“There is no God
There are no miracles”
Dennis Potter’s Brimstone and Treacle marks its 40th anniversary this year and so it’s as good a time as any to revive this dark drama that was so controversial on its release that the BBC banned it from its original Play For Today slot. It eventually played at Sheffield Crucible a year later and though it received a powerfully acted production (Tessa Peake-Jones, Rupert Friend) at the Arcola in 2012, Matthew Parker’s revival for his Hope Theatre feels perfectly poised to capitalise on its relevance to our fractured society.
Though written and set in the late 70s, Potter’s depiction of far-right politics, racism and homophobia, religious intolerance feels horribly recognisable. The way in which one character rationalises his decision to join the National Front has chilling new currency in this post-Brexit world and the supercilious smile that another character occasionally bares to the audience reflects nothing so much as the arrogance of Nigel Farage. Potter’s dramatic form of evil is naturally much more timeless but you can’t help but draw the parallels here. Continue reading “Review: Brimstone and Treacle, Hope Theatre”