Stefan Golaszewski’s Mum goes out on an absolute high with a glorious third and final series with Lesley Manville and Dorothy Atkinson never better
“I think this will be an interesting week”
Any TV series starring both Lesley Manville and Sam Swainsbury has clearly been specifically designed for me and me alone, and so I choose to take Stefan Golaszewski’s decision to end Mum after this third series extremely personally. Problem is, the guy knows exactly what he is doing, as this glorious series really did go out on a high.
It’s taken me a little while to get around to watching it. I adored the first series, and the second, and I just wasn’t ready to say goodbye. But given her return to the stage at the National, it felt like as good a time as any to indulge in a Manville marathon. And you can watch this entire series in less than the running time of The Visit, without even having to get dressed, so everyone’s a winner. Continue reading “TV Review: Mum Series 3”
I wanted to like Mike Leigh’s Peterloo, I really did…
“You must be famished coming all the way from Wigan”
I’ve been a big fan of Mike Leigh’s film work, since discovering it in the last decade or so, and loved his last film Mr Turner. So news of his return to period drama, albeit through his idiosyncratic process, in Peterloo was a plus for me. The reality though is an epic that proved a real slog for me, even boring by the end. Continue reading “Film Review: Peterloo (2018)”
Season 2 of Harlots maintains an impressive run for this excellent series
“You let women do this to you?”
I loved the first series of Harlots when I finally got round to catching up with it recently, so I was keen not to let too pass to tackle Series 2. Inspired by Hallie Rubenhold’s The Covent Garden Ladies, creators Alison Newman and Moira Buffini have done a marvellous job of conjuring and maintaining a richly detailed world that puts women’s experiences front and centre.
The heart of the show has been the burning rivalry between competing madams Lydia Quigley and Margaret Wells, and Lesley Manville and Samantha Morton remain a titanic force as they do battle with each other while simultaneously battling a corrupt patriarchy that would abuse them and their power for a guinea a time. And with its new additions, this second series widens out that focus to incorporate the experiences of other women. Continue reading “TV Review: Harlots Series 2”
The best TV show you haven’t heard about? Harlots just might be it!
“When the time comes, I hope your quim splits”
I suppose that it is good that we have so many more options for good television to be made these days. The flipside to that is that it can be harder to keep track of it all. Harlots is fricking fantastic, a hugely enjoyable and high quality drama but airing on ITV Encore (and Hulu in the US), it has languished in the doldrums of the unfairly unheralded.
A glance at the castlist shows you how much of a waste this is. Samantha Morton and Lesley Manville at the head, Jessica Brown Findlay, Hugh Skinner and Dorothy Atkinson among the supporting, Fenella Woolgar, Danny Sapani and Kate Fleetwood popping up now and again too. This is luxury stuff and yet criminally few know about it. Continue reading “TV Review: Harlots Series 1”
A hugely successful return for Stefan Golaszewski’s BBC sitcom Mum, with world-beater Lesley Manville in brilliant form once again
“Three types of potato – are you out of your fucking mind?”
I’m not sure what we’ve done to deserve Stefan Golaszewski’s Mum but I’m sure as hell glad that we have it. The second series of this BBC sitcom has now drawn to a close and it is hard not to think that it isn’t one of the most magnificently perfect bits of television out there, surpassing even the heights of the superlative first season.
Starring Lesley Manville and Sam Swainsbury as it does, it could well have been machine-tooled to appeal to my Venn diagram of all Venn diagrams. But Mum is so much more than my varying crushes, it is a supremely well-calibrated piece of heart-breaking and heart-warming writing that finds its humour in that most British of ways, through adversity. Cathy’s husband and Michael’s best friend may have died a year ago but their attempts to move on, to maybe explore their mutual, unspoken attraction are constantly frustrated by the clod-hopping presence of her extended family at every beat. Continue reading “TV Review: Mum Series 2”
“I feel as sad as the sisters of Lazarus”
A number of the reviews of the first episode of Mum (here’s mine) were cautiously optimistic but commented that Stefan Golaszewski’s writing wasn’t really funny enough for a sitcom, or up to his previous TV show Him and Her. I hope that people persisted with it though, for it emerged as a simply beautiful piece of television, closer to a drama in the end than an outright comedy, and all the more affecting and effective for it.
In some ways, it’s not that surprising that it wasn’t a canned laughter kind of show – an actor of the stature of Lesley Manville, with her nearly 40 years of collaboration with Mike Leigh, wouldn’t do that, would she (I guess My Family being the exception here…). Instead, what we got was a subtle meditation on how life continues after bereavement, working through the stages of grief and minutiae of life over the course of that tricky first year. Plus Manville ate a large crisp in one go, now you don’t get that kind of quality just anywhere! Continue reading “TV Review: Mum”
“Sorry if this isn’t the sort of thing to say at a funeral”
In terms of the Venn diagram of my favourite things, you really could not get more precise than putting Lesley Manville on screen and then following that up with a shot of Sam Swainsbury in his boxer shorts. No, I’m not recounting a dream, this is the actual opening sequence of the first episode of new BBC2 sitcom Mum, directed by Richard Laxton (who worked with Manville most recently in River) – safe to say I’m hooked.
Written by Stefan Golaszewski, probably best known for Him and Her, Mum looks set to be a gently observational comedy rather than a straight-up sitcom. This first episode focused on Manville’s Cathy preparing for the day of her husband’s funeral, dealing with the influx of visitors to her house including her son’s new girlfriend, her brother and his snobbish wife, her ageing in-laws and an old family friend. Continue reading “TV Review: Mum, Episode 1”
“We want all the spirit of Lancashire, but not the accent”
One of the most anticipated bits of TV this Christmas was surely Victoria Wood’s adaptation of her musical That Day We Sang, featuring a Sweeney Todd reunion with Imelda Staunton and Michael Ball taking on the lead roles of Enid and Tubby. The show is a wonderfully heart-warming tale of extraordinariness coming out of the ordinary as Wood does so well, following two lonely middle aged Mancunians who dare to dream of love when life offers them a second chance.
They’re initially brought together at a special event in 1969 to celebrate the 40th anniversary of The Manchester Children’s Choir recording Purcell’s Nymphs and Shepherds (a real life event). Having lost touch and been ground down by the drudgery of life, each puts a long awaited sparkle in the other’s eye though as ever, the path of true love ne’er did run smooth. And Wood contrasts this story with a 1929 narrative that follows the experiences of the choir as they build up to their momentous day. Continue reading “TV Review: That Day We Sang”
“There’s no room for cynicism in the reviewing of art”
One might equally say there’s no room for cynicism in my reviewing of Mike Leigh’s work, such a fan of his oeuvre am I and the laidback, gruff charms of Mr Turner are no exception, confirming the iconic director in the full flush of his prime. Timothy Spall has already been deservedly rewarded for his wonderfully harrumphing performance of the last 10 years of the life of this most famous of painters and it is a compelling portrait, of a man established in his world as a bachelor, a master painter, and later a lover. Leigh’s episodic style fits perfectly into this biographical mode, dipping in and out of his life with the precision of one of Turner’s paintbrushes, colouring in a captivating collage of his later life.
Spall is excellent but around him, the women in his life provide some of the most hauntingly beautiful moments of the film. As Sarah Danby, the mistress and mother of the two daughters he would not recognise, Ruth Sheen is piercingly vivid, her barely contained fury resonating deeply. As Hannah Danby, her niece who was Turner’s long-suffering and long-serving housekeeper, Dorothy Atkinson is painfully brilliant as a woman subjugated and subdued by his wanton sexual advances, the psoriasis that afflicted her, and her deep love for the man. As “self-taught Scotswoman” and scientist Mary Somerville, Lesley Manville near steals the film in a simply beautiful self-contained vignette. Continue reading “Film Review: Mr Turner (2014)”
“We can get him online”
After watching The Nether at the Royal Court, a chat with a colleague about other plays that effectively depict the internet threw up Enda Walsh’s Chatroom which played at the National Theatre a few years back (and featured both Doctor Who (Matt Smith) and Spiderman (Andrew Garfield) in its cast. It was slightly before my time of insane theatre-going so I was glad to see that I could catch a film version, adapted by Walsh himself and directed by Japanese maestro Hideo Nakata.
The story concerns five teenagers in various states of unhappiness who find succour in online chatrooms. Disillusioned model Eva, anti-depressant taker Jim, unhappy daughter Emily and inappropriately flirtatious Mo are swept up by highly-functioning sociopath and self-harmer William in a room he’s created called Chelsea Teens! At first they just talk smack about those they don’t like but William soon manipulates them into acting on their feelings, with devastating consequences. Continue reading “DVD Review: Chatroom (2010)”