TV Review: Silent Witness Series 6

Not a moment too soon, Series 6 of Silent Witness finally includes some colleagues for Sam Ryan to give us some relief from her relentless dourness

“Everyone know you love…getting involved”

Having flirted with releasing Sam Ryan from her torment with a suspected tumour at the end of the last season, Series 6 of Silent Witness makes the wise decision to change things up by building a team around her, to relieve some of the pressure of making her the centre of every case. So we welcome William Gaminara’s Professor Leo Dalton and Tom Ward’s Dr Harry Cunningham as colleagues to the sainted Sam, who allow for multiple cases to now be featured in each story.

It’s a good development and one which improves as the season goes on, even if the inclusion of drama in both their personal lives pushes us a little closer to the soapier side of things. But with the show now anchored in London, we do start to see the rapid changeover of police personnel between each story which, to me, feels like a missed opportunity. Brilliant work by the likes of Lia Williams and Stuart Graham, even Tim Healy, makes any of their investigating officers ripe for a series-long feature but no, it’s not to be.

And even with colleagues in tow, the show now openly mocks Sam’s predilection for getting involved, aka meddling, even to the point of standing in the middle of an active police operation with her hands on her hips saying ‘how dare you tell me what to do’. It’s a ridiculousness that is increasingly hard to bear. Continue reading “TV Review: Silent Witness Series 6”

TV Review: Beautiful People (Series 1)

Perfect fun for lockdown viewing, Series 1 of Beautiful People is an indisputable camp classic

“Reading’s such a dump guys, I don’t know how you do it”

There’s camp and then there’s camp. The first episode of Series 1 of Beautiful People contains, among other things, Égoïste advert reenactments, Tennessee Williams-based inner monologues to the tune of  ‘I Will Survive’, future dames Sarah Niles and Olivia Colman wrestling to the tune of ‘Spice Up Your Life’, and Sophie Ellis-Bextor covering ‘Jolene’. Naturally, it is huge amounts of fun.

Written by Jonathan Harvey from Simon Doonan’s memoirs, this 2008 comedy drama follows the life of thirteen-year-old Simon, who isn’t letting the fact that he lives in the sururban drudgery of Reading get in the way of being absolutely fabulous. He dreams of moving to London but until then, we get to see tales from his eventful childhood. Continue reading “TV Review: Beautiful People (Series 1)”

Film Review: Mrs Lowry & Son (2019)

Vanessa Redgrave and Timothy Spall are always watchable but Mrs Lowry & Son lacks the quality they deserve

“Anything’s possible living in Pendlebury”

Mrs Lowry & Son has two things going for it, in the shape of up-and-coming names Vanessa Redgrave and Timothy Spall in its two leading roles. Watch out for them, they’re bound to go far etc etc… What this biopic-of-sorts lacks though, is a film to match their talents.

Martyn Hesford has adapted his own radio play for the screen here and Adrian Noble’s direction does little to disguise the static staginess of its very nature. It covers the relationship between renowned artist LS Lowry and his unsupportive bed-ridden mother, at the point where his artistic career has yet to truly flourish. Continue reading “Film Review: Mrs Lowry & Son (2019)”

Round-up of news and treats and other interesting things

 
South London based site-specific theatre company Baseless Fabric are presenting David Mamet’s rarely performed short plays Reunion and Dark Pony in libraries across South London as part of National Libraries Week 2017. The plays are two of David Mamet’s earliest work, first produced in the US in 1976 and 1977 respectively and both feature David Schaal and Siu-see Hung in their casts.
 
Both of the plays explore father and daughter relationships and the audience will be immersed in the worlds of these plays in the unique and atmospheric library environments during National Libraries Week 2017 to raise awareness of exciting events happening in local libraries and bring theatre to people in their local library space. Artistic Director Joanna Turner directs with Set & Costume Designer Bex Kemp, creating a site-responsive design in each library space.
 
Performance Locations:
Mon 9th Oct 7.30pm – Durning Library, SE11 4HF (nearest station: Kennington)
Tue 10th Oct 7.30pm – John Harvard Library, SE1 1JA (nearest station: Borough)
Wed 11th Oct 7.30pm – John Harvard Library, SE1 1JA (nearest station: Borough)
Thu 12th Oct 7.30pm – Merton Arts Space, Wimbledon Library, SW19 4BG (nearest station: Wimbledon)
Fri 13th Oct 7.30pm – Merton Arts Space, Wimbledon Library, SW19 4BG (nearest station: Wimbledon)
Sat 14th Oct 3pm – Earlsfield Library, SW18 3NY (nearest station: Earlsfield)
Sat 14th Oct 7.30pm – Battersea Library, SW11 1JB (nearest station: Clapham Junction)
Sun 15th Oct 6pm – Clapham Library, SW4 7DB (nearest station: Clapham Common)
Tickets: £9/£7

Continue reading “Round-up of news and treats and other interesting things”

TV Review: Fearless Episode 1

“You let a terrorist’s wife live in your home and you set a murderer free”

Fearless is a new six-part drama on ITV and whilst some people might be excited by the fact that it is written by one of the writers of Homeland (Patrick Harbinson), all right-thinking people will of course be psyched that it is giving Helen McCrory a stonking leading role. She plays human rights lawyer Emma Banville who is utterly unafraid to butt heads with the world as she investigates miscarriages of justice.

Her latest case draws her into the orbit of Kevin Russell (definite fave Sam Swainsbury) whose conviction for murder looks to be a little iffy. With perhaps a little too much ease, she finds it unsafe and secures a retrial but looks set to have opened up quite the can of national security-flavoured worms as a serious-looking transatlantic phone call on a secure line seems to suggest that there is much more to this than meets the eye. Continue reading “TV Review: Fearless Episode 1”