has been involved in and pulling together an extraordinary cast of the musical theatre glitterati, many of whom originated the roles, the like of which has rarely been seen since.

And it really does come across as something special, at times a little frustrating but it is often the way with concerts like these that tantalise with little glimpses of shows and when the calibre of performer is such as it is here, one barely minds as there is much pleasure to be had. It is impressive how much was packed into the single evening, multi-song sections from shows were interspersed with single songs from others meaning that over 20 shows were showcased here. Whether it was shows I love – Little Shop of Horrors, Oliver!, Les Mis, ones I’m ok with – Phantom of the Opera, Company or even ones I’ve never actually seen – My Fair Lady, Miss Saigon, Martin Guerre, Carousel – the sequences that had more than one song worked surprisingly well, getting across something of the flavour of the shows even with the rapid pace and semi-staging. I would have loved to have seen and heard more from Anything Goes, Godspell and The Boyfriend and for Salad Days, Mackintosh’s favourite show apparently, to have gotten a proper treatment, but then I guess the three hour show would have gone on for days. Continue reading “DVD Review: Hey Mr Producer”

CD Review: Elaine Paige and Friends

“This is the nearest thing to crazy I have ever known”

There’s something rather amusing about the idea of Ms Paige leafing through her address book to decide who made the grade to appear on her latest duets album, last year’s Elaine Paige and Friends. We are most definitely in MOR territory here instead of musical theatre and the guest list reflects that with names like Barry Manilow, Neil Sedaka, Michael Bolton and Paul Anka popping up. There’s a couple of nods to her theatrical background too with John Barrowman and Idina Menzel on board too but the idea that either US country star LeAnn Rimes or controversial Irish singer Sinéad O’Connor stretches credulity just a little – it is however not surprising that Ms Dickson does not return here…

I must state for the record that this CD was purchased in the AgeUK charity shop in Sheffield for the princely sum of £1.99 – it was not one that I had envisaged buying previously but the combination of the unlikely aspects of the tracklisting and the simply delightful cover images meant that it was irresistible. And boy am I glad it was bought for me as it is one of the most amusing things I have ever listened to, as well as being one of the greatest crimes in recording history. The ways in which this CD, produced by Phil Ramone, offended are many and varied so I’ll just get right in there. Continue reading “CD Review: Elaine Paige and Friends”

Review: The Drowsy Chaperone, Novello

Direct from Broadway and originally written as a skit for a stag party, The Drowsy Chaperone (a musical within a comedy it claims) comes to London delivering 90 minutes of huge amounts of fun, though not quite the Elaine Paige star vehicle one might have imagined.

The show itself has a relatively simple plot, following the wedding day of pampered starlet Janet Van De Graaff who is about to give up show business to marry the dashing Robert Martin on the estate of ditzy Mrs Tottendale. Making life a little difficult for them is an array of odds and sods each with their own agendas, Janet’s producer who wants to stop the wedding, the outrageous Adolpho, Janet’s gin-drinking titular chaperone and a whole load of others beside. But where the show stands out is having it all narrated by Man in Chair. Continue reading “Review: The Drowsy Chaperone, Novello”