#AdventwithClowns Day 20 – tick, tick…BOOM! (2021)

Lin-Manuel Miranda directs a fantastic new version of tick, tick…BOOM!, making a theatrical nerd’s wet dream out of this Jonathan Larson musical 

“Everything you’re about to see is true…apart from the bits Jonathan made up”

Some musicals you see and you think yeah, this could possibly change a sceptic’s mind about the artform. And then some you see and you think, this really is just playing to the crowd. tick, tick…BOOM! definitely falls into this latter category, hugely enjoyable but so densely suffused in the world of musical theatre that it might be too much for newbies to unpick.

It is directed by Lin-Manuel Miranda (Hamilton) and adapted by Steven Levenson (Dear Evan Hansen) from Jonathan Larson’s (Rent) semi-autobiographical musical about writing a musical. And structurally, we follow Andrew Garfield’s Jonathan as he delivers a one-man-show (called tick, tick…BOOM!) whilst flashing back to his attempts to finish his magnum opus, a musical called Superbia. Continue reading “#AdventwithClowns Day 20 – tick, tick…BOOM! (2021)”

#AdventwithClowns Day 1: In the Heights (2021)

This Advent I am going to try to showcase some of the online theatre content that’s still available, particularly now as Omicron approaches, starting with the film version of In the Heights

“That’s señorita to you”

Whilst fully appreciating the concerns raised at the lack of Black Latinx representation in a film set in a New York neighbourhood where they make up a substantial proportion of the population, it does feel a bit of a shame that so much of the discourse around In the Heights focused on it, possibly to the detriment of its box office. When there’s so little representation available from Hollywood studios, you want something like this to succeed regardless but with that representation at a premium, it’s no wonder that those who are still left out want to make their voices heard.

These problems around colorism aside, Jon M Chu’s film of Quiara Alegría Hudes and Lin Manuel Miranda’s 2005 musical remains a fairly curious choice for adaptation. The story isn’t one of the conventional narrative arc, it really is more of a feeling, a mood, a slice of life from the predominantly Dominican neighborhood of Washington Heights. We follow a whole range of characters as they follow their dreams, no matter how big or small, from life-changing decisions to getting an ice-cold drink to ease a heatwave but the focus is on the micro-, offering a warm personal hug. Continue reading “#AdventwithClowns Day 1: In the Heights (2021)”

News: musicals coming to the screen soon

In The Heights

Due to arrive on 25th June, Jon M Chu’s film of In The Heights, based on Lin-Manuel Miranda and Quiara Alegría Hudes’s vibrant musical, tells the story of a Hispanic-American community threatened by gentrification. The film stars, among others, Anthony Ramos, Leslie Grace, Dascha Polanco, Stephanie Beatriz, Corey Hawkins, Melissa Barrera and Lin-Manuel Miranda predictably makes an appearance, though as Piragüero not Usnavi. Continue reading “News: musicals coming to the screen soon”

News: Glenn Close, Jeremy O Harris, Patti LuPone and more perform scenes from Angels in America

The Great Work Begins: Scenes from Angels in America streams October 8, featuring Tony winners Patti LuPone, Glenn Close, Nikki M. James, and more Broadway stars performing scenes from Tony Kushner’s Tony- and Pulitzer Prize–winning play.

Multiple performers share the roles of some characters, with Brian Tyree Henry, Andrew Rannells, and Paul Dano as Prior Walter; Lois Smith and Vella Lovell as Harper Pitt; and Jeremy O. Harris, S. Epatha Merkerson, and Larry Owens as Belize. The cast also includes Glenn Close as Roy Cohn, Brandon Uranowitz as Louis Ironson, Laura Linney as Hannah Pitt, and Nikki M. James, Patti LuPone, Linda Emond, and Daphne Rubin-Vega as the angels Lumen, Fluor, Phosphor, and Candle, respectively.

Continue reading “News: Glenn Close, Jeremy O Harris, Patti LuPone and more perform scenes from Angels in America”

Nominations for the 2018 Drama Desk Awards

Outstanding Play
Admissions, by Joshua Harmon, Lincoln Center Theater
Mary Jane, by Amy Herzog, New York Theatre Workshop
Miles for Mary, by The Mad Ones, Playwrights Horizons
People, Places & Things, by Duncan Macmillan, National Theatre/St. Ann’s Warehouse/Bryan Singer Productions/Headlong
School Girls; Or, The African Mean Girls Play, by Jocelyn Bioh, MCC Theater

Outstanding Musical
Desperate Measures, The York Theatre Company
KPOP, Ars Nova/Ma-Yi Theatre Company/Woodshed Collective
Mean Girls
Old Stock: A Refugee Love Story, 2b Theatre Company/59E59
SpongeBob SquarePants Continue reading “Nominations for the 2018 Drama Desk Awards”

Nominations for 2015-2016 Outer Critics Circle Awards

John Gassner Playwriting Award
Lindsey Ferrentino, Ugly Lies the Bone
Lauren Gunderson, I and You
Martyna Majok, Ironbound
Marco Ramirez, The Royale
Anna Ziegler, Boy

Outstanding Actor in a Play
Reed Birney, The Humans
Gabriel Byrne, Long Day’s Journey Into Night
Frank Langella, The Father
Mark Strong, A View From the Bridge
Ben Whishaw, The Crucible Continue reading “Nominations for 2015-2016 Outer Critics Circle Awards”

Short Film Review #34

Korriró

 

 

The Icelandic Vesturport company are well known here for their theatre work – I’ve seen their collaborations on Faust and The Heart of Robin Hood – but they are also film producers, both long and short. The first of their shorts that I caught was Björn Hlynur Haraldsson’s Korriró as it starred two actors I’ve previously seen – Nína Dögg Filippusdóttir and Gísli Örn Garðarsson. Filippusdóttir plays a homeless woman who happens on an open garage door into a luxury home which offers a brief respite from the drudgery of her life. It is beautifully shot and uncompromisingly direct – confronting us all with our attitudes towards the homeless and those from whom we avert our gaze.

Continue reading “Short Film Review #34”