It’s the end of the universe – so of course Doctor Who – Time Fracture is utterly chaotic. It is also rather good fun.
“The gateway is active”
Time Fracture isn’t the first time Doctor Who has ventured into the world of immersive theatre. Punchdrunk’s The Crash of the Elysium was a triumph a decade ago so it’s about time (and relative dimension in space) that we got another and fresh from the success of their Gatsby experience, Immersive Everywhere have launched this huge new immersive endeavour. A time bomb has been dropped in 1940s London but its cataclysmic explosion is only due in the near future. Only us – a team of volunteers recruited by the Doctor – can save the day – sonic screwdrivers at the ready.
The need for #spoilers means that I can’t give too much away but the show takes full advantage of the cracks in time caused by the bomb falling to offer up vignettes that involve major historical figures, explore far-future technological innovation and nod to the rich and varied legacy of Doctor Who and its iconic characters. I can safely say I had two properly wish-I-could-hide-behind-the-sofa moments – one of which is ingeniously staged late on – and two hairs-on-end moments, one of which reconfirming just how brilliant Jodie Whittaker’s Doctor is. Continue reading “Review: Doctor Who – Time Fracture”
Marking the month in which he would have turned 90, the Guardian delves into the Harold Pinter chapter of Tristram Kenton’s photo archive:
Photos: Tristram Kenton
Some epic storytelling and a mighty ensemble make the hyper-violence of Gangs of London highly watchable
“A war was started when my father was shot”
Sky 1 seem to have got themselves quite the coup in Gangs of London, a major new series which – if there was any justice in the world – ought to break through the limitations of Sky’s minimal audience share. Created by Gareth Evans and Matt Flannery and boasting a highly exciting ensemble cast, it is a visceral and highly violent look at an immense power struggles between power syndicates in London after the assassination of the patriarch of its premier crime family.
Finn Wallace ruled the streets of London for 20 years but in the wake of his untimely death and with no-one taking responsibility for ordering the hit, it falls to his younger son Sean to take the reins. But Sean is a highly volatile young man and the careful balancing act required to keep the billions of pounds flowing through the organisation and to maintain the equilibrium between so many warring factions is of little interest to him whilst his father’s killer remains unpunished. Continue reading “TV Review: Gangs of London (Sky 1)”
I get stuck into the first episodes of TV shows Van Der Valk, The Good Fight, Gangs of London and Penny Dreadful: City of Angels to see what my next must-see will be
“Who else was masturbating into plants?!”
I’m of course far too young to remember the original Van Der Valk – had I seen it before though, I might well have saved myself this couple of hours. Importing a British cast to play Dutch detectives in a crime serial set in Amsterdam seems like such a retrograde move, I still can’t get my head around it, especially in this day and age when so much quality foreign-language drama is readily available. Written by Chris Murray, this revival sees Marc Warren head up the cast as a maverick detective with a team who aid and abet his behaviour – there’s not a smack of originality about it, nor any real interest sadly…great locations though. Am already dreaming of my return to the city, but not sure I’ll be revisiting this show. Continue reading “New TV shows to get stuck into”
“It is known that the Doctor requires companions”
Right – the first season that I haven’t rewatched any of at all. Things get a bit hectic here as once again, the series got split in two, accommodating the mid-season departure of Amy and Rory and the (re-)introduction of new companion Clara Oswald, plus a pair of specials respectively marking the 50th anniversary of Doctor Who and the end of Matt Smith’s tenure as Eleven. It all adds up to a bit of a bloated mess to be honest, though not without its high points.
Amy and Rory feel a little ill-served by their final five, the introduction of Mark Williams as Rory’s dad detracts from their screen-time (yet he doesn’t feature in their farewell?), though the return of the Weeping Angels gives their noirish NY-set exit episode some real heft. And though I admire Jenna Coleman’s confident take on Clara, she’s a hard companion to warm to without any contrasting humanity to go with her intelligence and intensity.
The ‘Impossible Girl’ arc didn’t really tick my box and the grandiosity of Moffatt’s writing for the finale of The Name of…, The Day of… and The Time of the Doctor doesn’t really help (I was curiously unmoved by all the fan-service second time round). Still, Gatiss knocks it out of the park with the superb Ice Warrior tale Cold War and bringing mother and daughter Dame Diana Rigg and Rachael Stirling together on screen for the first time. Continue reading “Countdown to new Who: Doctor Who Series 7”
“After all this time?”
aka the one that wraps it all up, and pisses it away with a ridiculous epilogue
“Why is it, when something happens, it is always you three?”
aka the one that gets dark but really starts wasting its talent
“Just because you’ve got the emotional range of a teaspoon…”
aka the one that should have launched Helen McCrory into the stratosphere as Bellatrix
“Dark and difficult times lie ahead”
aka the one that is weirdly old-fashioned
Despite no lack of ambition (and a reputed £17 million budget), Beowulf: Return to the Shieldlands proves a sore disappointment
“I was beginning to think you wouldn’t come”
Looking back at my review of Episode 1 of Beowulf: Return to the Shieldlands, there really was a naive hope on my part that this would be something of a success, as ITV lunged for a slice of the epic fantasy TV market. But lawksamercy it hasn’t been good.
Cleaving so closely to the Game of Thrones template (seriously, those opening credits…) does the show no favours at all, as they can’t hope to compete with the meticulousness of the years of George RR Martin’s world-building or the heft of HBO’s cinematic-sized budget. Continue reading “TV Review: Beowulf: Return to the Shieldlands”