The second series of Jonathan Creek continues the good form of the first, even if the writing starts to verge on the misogynistic
“There’s always an explanation”
After the success of its first season, Series 2 of Jonathan Creek followed in short order in early 1998. And having firmly established its modus operandi of impossible crimes and simmering but awkward sexual chemistry between Akan Davies’ Jonathan and Caroline Quentin’s Maddy, it carries on ploughing that same furrow.
This series sees Stuart Milligan added to the mix as Adam Klein, replacing Anthony Head who got the job as Giles on Buffy and whilst he is a vividly entertaining character, his presence seems to allow writer David Renwick to indulge in some misogynistic touches over and above what might be ‘forgiven’ for being 20 years old, just look at the way Adam and indeed Jonathan treat the majority of the women in their life… Continue reading “TV Review: Jonathan Creek, Series 2”
“Tyranny has many ways of prospering, since it can do and say what it will”
Productions of Greek tragedies have now been running for literally thousands of years due to the enduring relevance of much of their content, especially in the corrupting influence of holding power. Using Timberlake Wertenbaker’s 1991 translation, Primavera’s production of Sophocles’ Antigone for the Southwark Playhouse places the action squarely in a modern-day Middle East, full of political turmoil and regime changes.
Thebes has suffered years of war and oppression but when a final bloody battle leaves the two brothers battling for the throne dead, the new leader, Kreon makes moves to impose his rule. One brother will be buried with full honours, but the rebel one will be left to rot in the sand, the greatest punishment imaginable. His decision shocks many, in particular the dead brothers’ sister Antigone, whose determination to see the correct funeral rites observed leads to tragic conclusions. Continue reading “Review: Antigone, Southwark Playhouse”