Review: Sasha Regan’s All Male The Pirates of Penzance, Palace Theatre

Sasha Regan’s All Male The Pirates of Penzance proves a feast for ears and the eyes in a glorious but short at the Palace Theatre

“Here, in this our rocky den,
Far away from mortal men”

There’s a beautiful sense of homecoming to the return of Gilbert & Sullivan to the West End, even if its only for a weekend. The Palace Theatre was founded by Richard D’Oyly Carte as The Royal English Opera House in 1891 and opened with Sir Arthur Sullivan’s Ivanhoe so the arrival there of Sasha Regan’s All Male The Pirates of Penzance could hardly be more apposite and turned out to be a real festive treat. 

We don’t see much operetta around these days but Regan’s commitment to the cause has been admirable. It’s over a decade now since she first reinvigorated the form with this production (previously reviewed here and here), and working her way through the G&S catalogue (for my money, Iolanthe is the best), transfers, national tours and even international tours are a testament both to the enduring quality of the material and the frisson that comes from this method of interpretation.  Continue reading “Review: Sasha Regan’s All Male The Pirates of Penzance, Palace Theatre”

Sasha Regan’s All Male ‘The Pirates of Penzance’ cast announced, plus second date in the West End

Sasha Regan’s All Male The Pirates of Penzance cast announced, plus second date in the West End confirmed

Nimax Theatres have added a second night for Sasha Regan’s all-male take on W. S. Gilbert and Arthur Sullivan’s The Pirates of Penzance at the Palace Theatre, Shaftesbury Avenue.  The show will now run on Saturday 12th December and Sunday 13th December 2020 at 7:00pm.  

The production was meant to open at Wilton’s Music Hall and then tour but those plans have had to be cancelled and postponed respectively. For the uninitiated, Regan’s reinvigoration of this classic is a corker, I’ve seen it a couple of times now over the years and it never fails to delight. Continue reading “Sasha Regan’s All Male ‘The Pirates of Penzance’ cast announced, plus second date in the West End”

Book review: Time To Act – Simon Annand

Simon Annand’s Time To Act is a beautiful book of photos capturing actors in the minutes before they go on stage

Tackling the constraints of the pandemic in its own way, Simon Annand’s fantastic new book of photos Time To Act has launched a virtual exhibition of some of the photographs which has now been extended to until Christmas. It’s an ingenious way of sharing some of the hundreds of images from the book and should surely whet the appetite for either just buying it now or putting on your list for Santa to collect soon.

Continue reading “Book review: Time To Act – Simon Annand”

Review: Iolanthe, Richmond Theatre

A much welcome revival for Sasha Regan’s all-male Iolanthe, bringing Gilbert and Sullivan to Richmond Theatre as part of a UK tour

“What’s the use of being half a fairy?”

Delving into deep into your wardrobe can get you into all sorts of bother. With CS Lewis, you could end up in the wintry woods of Narnia and with Sasha Regan, you might find yourself in the dress-up fantasy world of light operetta. Of all of her all-male Gilbert and Sullivan productions, Iolanthe is the one which I remember most fondly (its transfer to Wilton’s Music Hall perfectly done) so the news that it was the choice for this year’s revival for a UK tour left me tripping hither and thither in excitement. 

And though I was a little apprehensive to revisit so beloved a production, this Iolanthe has stood up well. Mark Smith’s choreography with its suggestions of sign language for fairy speak, Stewart Charlesworth’s design making full use of the jumble box aesthetic, and Regan’s astute direction milking a show that’s more than a century old for all of its considerable comic potential and finding room for her own innovations as well. With MD Richard Baker controlling the music from his solo piano, this remains an arresting take on your G&S. Continue reading “Review: Iolanthe, Richmond Theatre”

Review: Sasha Regan’s All Male Mikado, Richmond

(c) Scott Rylander

“They are not young ladies…”

If it ain’t broke, why fix it? Sasha Regan alighted on a winning formula with her stripped-back all-male takes on Gilbert and Sullivan’s operettas and has toured the likes of The Pirates of Penzance and HMS Pinafore the length and breadth of the country and even to Australia. So it is little surprise to see her turn to The Mikado (or The Town of Titipu) to see if lightning can strike again with joyous shout and ringing cheer.

The production is set in the grounds of a 1950s-ish school camping trip, a canny move which neatly sidesteps some of the Orientalism issues and refocuses G+S’s satire on the English political establishment. And with the score for solo piano confidently played by musical director Richard Baker, the harmonious meld of the 16-strong company sounds like a dream, and don’t look half bad either delivering Holly Hughes’ effervescent choreography. Continue reading “Review: Sasha Regan’s All Male Mikado, Richmond”