With a long list of major founding donors, including Danny Boyle, Emilia Clarke, Tom Hiddleston, James McAvoy, Ian McKellen, Daniel Radcliffe, Emma Thompson and Rachel Weisz, the Theatre Community Fund has received a pledge of £1 million.
Some of the biggest names from British stage and screen have joined together to support creatives in the beleaguered theater industry as it struggles to survive the COVID-19 crisis.
Created by Phoebe Waller-Bridge, Olivia Colman and theatre producer Francesca Moody (who was the original producer of Waller-Bridge’s Fleabag stage show), the newly-launched Theatre Community Fund has already received a pledge of £1 million and amassed £500,000, having signed up a who’s who of actors, directors, writers and producers as founding donors. Continue reading “News: Phoebe Waller-Bridge and Olivia Colman launch theatre support fund”
Not really news, more a heads-up to this brilliant piece in the Guardian which covers the 30-odd years that Tristram Kenton has been taking pics for the Guardian’s theatre coverage. Highly recommended: https://www.theguardian.com/stage/gallery/2020/jul/30/caesar-cilla-and-a-superstar-cast-tristram-kentons-stage-archive-in-pictures
Photos: Tristram Kenton
Arriving on the big screen four years later, Spooks: The Greater Good does little to make the case for its existence
“You can do good, or do well”
Arriving some four years after the end of the TV series, Spooks: The Greater Good was an ill-advised coda to the Spooks experiment, leaving writers Jonathan Brackley and Sam Vincent at the helm despite the decidedly mixed results of their ascension to head writers on the show (poor Lucas).
Cinemas are hardly calling out for new spy franchises yet there’s an added sense of ‘what’s the point’ as along with the four year wait, there’s a story with no real connection to the 10 series that preceded it, and a cast sprinkled with the characters who survived but which prioritises brand new ones. Continue reading “Film Review: Spooks: The Greater Good (2015)”
Despite a mostly good cast, Tulip Fever proves a punishingly dull film – not even self-isolation should drive you to this one
“Amsterdam was captivated by a flower”
The signs weren’t good. Tulip Fever was filmed in 2014 but was pushed and pulled around the schedules before it finally surfaced in 2017, notorious producer Harvey Weinstein clearly hoping that some post-production magic would win over reluctant test audiences. Safe to say though, such an amount of chopping and changing does no-one any favours as Justin Chadwick’s film remains punishingly dull.
Based on Deborah Moggach’s book, with screenplay by Moggach and Tom Stoppard, the story (mainly) centres on Sophia, an orphan whisked out of convent life by a wealthy merchant who wants her essentially as a brood mare, But things ain’t clicking in the bedroom, so Sophia tumbles into an affair with the artist her husband has commissioned to do their portrait. And competing for screentime, tulip mania has hit the Netherlands. Continue reading “Lockdown film review: Tulip Fever (2017)”
How do you mark a significant birthday? My parents are currently (jointly) turning 140 and are celebrating the occasion with a six month program of events, peaking with an all-day party happening very soon. But if you’re the Old Vic and you’re turning 200, you open your contacts and see who is free.
Turns out a fair few people are, and so their list currently includes Nikki Amuka-Bird, Sheila Atim, John Boyega, Cate Blanchett, Bertie Carvel, Kim Cattrall, Lily Cole, Alan Cumming, Judi Dench, Michelle Dockery, Rupert Everett, Martin Freeman, Tamsin Greig, David Harewood, Derek Jacobi, Toby Jones, Cush Jumbo, Ben Kingsley, Pearl Mackie, Helen McCrory, Ian McKellen, Bill Nighy, Anika Noni Rose, Maxine Peake, Mark Rylance, Andrew Scott, Tom Stoppard, Stanley Tucci and Julie Walters.
Continue reading “News: Old Vic bicentenary ambassadors announced”
“Because your song is ending, sir…It is returning. It is returning through the dark. And then, Doctor? Oh, but then… He will knock four times.”
Cos he’s special, David Tennant got to spread his farewell over 4 specials from Christmas 2008 to New Year 2010, and as this also marked Russell T Davies’ departure from the show, the stories start off grand and rise to operatic scales of drama by the time we hit the megalithic The End of Time. That finale works well in its quieter moments but does suffer a little from an overabundance of plot and whatnot. The Next Doctor and Planet of the Dead are good value for money romps but it is The Waters of Mars and all its attendant darkness that stands out most, teasing all the complex arrogance of a God-figure gone wrong. Continue reading “Countdown to new Who: Doctor Who Specials 2008-2010”
Gemma Arterton and Michelle Terry (almost) in the same play, how my heart doth beat. Sam Yates’ Love’s Labour’s Lost combines Arterton and David Dawson dashing delightfully through the corridors of the Royal Palace of Olite of Navarre, Spain as Berowne and Rosaline, whilst drawing in elements from the gorgeous 2009 production at the Globe – one of my favourite clips from the whole Complete Walk.
Queer as Folk hits Austria (I suppose I’m showing my age, the more contemporary reference would be Game of Thrones) as Aidan Gillen takes on Measure for Measure at Vienna’s Burg Liechtenstein. Last year’s production at the Globe gets a look in too and reminds me that I think it was much maligned for trying a more comic take on the play for once.
The Two Gentleman of Verona
A slightly different take from Christopher Haydon here as he has location footage – filmed at the Scaligero di Torri, Verona with Meera Syal and Tamara Lawrance – but opts to explore the play’s dramatic links to the rest of the canon. So we get clips of 10 of Shakespeare’s other plays and are shown how devices and plots are reused time and time again.
Possibly one of my most favourite potential productions in the making here, as James Dacre takes David Harewood and John Heffernan to Othello’s Tower in Famagusta, Cyprus where they nail it. Please make this happen somehow.
Timon of Athens sees Dromgoole go for the similar star wattage of Dominic West in Coriolanus, opting to focus on Simon Russell Beale wandering through atmospheric parts of Athens with no other actors or productions to distract. And it works wonders again, even if I’m not sure I need to see the play again in a hurry.
Despite no lack of ambition (and a reputed £17 million budget), Beowulf: Return to the Shieldlands proves a sore disappointment
“I was beginning to think you wouldn’t come”
Looking back at my review of Episode 1 of Beowulf: Return to the Shieldlands, there really was a naive hope on my part that this would be something of a success, as ITV lunged for a slice of the epic fantasy TV market. But lawksamercy it hasn’t been good.
Cleaving so closely to the Game of Thrones template (seriously, those opening credits…) does the show no favours at all, as they can’t hope to compete with the meticulousness of the years of George RR Martin’s world-building or the heft of HBO’s cinematic-sized budget. Continue reading “TV Review: Beowulf: Return to the Shieldlands”
“We’ve got the best criminal justice system in the world and the jury will get it right”
I do love me a good crime/legal procedural on the television (see North Square, The Jury, Murder One, Damages) but I rarely have the time to watch everything I want to these days and the BBC series Criminal Justice is one of the ones that slipped through the cracks. It has sat on my Lovefilm queue for ages and after a conversation about Ben Whishaw with one of his fans, I decided to finally get round to watching both the series on DVD.
Predictably, I loved it. Written by Peter Moffat (who also penned North Square), it is a five episode trek through one person’s journey through the various stages of the criminal justice system. The 2008 first series starred the aforementioned Whishaw as Ben Coulter, an aspiring footballer who finds himself accused of murder after a drink and drug-fuelled night out with a girl who ends up stabbed to death whilst Ben struggles to remember any of the details of what actually happened. And so from interview rooms in the police station to failed bail appeals and prison cells and then the subsequent court case, Ben’s experience at the hands of the system is thrillingly portrayed. Continue reading “DVD Review: Criminal Justice Series 1”
“I mean to have that ruby”
The Ruby from the Smoke is the first in a series of four books featuring adventuring lead character Sally Lockhart. Here a mysterious message received from her father just before he drowned in the South China Seas sets her on a dangerous journey which starts with a man dying in front of her very eyes at the mere mention of what is contained within. She is then drawn into a mystery involving the opium trade, the fabled Ruby of Agrapur and even secrets from her own family history as her life is under constant peril from the dastardly Mrs Holland.
This was one of those things that I pretty much knew I was going to love from the moment I heard about it, but it certainly does help that I do really like the actress that Billie Piper has become. There’s an inner strength to her as well as a richly warm quality that is highly endearing and ideally suited to this modern figure of a woman, challenging Victorian notions of womanhood as she strives to uncover the truth. And Pullman writes extremely well for his female characters, something carried over in Adrian Hodges’ screenplay, as Hayley Atwell’s Rosa makes a sterling ally for Sally and as the evil Mrs Holland, Julie Walters makes a convincing villain. Obviously casting against type, it is an astonishingly effective performance, exuding huge malevolence and full of spine-chilling touches – the false teeth in particular – it’s a vein of work she ought to pursue a little more. Continue reading “DVD Review: The Ruby in the Smoke”