DVD Review: Appropriate Adult

“I’m not your friend Fred”

Not strictly a DVD review as I watched this on Netflix, finally getting round to using it having signed up a while back, and part of an impromptu Monica Dolan weekend – having seen her on stage for the first time with a magnificent turn in Chalet Lines and watching a DVD of her in She Stoops To Conquer. Her role as Rose West in Appropriate Adult is actually quite small across the two hour-long (ish) episodes but given how ferociously foul-mouthed and genuinely terrifying it is, this is probably a good thing.

The focus is on Fred West and Janet Leach, the trainee social worker drafted in to be the ‘appropriate adult’ whilst he is being questioned at a Gloucestershire police station on suspicion of the murder of his daughter. Her presence was requested to ensure that there could be no suggestion that West did not understand anything being asked of him, but we see a strange relationship building up between the pair even as increasingly horrific details about the number and nature of the crimes committed by the Wests came to light. Continue reading “DVD Review: Appropriate Adult”

fosterIAN awards 2011

 WinnerRunner-upOther nominees
Best Actress in a PlayEve Best, Much Ado About Nothing (Globe)Ruth Wilson, Anna ChristieRosie Wyatt, Bunny
Siân Brooke, Ecstasy
Lisa Palfrey, The Kitchen Sink
Geraldine James, Seagull
Best Actor in a PlayBenedict Cumberbatch, FrankensteinAndrew Scott, Emperor and GalileanTrevor Fox, The Pitmen Painters
Dominic West, Othello
Jude Law, Anna Christie
Charles Edwards, Much Ado About Nothing (Globe)
Best Supporting Actress in a PlayAlexandra Gilbreath, OthelloSheridan Smith, Flare PathSinéad Matthews, Ecstasy
Billie Piper, Reasons to be Pretty
Kirsty Bushell, Double Feature 1
Esther Hall, Many Moons
Best Supporting Actor in a PlayRyan Sampson, The Kitchen SinkHarry Hadden-Paton, Flare PathRobert Hands, The Comedy of Errors (Propeller)
Edward Franklin, Many Moons
Craig Parkinson, Ecstasy
Adam James, Much Ado About Nothing (Wyndhams)
Best Actress in a MusicalImelda Staunton, Sweeney ToddAdrianna Bertola, Josie Griffiths, Cleo Demetriou, Kerry Ingram, Eleanor Worthington Cox & Sophia Kiely, MatildaLaura Pitt-Pulford, Parade
Beverley Klein, Bernarda Alba
Jemima Rooper, Me and My Girl
Scarlett Strallen, Singin’ in the Rain
Best Actor in a MusicalBertie Carvel, MatildaMichael Ball, Sweeney ToddDaniel Evans, Company
Daniel Crossley, Me and My Girl
Alastair Brookshaw, Parade
Vincent Franklin, The Day We Sang
Best Supporting Actress in a MusicalSamantha Spiro, CompanyKate Fleetwood, London RoadJosefina Gabrielle, Me and My Girl
Josie Walker, Matilda
Rosalind James, Ragtime
Ann Emery, Betty Blue Eyes
Best Supporting Actor in a MusicalDaniel Crossley, Singin’ in the RainNigel Harman, Shrek the MusicalConnor Dowling, Guys and Dolls
Jack Edwards, Betty Blue Eyes
David Burt, Crazy For You
Nick Holder London Road

Leading Man of the Year 2011

In lieu of Mr Cowan’s (twice winner of this category) highly unfortunate ineligibility (due to the fact I haven’t seen him onstage this year), I was toying with the idea of renaming this award along the lines of The Elliot Cowan Award for Hotness, (cue bonus pic) 
but thought better of it. In any case, I present to you the winner, and then the 9 runners-up in no particular order of the men (so many of whom called Dominic) who made going to the theatre so much, somewhat less of a trial. This has also regularly been one of the most popular posts I do each year, shame on us all!

Continue reading “Leading Man of the Year 2011”

2011 Best Actor in a Play + in a Musical

Best Actor in a Play

Benedict Cumberbatch, Frankenstein
An odd choice given how much I disliked the play itself, but thinking back over the year as a whole, Benedict Cumberbatch really did stick out as one of the best acting performances, in both of the roles in Frankenstein. Initially disappointed that Cumberbatch was the Creature the first time we saw it (previews were a lucky dip in that respect) and recovering from the shock of the unexpected nudity, he overcame our preconceptions with 15 minutes of stunning wordless acting, a physical tour-de-force. I also felt he brought much more to the under-written and under-developed part of Victor Frankenstein, transcending the limitations of Dear’s writing as best he could. Others may disagree but I found him to be the best part about both incarnations of the show and indeed, it was only the promise of his acting that made me go back!

Honourable mention: Andrew Scott, Emperor and Galilean
I don’t think Andrew Scott has got anywhere near enough credit for his Herculean efforts in this show which has to rival Hamlet in its demands from a leading man. This saw Scott grow as an actor, working in nuanced depths into his style and making a genuinely tragic figure out of the Emperor Julian who can’t see the larger picture that his actions are wreaking on his empire.

Trevor Fox, The Pitmen Painters
Dominic West, Othello
Jude Law, Anna Christie
Charles Edwards, Much Ado About Nothing (Globe)

7-10

John Heffernan, Richard II (Tobacco Factory); Trystan Gravelle, Honest; Dominic Mafham, Journey’s End; Harry Melling, When Did You Last See My Mother


Best Actor in a Musical

Bertie Carvel, Matilda
Well it couldn’t really be anyone else, could it. One of those performances that you just know will become definitive, Bertie Carvel’s Miss Trunchbull is a masterclass in characterisation, a Quentin Blake illustration brought to genius life, and the perfect villain to face off with Matilda. There’s just enough of a tiny glimpse of frailty behind her walls to suggest the necessary chink in the armour but there’s so much fun to be had watching her at her bullying best. A truly must-see performance.

Honourable mention: Michael Ball, Sweeney Todd
Virtually unrecognisable as the demon barber, Michael Ball’s reinvention on the Chichester stage was hugely successful as he portrayed the glowering resentment of the wronged Sweeney Todd with barely repressed menace, sang with great passion and partnered Imelda Staunton like a dream.

Daniel Evans, Company (Crucible)
Daniel Crossley, Me and My Girl
Alastair Brookshaw, Parade
Vincent Franklin, The Day We Sang

7-10

Nigel Lindsay, Shrek the musical; Adam Cooper, Singin’ in the Rain; Jamie Sampson, Guys and Dolls; Joe Maxwell, The Hired Man

Review: Othello, Crucible

“Men should be what they seem; Or those that be not, would they might seem none!”

Forming part of the 40th anniversary season at Sheffield’s Crucible Theatre is a production of Othello which continues their ability to attract top-notch televisual talent: last year saw John Simm taking on Hamlet and here we find both Dominic West and Clarke Peters. But for all the draw of these stars of The Wire, the reason that I actually booked in the end was the casting of Alexandra Gilbreath, one of the few actresses for whom I would travel just about anywhere to see, indeed I’ve not actually got round to watching any of The Wire yet (I was all about Battlestar Galactica y’see).

It is actually the first time I had seen this play on stage, it wasn’t one I ever studied and held little interest for me since then if I’m honest, but I thought I would give this one a try and the decision paid dividends for this was a truly superb production. Directed by Daniel Evans, it is a traditional rendition but far from old-fashioned as this tale of deep betrayal pulses with life and energetic drama on the wide open stage of the Crucible. Continue reading “Review: Othello, Crucible”

Review: Butley, Duchess Theatre

“You’re having a terrible day…but you’re only making it worse”

The best laid plans oft gang aft and having pretty much decided not to bother with the Simon Gray play Butley, opening now at the Duchess Theatre, as I have been trying (and admittedly failing) to try and cut down on the amount of theatre I’m seeing, sure enough an offer I could not refuse popped up (courtesy of @bargaintheatre – a chap well worth a follow on Twitter for his ferreting around for some great deals) and so 10 English pounds for the best available seats in the stalls were spent for this first London review, the play having done a week in Brighton already.

Ben Butley is an academic stuck in an English department in a university at some point in the 1970s and having a frankly horrific first day of term. His wife wants a divorce, he is struggling to write his book on TS Eliot whilst his colleague has got a publishing deal, his students expecting their tutorials are impinging on his time but most significantly of all, his protégé Joseph, with whom he shares his office, his flat and frustratingly vague hints of further intimacy, is seeking his independence both professionally and domestically, about to move in with his lover Reg. In response to this turn of events, he turns up the irascibility and petulance as he flails against a world moving on without him, masking his fear of failure through some thoroughly obnoxious behaviour and a scathing line in rapier-sharp wit. Continue reading “Review: Butley, Duchess Theatre”

2010 What’s On Stage Award nominations

BEST ACTRESS IN A PLAY
Rachel Weisz – A Streetcar Named Desire at the Donmar Warehouse 
Alison Steadman – Enjoy at the Gielgud 
Fiona Shaw – Mother Courage & Her Children at the NT Olivier
Helen Mirren – Phedre at the NT Lyttelton 
Juliet Stevenson – Duet for One at the Almeida & Vaudeville
Lesley Sharp – The Rise & Fall of Little Voice at the Vaudeville 

THE CAPITAL BREAKS BEST ACTOR IN A PLAY
Jude Law – Hamlet, Donmar West End at Wyndham’s 
David Harewood – The Mountaintop at Theatre 503 & Trafalgar Studios 1 
Dominic West – Life Is a Dream at the Donmar Warehouse 
Ken Stott – A View from the Bridge at the Duke of York’s 
Mark Rylance – Jerusalem at the Royal Court Downstairs
Samuel West – Enron at the Royal Court Downstairs  Continue reading “2010 What’s On Stage Award nominations”

Review: Life is a Dream, Donmar

“Is the craft of our mind’s eye so skilful in its artistry, the fake becomes the thing itself?”

Written in 1635 by Pedro Calderón de la Barca, La Vida Es Sueño is considered one of the most significant plays in Spanish literature and enjoys a stature similar to Hamlet. It is presented here at the Donmar Warehouse in a new translation and version by Helen Edmundson and entitled Life is a Dream. Despite being nearly 500 years old, its central issues of the nature of reality and the possibilities of freedom in a cruel world have a remarkably current feel.

Set in Poland, the play focuses on Segismundo, played here by Dominic West, the young heir to the throne who has spent his life imprisoned in a tower because omens foretold that he would one day overthrow his father, the king. Given the chance to prove fate wrong and released into court, the prince lives up to his savage reputation and so is swiftly returned to jail where he is persuaded that all he thought he saw was a dream, hence the title. When he is then released a second time, events take a different turn as Segismundo has matured and learned about the consequences of his actions, especially as a future king, but also he realises that if indeed life is a dream, then it should be lived to the full. Continue reading “Review: Life is a Dream, Donmar”

Review: As You Like It, Wyndhams

William Shakespeare’s As You Like It has been given quite the makeover here at the Wyndhams Theatre in a new production. The action has been relocated to 1940s France which makes for a great visual aesthetic with the appropriate costumery and scenery (I loved the Parisian café), and a strong Gallic flavour to the music that permeates this entire production, with newly composed ballads by Tim Sutton livened by some onstage accordion action from Lisa-Lee Leslie.

A large ensemble play, it broadly speaks of redemption and resolution after conflict and suffering and is stuffed full of squabbling brothers, dukes, cross-dressing women, lovesick men and quadruple weddings in the Forest of Arden, falling under the pastoral comedy genre but with hints of darkness in there too which suit this post-WWII setting. But David Lan’s production has focused mainly on the burgeoning relationship between Rosalind and Orlando, desperate to be together but forced apart by her banishment from court. Continue reading “Review: As You Like It, Wyndhams”