New interview series from the NT, Julius Caesar and Sunset Boulevard reappearing digitally and Hushabye Mountain coming to the Hope Mill
The National Theatre announced a new interview series Life in Stages, profiling some of the biggest names in British theatre. The series, which will be free to watch, will launch on the National Theatre’s YouTube channel on Thursday 22 April at 7pm BST with each new episode added at the same time every Thursday.
The first episode boasts Olivia Colman and Director and Joint Chief Executive of the National Theatre Rufus Norris. The second episode on Thursday 29 April will feature Romeo & Juliet co-stars Josh O’Connor and Jessie Buckley. On Thursday 6 May the third episode puts Adrian Lester and Meera Syal together. Details of further episodes from this series will be announced later this month. Continue reading “Some theatre news from the last week”
As a piece of digital theatre, Curve Leicester’s Sunset Boulevard in Concert plays excitingly with the possibilities of this developing form
“There’s nothing else – just us and these cameras”
Damned if do, damned if you don’t. Curve Leicester boldly took steps in the autumn to reimagine their auditorium in order to be able to mount a post-Lockdown #1 season of socially-distanced concert performances of previous hits. The ongoing mismanagement of the pandemic and the dance of the tiers put paid to those plans, even as technical rehearsals had already started but in a move that would please Norma Desmond herself, Sunset Boulevard in Concert has still found its way to the spotlight.
Nikolai Foster’s reconception of his initial adaptation of his original production sees him lean heavily into Sunset Boulevard’s cinematic origins, taking full advantage of the lack of audience to ditch the traditional notions of semi-staged concerts and create an inventive fusion of theatre and film. And with those restraints fully loosed, this production unfurls across every inch of the auditorium – Norma first appears from the back of the circle, Joe’s rooms are tucked into the fly tower, the ensemble watch impassively from the empty seats in an almost Brechtian manner of observation. Continue reading “Review: Sunset Boulevard in Concert, Curve Leicester at home”
Theatre Royal Bath will reopen on 3 December with a revised performance schedule for Oleanna and Copenhagen, the final two plays in the theatre’s Welcome Back Season.
David Mamet’s provocative drama Oleanna, directed by Lucy Bailey will star Rosie Sheehy and Jonathan Slinger, who replaces John Heffernan in the role of John. The play will now run in Theatre Royal Bath’s Ustinov Studio from 3 December to 22 December and again from 4 January to 16 January 2021. Reduced capacity at the Ustinov Studio will allow for an audience of 60 persons per performance.
The November run of Michael Frayn’s multi award-winning Copenhagen has been postponed until the new year when it will play Theatre Royal Bath’s Main House from 20 January to 6 February 2021. Directed by Polly Findlay it will star Haydn Gwynne, Philip Arditti, and in a change to original billing of Michael Gould, Malcolm Sinclair. Continue reading “UK theatre casting news – November update”
“Smile a rented smile, fill someone’s glass
Kiss someone’s wife, kiss someone’s ass”
Ria Jones’ extraordinary history with Sunset Boulevard might well be entitled The Norma Conquests – from originally workshopping the role of Norma Desmond for Andrew Lloyd Webber (music) and Don Black and Christopher Hampton (book and lyrics) in 1991 to her headline-grabbing stint as Glenn Close’s understudy in last year’s ENO staged concert version of the show to finally getting to play the leading role in her own right on this UK tour, premiering at Leicester’s Curve, some 26 years later.
And was it worth the wait? Jones certainly is making the most of her well-deserved moment, offering a different skillset for her markedly different interpretation. Jones is undoubtedly the better singer, the lushness of her voice soaring effortlessly to the impassioned heights of the score. And she’s a different kind of actress, offering a brasher, more manic kind of energy to this former movie star caught up in a fantasy world when a young screenwriter (Danny Mac) accidentally offers hope to her faded career. Continue reading “Review: Sunset Boulevard Curve, Leicester”
“It’s rather gaudy but it’s also rather grand”
It doesn’t feel like that long since La Cage aux Folles was strutting its stuff in London as I made several visits to the Playhouse as it rotated its main cast on a regular basis (Douglas Hodge and Denis Lawson, Philip Quast and Roger Allam, John Barrowman and Simon Burke) but it has a good few years. So the time is clearly ripe for a revival and Kenwright and co clearly agree as they’ve mounted the show’s first ever UK tour.
And with John Partridge and Adrian Zmed at the helm, it remains as gloriously entertaining and heart-warmingly lovable as ever. A story about love and acceptance always has things to teach us, gay or straight, now more than ever and the story of St Tropez nightclub owners Georges and Albin is a touching one as through dealing with Georges’ son’s fiancée’s parents’ homophobia, they learn more about themselves and their own identities. Continue reading “Review: La Cage aux Folles, New Wimbledon”