Produced, written and directed by Leon Lopez, Soft Lad is a newly released Brit flick that takes a look at gay life in contemporary Liverpool. Twenty-two year old dancer David seems to have a bright future ahead of him having just been accepted to a prestigious dance school but a secret affair with an older man threatens to derail everything for him and those around him. For the man he’s been sleeping with for two years just happens to be his sister’s husband Jules.
David may be out but trapped in this toxic relationship (the highlight of which appears to be dirty weekends in Lake District), has barely explored his sexuality and when Jules reacts negatively to the prospect of him moving on, a trip to a gay club leads to a one night stand with the more experienced Sam. Their lustful encounter soon moves to a deeper connection, enraging Jules further but no-one is prepared for the revelations that spill during a climactic, abortive dinner party at his sister’s. Continue reading “DVD Review: Soft Lad”
Based on Michael Cunningham’s novel of the same name, I loved 2012 film The Hours from the first time I saw it and still think it a minor masterpiece a three women, each connected by Virginia Woolf’s Mrs Dalloway, try to get through the living of a single day. In the present day, Meryl Streep plays Clarissa Vaughan, a NY society hostess planning a party for her AIDS-stricken poet friend; Julianne Moore plays Laura Brown, a depressed 1950s housewife, unhappily married and pregnant for the second time; and Nicole Kidman plays Woolf herself, battling her own demons whilst writing the book.
From David Hare’s screenplay, Stephen Daldry creates a hugely elegant sweep across time as echoes ripple across the separate narratives – connections built through the smallest of details recurring as each woman variously deals with repressed longing, the fear of a life not lived to its fullest, the hours that keep on passing. Kidman (and her prosthetic nose) may have won the Academy Award and she is very good but for my money, it is Moore’s anguished housewife who should have won the plaudits, such is the intensity she brings to the role. Continue reading “DVD Review: The Hours”
With a theatrical version of Shakespeare in Love about to open in the West End, I thought I’d revisit the 1998 film as I’m not entirely sure that I’ve seen it since it was first released. It is still surprising to see that it managed to win seven Academy Awards and whilst I like both Gwyneth Paltrow and Dame Judi Dench, looking at their competition it is a little galling to think that they were recognised for these roles. And in the light of the huge authorship furore that erupted around Anonymous, it is interesting to see how little comparable fuss the level of invention here caused.
To be fair, Marc Norman and Tom Stoppard’s film makes no pretence to be literarily or historically accurate (given the paucity of source material, it’s hardly surprising) but because the approach here is a hugely affectionate one towards the Bard, rather than challenging popular notions about him, it is clear something of a free pass has been given here. So we see Joseph Fiennes’ Shakespeare working on a comedy called Romeo and Ethel, the Pirate’s Daughter and being inspired by the everyday chatter and the tumult of his personal life to amend the play and write his famous words. Continue reading “DVD Review: Shakespeare in Love”
After finally being able to catch up with Series 1 of WPC 56and loving it, I was looking forward to Series 2. The BBC1 afternoon drama about the experiences of the first WPC in a fictional West Midlands constabulary really captured my attention with its mix of the personal and the policing but almost from the word go, this second series failed to live up to its predecessor.
First up was the saddening decision to have Kieran Bew’s DI Burns leave but not only that, have him appear in the first scene as if nothing had changed, all bearded up most handsomely indeed, and then snatching the rug from under us. His relationship with Jennie Jacques’ WPC Gina Dawson was one of the stronger parts of the show so I was genuinely sad as well as gutted on a more shallow basis. Continue reading “TV Review: WPC 56, Series 2”
THE REWARD from Sentinel Productions on Vimeo. Written by Joel Horwood, The Reward definitely ranks as top amongst this bunch of shorts. Gorgeously filmed by Lucy Patrick Ward, its opening shots set up its two main characters perfectly: Phoebe Waller-Bridge’s numbed woman having just lost her father, and Anatol Yusef’s gym instructor working out the pain of the loss of his beloved dog on his hapless aerobics class. When fate throws the pair together, their meeting seems charged with almost unmanageable emotion, but what Horwood conjures is a moment of powerful but truthful cathartic release that is just beautiful. Waller-Bridge is fantastic (I want to see her in more modern roles on the stage soon) and Yusef also convinces in suggesting his pain lies more than just in the loss of a pet. Watch it now!
Harry, Henry and the Prostitute
Fans of Charlie Cox’s hairy chest (and there are many of you, I know what search terms lead people here!) will be particularly pleased with this film, in which two flatmates hire a prostitute for the night, but end up in a spot of bother with her pimp when it turns out they haven’t got the money to pay her. Harry Ter Haar has written a nerdish but convincing connection of banterish friendship which is played extremely well by Charlie Cox and Ben Rees-Evans which makes it a pleasure to watch even though the story itself is perhaps a little undistinguished. Theo Davies’ production has a nice sense of humour though, which not even a random appearance from Fearne Cotton can undo,
A cutely observed short which is up for the Virgin Media Shorts competition at the moment. Barely two minutes long, Andrew Lee Potts’ film speaks to the child inside all of us, the part that can never quite believe we’re actually an adult, and with some sharp editing, pulls together an impressively sweeping vista which wraps up to a lovely sweet ending.
Also up for the Virgin Media Shorts, is Mourning Rules, a rather witty, dark, comedic tale of a professional mourner demonstrating the tricks of her trade to her sister. Written by Dan Castella, Olivia Poulet and Monserrat Lombard, and starring the middle name, it is dizzyingly manic and I loved the way it finished on an unapologetic loopy note.
Written by Mike Walden and directed by Edward McGown, Out There puts a dark spin on a family’s move to rural France. Graham and Caroline’s relationship is already strained and suffers even more so as his tutoring of an attractive young local girl provides an outlet for his wandering hands. She in turn looks to the friendly neighbour Jean-Luc but the rules for women are different to those for men in Graham’s mind with severe consequences. It’s not quite as compelling as it could be though McGown generates a strong sense of atmosphere and teases out strong performances from his leads – Lucy Russell’s frustrated wife who understandably jumps at Tom Mison’s bearded French-accented woodsman and Jamie Foreman, a malevolent bulldog in human form.
Domestics ” style=”font-size: 11pt; “> Last up is Rob Curry’s Domestics, a two-hander about a couple’s very stormy relationship which is tipped over the edge with the purchase of the wrong flavour of ice-cream. It’s not particularly unique or flashy, but there’s something quite neat about the way it shifts between perspectives, testing the viewer to challenge what we are seeing – is it memory, wish-fulfilment, the future? Maimie McCoy and John Lightbody gamely battle out the conflict as they each push each other as far as they can go, and beyond.
A bit of random thing that only came to my attention because of a kind soul on Twitter, this collection of five short films from the last few years presented by the BBC Film Network and BBC HD, offered the opportunity to notch up bonus appearances from Andrew Scott and Rafe Spall, as well as appreciating some up and coming filmmaking talent.
Scott’s film is Silent Things in which he plays Jake, a guy with Asperger’s who strikes up an unlikely camaraderie with a quirky teenager, Georgia Groome’s Amy who challenges him to test his boundaries with mixed results and which in turn also threatens his friendship with Charlotte, also autistic and who resents the closeness that Jake is able to achieve with others. Written by Rob Brown and Edward Jackson, it is small but perfectly formed and elevated by all three performances from its leads, not just Scott. Predictably he is excellent, unshaven and more unkempt than we’re used to seeing him, his is a performance of great subtlety leading us to empathise strongly with Jake’s predicament. Antonia Campbell-Hughes’ Charlotte suffers more severely and so is less able to socialise, her bluntness still sensitively portrayed though and the self-determined drive neatly suggested. Groome is also good and altogether, it made for an engaging short piece.
Modern Life is Rubbish was also amongst my favourites here, Rafe Spall and Rebecca Night starring as a recently split-up couple who are going through the traumatic experience of dividing their music collection and ruminating on their relationship, their potential future friendship and what might have been. It is very well written, Philip Gawthorne picking up on so many of the tiny awkward details like attending the same social events after the split, being brutally honest about the things you didn’t like about the other and the ease with which one can fall back into intimacy without even thinking about it. And well performed too, Spall’s traditional music obsessive railing against greatest hits collections and the very existence of the iPod, his bluffness not quite able to mask his breaking heart as Rebecca Night tries to remain pragmatic as the one who has moved out and so not wanting to spend any more time there than is necessary. Continue reading “Television Review: BBC HD Film Shorts”
“When one is in town one amuses oneself. When one is in the country one amuses other people.”
Oscar Wilde’s The Importance of Being Earnest follows the Rose Theatre Kingston’s tried and tested formula of mounting classic plays for their homegrown productions. We’ve had Dame Judi in A Midsummer Night’s Dream, Celia Imrie in Hay Feverand now we have Jane Asher taking on Lady Bracknell and her handbag under Artistic Director Stephen Unwin. Hayden Griffin’s spare design on the wide stage is framed within a proscenium arch of sorts, a giant picture frame containing a few pieces of furniture scattered around, but largely the stage is left free to be dominated by Wilde’s witticisms.
And how witty it is. Wilde’s play may not tackle any deep societal issues or serious topics but his clever plotting and incisive humour skewers the English obsession with class and the grasping social ambition of those who have clambered their way up the ladder, keen to keep others in their place. There’s also a touch of feminism in a trio of strong female characters determined to get what they want and fully cognisant of how to get it whilst the men mess around with their false identities and get increasingly flustered. Continue reading “Review: The Importance of Being Earnest, Rose Kingston”
In the interest of full disclosure, I have to admit straight off that the production of His Dark Materials at the National Theatre ranks as my ultimate top theatrical experience ever. I am a massive fan of the books, and could not believe how well Nicholas Wright translated the three novels into two such wonderful, moving plays. Having travelled to Bath to see the youth production at the Theatre Royal there a couple of years ago, I was easily convinced to see the new Birmingham Repertory touring production at the Lowry Theatre in Salford, especially as it was so close to my parental home. So my mother and father, Aunty Jean and I settled in for the same day double bill, Part I at 2pm and Part II at 7.30pm, a little bum-numbingly daunting I’ll admit, but the only way to get the full impact of this theatrical wonder.
So much happens in the books and so whilst a lot is lost in the condensing of the action, this is largely to the benefit of the plays as the pacing is kept quite high, with many rapid scene changes which means that you really do have to listen carefully or else you could lose the thread quite quickly if you’re hugely familiar with the plot. That said, I was with two people who had not read the books and they had no problem following the action.