Full of shocks that actually mean something, Series 5 of Spooks is one of its absolute best
“The British people will accept anything if you serve it up with a picture of Will Young in the shower”
A cracking series of Spooks that starts off with a series of bangs, robbing Colin of his life and Juliet Shaw of her ability to walk, the introduction of Ros Myers to the team is an invigorating success, particularly as she inspires Jo to become more badass too. This incarnation of the team really does click well, responding smoothly to the enforced changes in personnel, though newly single father Adam’s mental health crisis too often feels like a plot device rather than a genuine exploration of PTSD.
Subject-wise, the relevance level remains high, particularly pertinent when it comes to national crises with panic buying and over-stuffed hospitals feeling all too real. The role of fundamentalist zealots is shared equally between Christian and Islamic believers over the series and even if the finale underwhelms somewhat, the eco-terrorism theme hasn’t become any less significant.
I’m still not over it, the defenestration of Ruth Evershed. Having finally made it to a date with Harry, which went about as well as could be expected, she runs up against a murderous Oliver Mace conspiracy and ends up having to fake her own death to protect Harry and ends up fleeing the country. An ignominious end for the heart of the team. Continue reading “Lockdown TV Review: Spooks Series 5”
“Ethan, you’re not making any sense”
Emmanuelle Béart probably wouldn’t thank me for selecting this particular movie to represent her but as I scrolled down the rest of the cast list, I could scarcely believe that both Kristin Scott Thomas and Vanessa Redgrave were in this film – it being so long since I first saw it that I remember nothing of it – that I couldn’t resist revisiting it. A remake of the 70s TV show helmed by Brian De Palma and led by Tom Cruise, Mission: Impossible has since become a highly successful franchise, though this first film hasn’t really stood up to the test of time.
It is actually quite amusing to watch, not least because it is nearly 20 years old now and nothing dates quite so quickly as a movie that does hi-tech. The 90s version of the internet is hilarious as is the technological chatter, and the email client that is used is as quaint as anything. Special effects look laboured (those glasses…!) and the climactic big sequence is simply daft – a helicopter chasing a Eurostar train through the Channel Tunnel? (although granted, such ridiculousness is a Hollywood staple in such big-budget action films). Continue reading “DVD Review: Mission Impossible”
“People are saying you only made silk because you’re a woman and from Bolton”
The joys of Netflix allowed me to quickly move onto Series 2 of Silk in perfect time before the third, and final, series hit BBC1, and it remains an excellent piece of television, a quality legal drama blessed with some cracking writing, a stellar leading cast, and a revolving ensemble which continues to draw in the cream of British acting talent to give their supporting roles and cameos. The series kicks off with Maxine Peake’s Martha having ascended to the ranks of QC whilst Rupert Penry-Jones’ Clive languishes in her slipstream, and the dynamics of their relationship form a major driver of the narrative.
Her adjustments to her new role and responsibilities are fascinatingly drawn, especially as she negotiates the ethics of working with a notorious crime family and their shady legal representation. And his pursuit of that exalted status of QC as he stretches himself professionally to take in prosecutions, as well as Indira Varma’s attractive solicitor, is challenged when he overreaches himself in a particularly pressing case. As ever, individual cases fit into each episode as well, but these wider storylines are where the real interest comes. Continue reading “DVD Review: Silk, Series 2”
Breakfast at Tiffany’s is the latest film adaptation to hit London’s West End, taking up residence in the Theatre Royal Haymarket. Not having seen the film, I had to be informed that this adaptation is actually much closer to the original Truman Capote novella than the Hollywood version, so namely there is much less coyness about how the leads make their money and the timeframe is restored back to 1943. A young writer, Fred, makes his way to New York City where he meets Holly Golightly “a charming, vivacious and utterly elusive good-time girl” who lives in his building and we follow their developing relationship for a year, in the shadow of World War II and her need for a rich sugar daddy.
Events did not start off well by the first main scene seriously evoking the recent corpse of Too Close To The Sun with some pointlessly fast revolving sets, followed by a metal lampshade that lost control and clanged endlessly against a bit of the set, and then by a cringeworthy dance routine which left most of my party helpless with the giggles. This triple threat should have warned us to leave then and there: the evening did not get any better. Continue reading “Review: Breakfast At Tiffany’s, Theatre Royal Haymarket”