I mean, just look at this absolute treasure trove of theatrical talent!
I’m off to listen to Patsy Ferran read Tom Wells, and Gabby Wong read Alexi Kaye Campbell, and Sarah Niles read Winsome Pinnock and…and…
Despite a fabulous returning cast, Series 2 of The Split is classy-looking tosh. Very watchable but tosh all the same.
“The last thing we need is for any more salacious details to come out”
Much like Series 1, the second season of Abi Morgan’s The Split treads a line between legal drama and deluxe soap opera and more often than not, it is less of a balancing act and more of a case of elements of the former sprinkled into a heavy dose of the latter.
Which in many ways in just fine. Getting to see the likes of Nicola Walker, Deborah Findlay and Anna Chancellor strutting in expensive contemporary costumery is a blessing in itself and the production values of this show never dip below the glossy magazine standards it has set itself. Continue reading “TV Review: The Split Series 2”
The Turbine Theatre opens with a production of 80s gay classic Torch Song Trilogy
“Just because I said that’s what I want doesn’t mean that’s what I want. I mean, that’s what I want but that doesn’t mean that I’m necessarily ready for it”
I remain unconvinced that what London wants, needs or is ready for is yet another new theatre but regardless, the Turbine Theatre is here, lurking under the arches in the shadow of Battersea Power Station like a cross between the Menier Chocolate Factory and the Union Theatre.
Its opening salvo is a production of Harvey Fierstein’s Torch Song Trilogy, directed by Drew McOnie in his straight play debut and in terms of appealing to – indeed finding – a new core audience (in lieu of the community of people who will actually live in this new development, heading for the gays makes for a wise choice. Continue reading “Review: Torch Song Trilogy, Turbine Theatre”
Gentleman Jack proves a huge success, for Sally Wainwight, for Suranne Jones, for lesbian storytelling, for everyone
“So much drama, always, with Anne”
Even with as reliably assured hands as Sally Wainwright’s at the tiller, I was a little nervous for Gentleman Jack in the pride-of-place Sunday evening TV slot. But I should have been surer of my faith, for it has been a stonkingly good 8 hours of drama, with an epically romantic lesbian relationship at its heart.
Anne Lister (Suranne Jones) is a wealthy Yorkshire heiress whose uncompromising nature about any and every aspect of her life rubs any number of people up the wrong way. Ann Walker (Sophie Rundle) is most definitely not one of them though, she wants to be rubbed the right way and so we follow the path of true love as it winds through the prejudices of the Yorkshire Pennines and Anne’s attempts to break into the coal mining world. Continue reading “TV Review: Gentleman Jack Series 1”
Years and Years sees Russell T Davies take on dystopian near-future sci-fi to startling effect
“We’re not stupid, we’re not poor, we’re not lacking. I’m sorry, but we’re clever. We can think of something, surely.”
What if…? What if…? What Brexit happens, what if Trump is voted in again and fires a nuclear bomb towards China, what if global warming happens today and not tomorrow, what if Lee from Steps is the most successful one…? Such is the world of Years and Years, Russell T Davies’ latest TV venture, a six-part drama that dares to ask what if it is already too late.
He uses the Lyons family as a prism to explore what the next 15 years of human history might look like, as technological advances make leaps and bounds alongside the political and social upheaval that strikes at the very heart of this sprawing middle-class Manchester-based family. It’s a daring piece of drama, full of Davies’ typically big heart and bold emotional colours and I have to say I rather loved it. Continue reading “TV Review: Years and Years”
I can’t help but think Humans might have run its course as a uniquely intelligent and British sci-fi drama
“…the coming together of man and machine. You can change the course of history…”
I’ve enjoyed where Humans has taken us thus far, and the beginning of a third series seemed promising. But as I got to the end of this season and twist after twist pointed at where the story might well continue, it felt like I might have reached my expiration date with the show.
The human/synth baby that Mattie is carrying, Niska’s transformation into ur-Niska, V’s survival…it’s hard not to feel that any of these feel far less interesting than where Humans are trod thus far in its carefully balanced but uniquely British brand of sci-fi. Continue reading “TV Review: Humans Series 3”
“You have HIV, you’re not radioactive”
William M Hoffman’s As Is has the distinction of being the first play to be written about the Aids epidemic but what is more impressive about this production, which comes 30 years after its 1985 New York debut, is that it doesn’t feel a dated period piece. Director Andrew Keates respectfully looks to the past – a memorial wall is provided for audience members to pay tribute to those that have been lost – but firmly anchors us in the present with a wide range of post-show activity exploring the sexual health issues that are still a major part of our world today.
It also helps that Hoffman’s play is really rather well constructed. It may be set in the middle of a New York gay scene slowly coming to terms with its decimation but at its heart, it is a poignant love story. Self-satisfied and sexually voracious, Rich swaggers through the world but as he contracts the disease that is afflicting so many of those around him, his relationships with friends, family and society in general are forcefully redefined. Clinging to devoted ex Saul, it’s a deeply affecting personal odyssey but a defiantly proud one too. Continue reading “Review: As Is, Trafalgar Studios 2”