I wasn’t going to write up Turn Up London but in the end, it was just too darn good to leave unremarked. I’m just going to whip through my highlights though, and urge you to stay tuned for any future for this excellent and essential project. Continue reading “Review: thoughts on Turn Up London”
Theatrical superstars Sharon D. Clarke, Noma Dumezweni, Clive Rowe, Kwame Kwei-Armah, Johnnie Fiore, Brenda Edwards, Zaris-Angel Hator, Rachel Adedeji, Aisha Jawando, Norm Lewis, Brittney Johnson, Brandi Chavonne Massey and Joe Aaron Reid and more join the lineup for TURN UP! , a live stream event supporting the Black Lives Matter movement.
The live stream event is streaming for The Bail Project, The Okra Project, The Black Curriculum and UK Black Pride – in support of the Black Lives Matter movement.
TURN UP! will stream on Friday 10th, Saturday 11th and Sunday 12th July at 7.30pm prompt. The performance streamed on Sunday 12th July will be captioned. Tickets cost £10 for one stream/show, or you can watch all 3 nights for £25, all profit (after streaming costs and applicable taxes) will be split between our four charities, tickets are available now from club11.london/turn. Continue reading “News: even more black MT talent turning it up for TURN UP!”
“The objective of this session is not to conduct a show trial. We want to learn some lessons.”
There’s a rather lazy trope around ‘unlikely subjects’ for a musical which accompany any show that deviates from the apparent norm. Yet given that the Best New Musical Olivier award winners over the past few decades have covered Argentinian politics, Scouse twins, confused animals, missionaries in Africa and post-Impressionist painters, I’m not entirely sure what counts for normal here!
The latest show to use musical theatre to tackle an ‘unexpected’ topic is Committee… (A New Musical), written by Hadley Fraser and Josie Rourke with music by Tom Deering. To take its full name, The Public Administration and Constitutional Affairs Committee Takes Oral Evidence on Whitehall’s Relationship with Kids Company, it uses Parliamentary transcripts to interrogate the public inquiry into the 2015 collapse of the children’s charity along with the millions of taxpayer money it had been given. Continue reading “Review: Committee… (A New Musical), Donmar Warehouse”
“I’ve done everything that a body can do.
But how goddamn much can a body go through?”
There’s a moment early on in The Life where Sharon D Clarke’s been-around-the-block-and-then-some Sonja has a moment akin to Jenna Russell’s ‘The Revolutionary Costume for Today’ in Grey Gardens where she utterly and completely steals the show with an outstanding musical number, the likes of which will scarcely be bettered all year. Here it is ‘The Oldest Profession’, a world-weary but witty run through life working on the streets which is just bloody fantastic. But lest you worry that this is a musical to glamourise prostitution, all that good feeling is instantly shattered by a scene of brutal cruelty from her pimp which leaves you in no doubt as to how (melodramatically) serious The Life is.
Set on the seedier side of 42nd Street in 1980s New York, David Newman, Ira Gasman and Cy Coleman’s book remembers Times Square before it became tourist-friendly and follows a group of people just trying to get by in this callous world. Queen is turning tricks and saving money to move on out of this world but when her lover Fleetwood, a troubled Vietnam vet with a habit, blows half her stash on his stash, it’s clear that something drastic needs to happen. Angered by new arrival from the sticks Mary, aided by longtime friend and co-worker Sonja, and abetted by the malicious Memphis, Queen is spurred onto a course of ambitious but tragic action. Continue reading “Review: The Life, Southwark Playhouse”
“It’s just a photograph”
Despite their best attempts to pull the wool over my eyes with distraction techniques (see pics below), I’m afraid I wasn’t too much of a fan of Exposure the Musical. Stay tuned for my 2 star review for Cheap Theatre Tickets as soon as it goes live.
Running time: 2 hours 20 minutes (with interval)
Booking until 27th August
“Hey, I never liked it when you cried”
The Howard Goodall season at Sasha Regan’s Union Theatre continues with a revival of what could possibly be one of my favourite new musicals of recent times so no pressure there then. It is a tricky show to get right though, Stephen Clark’s book (from Erich Segal’s original story) speeds through the entire life of this tragic relationship at a relentless pace and so care does need to be taken to ensure the audience is fully engaged from the off and are kept fully onboard throughout.
In some way, the overall approach to Love Story here lacks the kind of propulsive energy that Clark’s book sorely needs. Regan curiously leaves lots of dead space in and around her scenes, far too many moments of awkward silence during transitions which are difficult in such a small space as this – the impact of Jenny communing with the spirit of her dead mother is somewhat muted by the sound of her heels as the ghost walks away… Continue reading “Review: Love Story, Union Theatre”
“I’m full of all commotion like an ocean full of rhum”
The Gershwins’ Porgy and Bess (as it appears to be styled here, in case you confuse it with Jedward’s Porgy and Bess) made for a striking component of the Open Air Theatre’s programme this summer. More folk opera than musical, it is perhaps a more challenging choice than usual but none the worse for it, the musical and dramatic spectacle heightened by an impressionistically remarkable design by Katrina Lindsay and director Timothy Sheader’s resourceful production which hammers home its musical strength.
From its tragically inclined leads, Nicola Hughes’ sensational Bess with her substance abuse issues and Rufus Bonds Jr’s impassioned dignity as Porgy, through brilliant support from the likes of Golda Roshuevel’s Serena and Sharon D Clarke’s Mariah, to the polar opposites of Jade Ewen’s impossibly pure Clara to croons the iconic lullaby ‘Summertime’ and Cedric Neal’s sleazily cocky ‘Sportin’ Life’ who swaggers through ‘It Ain’t Necessarily So’ as he ensnares Bess with his wares, the sheer size and quality of this ensemble is truly something to behold. Continue reading “Review: Porgy and Bess, Open Air Theatre”
“The boys have gonorrhea, now they burn for you each time they pee”
Not really being a fan of rock musicals, I didn’t make the journey to the Union Theatre to see Bare earlier this year and I was kind of reluctant to go and see its belated transfer to the Greenwich Theatre. And true to form, it really wasn’t my cup of tea. A cast of bright young things sing well and deliver a great level of performance but the show, written by Jon Hartmere and Damon Intrabartolo, feels dated both dramatically and musically, its off-Broadway high-school charms very much eluding me.
Set in the senior class of a Catholic high school, these 17 year olds race towards graduation whilst battling with issues of sexuality and identity, religion and reality, all the while rehearsing a production of Romeo and Juliet which ham-fistedly reflects the tortured inter-relations between this tangled group. Clunky comedy turns into deficient drama as boy meets closeted boy meets girl, but the nearly entirely sung-through lyrics rarely give such an emotive issue as homosexuality in high schools the sensitivity and complexity it deserves. Continue reading “Review: Bare, Greenwich Theatre”