A trio of cast album announcements from the last couple of weeks offers a different way to help support theatres in these trying times
Nicholas Lloyd Webber and James D. Reid have launched a crowdfunding campaign to raise £200,000 for a special recording of The Little Prince musical album and provide over 70 people in the theatre industry with jobs during the current COVID-19 pandemic
Richard E. Grant, Kevin McKidd, Sierra Boggess, Tracie Bennett, Amara Okereke and Lorna Want will all lend their support to the project by playing principal cast members. Emma Lindars, Emma Harris, Sarah Ryan, Alison Arnopp, Janet Mooney, T’Shan Williams, John Addison, Oliver Lidert, Michael Pickering, James Gant and David Durham will also be part of the cast.
Audiences can choose from a range of available rewards from the crowdfunding campaign whilst also creating essential jobs. The full list of awards can be found here: https://www.indiegogo.com/projects/the-little-prince-the-album Continue reading “News: cast albums for The Little Prince, HouseFire and Treason”
“Because the lives of the wicked should be made brief.
For the rest of us death will be a relief.”
A handful of cancelled performances due to production design problems meant I missed Sweeney Todd in Derby but fortunately, it being a co-production with Colchester’s Mercury meant that I was able to fit it in to what has been a most hectic schedule this October. And I’m glad I did, for Sondheim and Hugh Wheeler’s musical proves once again to be an evergreen classic and Daniel Buckroyd’s production here makes that case, whilst still establishing its own spin.
Most notably, it comes in the casting of Hugh Maynard as the titular Demon Barber of Fleet Street, for much as I’d love us to be in a place where it doesn’t matter, it still feels important to note that he is the first black man to play the role professionally in the UK. And from his very first utterance, you’re left in no doubt whatsoever that he’s more than up to the task, giving us a viscerally angry Sweeney, his fury his defining characteristic right up until the finale. Continue reading “Review: Sweeney Todd, Mercury Theatre”
“There is more to life than you ever knew, than you ever dreamed,”
Sheffield feels the right place for Flowers for Mrs Harris to come into bloom, its delicately understated charm and musicality making this a world away from the brash, cut-throat commercialism of West End musicals. That’s not to say I wouldn’t love to see this show come down to the capital, for it does deserve such wider attention, but rather to celebrate the creation and nurturing of musical theatre from all parts of the country, a recognition of a theatrical ecology that thrives far beyond the M25.
Daniel Evans’ artistic directorship of Sheffield Theatres, which ends with this production, has been a key part of that over the last few years and it is pleasing to see that his presence in the overall picture will continue as he departs for Chichester Festival Theatre. As for now, we get a gorgeous piece of unmistakably British musical theatre that is as heart-warming and tear-jerking as they come, a tenderly sentimental exploration of far-fetched dreams and earthily real friendships. Continue reading “Review: Flowers for Mrs Harris, Crucible”