Theatrical archaeology meets real archaeology in Hoard – Rediscovered as the New Vic Theatre revisit their Staffordshire Hoard Festival for the streaming age
“The archaeologists have of course found no evidence of dragons”
After a weekend immersed in the plummy accents of The Crown, it was wonderfully refreshing to counter-balance that with the everyday cadences of blessedly much more regular folk in Hoard – Rediscovered. Staffordshire’s New Vic Theatre has a rich tradition of verbatim work and with this characterful addition to theatre’s necessary shift to the streaming world, there’s quite the digital treasure trove in store.
Hoard – Rediscovered sees the New Vic revisit their 2015 Staffordshire Hoard Festival, a celebration of new writing focused on the remarkable discovery of a mighty hoard of Anglo-Saxon gold in a field in 2009. Written and directed by New Vic artistic director Theresa Heskins, Unearthed is a verbatim docu-drama that shifts the attention away from the thousands of pieces of treasure to focus on the stories of the real people whose lives it impacted. Continue reading “Review: Hoard – Rediscovered”
Flashes of excellence can be found in the midst of any production so this list celebrates some of those breath-taking and/or memorable moments that really made theatregoing enjoyably fun this year
For reference, here’s my 2018 list, 2017 list, 2016 list, 2015 list and 2014 list.
Crying with laughter at the VAULT
I don’t think I have laughed so much and so helplessly for a long time as I did with improv group Sorry.
Jessica Hung Han Yun’s extraordinary lighting in Equus
Ned Bennett’s production of Equus had so much to commend but it was Jessica Hung Han Yun’s lighting work that really stood out for me Continue reading “10 of my top moments in a theatre in 2019”
Years and Years sees Russell T Davies take on dystopian near-future sci-fi to startling effect
“We’re not stupid, we’re not poor, we’re not lacking. I’m sorry, but we’re clever. We can think of something, surely.”
What if…? What if…? What Brexit happens, what if Trump is voted in again and fires a nuclear bomb towards China, what if global warming happens today and not tomorrow, what if Lee from Steps is the most successful one…? Such is the world of Years and Years, Russell T Davies’ latest TV venture, a six-part drama that dares to ask what if it is already too late.
He uses the Lyons family as a prism to explore what the next 15 years of human history might look like, as technological advances make leaps and bounds alongside the political and social upheaval that strikes at the very heart of this sprawing middle-class Manchester-based family. It’s a daring piece of drama, full of Davies’ typically big heart and bold emotional colours and I have to say I rather loved it. Continue reading “TV Review: Years and Years”
Been a bit quiet on the show front whilst I’ve celebrating a particular anniversary (I turned 29, for the 11th time if anyone’s counting…) but I was pleased to have been treated to a couple of special evenings out with Helen McCrory and Helena Bonham Carter reading poetry and a return visit to West Side Story
“Time to look, time to care,
Front row tickets to something with Helen McCrory? It’s the stuff birthday dreams are made of, and so I was delighted to get to go to Allie Esiri Presents Women Poets Through the Ages at the Bridge Theatre. And not only was there McCrory action, there was a reunion of evil Harry Potter sisters Narcissa Malfoy and Bellatrix Lestrange as Helena Bonham Carter was also on the bill.
Continue reading “Birthday treats – poetry and post-show talks”
“Yet another everyday story of country folk”
And so Series 2 of Happy Valley winds to a close and you have to hope that the people who acclaim Scandi-noir as the high point of today’s television recognise that this slice of Yorkshire-bleak is just as good, if not better. Sally Wainwright might have thrown some people for a loop by moving (even further) away from straight police procedural to something much more intimate and emotionally complex, placing Sarah Lancashire’s utterly magnificent portrayal of Sgt Catherine Cawood at its very heart. (My thoughts on episode 1 are here.)
“Omnipotent and ubiquitous, God I’m good” she wryly notes as a younger colleague drunkenly praises her at the end of a boozy evening and as the multiple strands of this series slowly began to converge, it was her presence that knitted the whole thing together. Wainwright’s closer hand on the tiller (directing four of the six episodes, all of which she wrote) allowed for some of the bolder moment to really shine, notably the two-handers that opened so many of the shows, a scorching stillness and quietude that underscored much of the horror of policing the Dales. Continue reading “TV Review: Happy Valley Series 2”
“The earth sings when he touches it”
The slow decline of the English rural economy and the way of life that accompanies it has proved a fruitful one for playwrights and it is a subject to which Daniel Foxsmith has turned, drawing on his own brief experiences in a livery yard, for his third play Weald for Snuff Box Theatre. And hand in hand with this changing world come questions about our place within it, once clearly defined gender roles now more fluid, Foxsmith suggesting that modern masculinity is in crisis for both young and old in this intriguing two-hander directed by Bryony Shanahan.
Now in his 50s, grizzled and weatherbeaten, Sam has worked the yard as long as he can remember but life seems to be passing him by – his wife has left him and he’s sold off the farmhouse to make ends meet. And it’s a life to which Jim, a 25-year-old full of cocky swagger, has returned, after flying the coop six years ago for life in London. There’s much history between the pair, not least in the manner of Jim’s parting and as he wangles his way back into his old job, secrets old and new start to spill forth like imaginary animal feed into a bucket. Continue reading “Review: Weald, Finborough Theatre”
Albert Herring, Royal Northern College of Music
Gianni Schicchi, English Touring Opera, Buxton Opera House
Lucia di Lammermoor, Clonter Opera
The Portrait, Opera North, The Lowry
Utopia Ltd, Gilbert & Sullivan Festival, Buxton Opera House
Carlos Acosta, The Lowry
Cinderella, Birmingham Royal Ballet,The Lowry
Danish Dance Theatre, Triple Bill, The Lowry
Richard Alston Dance Company, Triple Bill, The Lowry Continue reading “The 2011 Manchester Theatre Awards nominations”