Review: Frozen, Theatre Royal Drury Lane

Samantha Barks and Stephanie McKeon bring Elsa and Anna magically to life in the show-stopping Frozen, playing now at the Theatre Royal Drury Lane

“There’ll be actual real live people
It’ll be totally strange”

Let’s be honest, you already know whether you’re going to see Frozen or not, there’s nothing any review could say that will change your mind. Such was the enormity of Disney’s 2013 juggernaut of a success, anchored by the ubitiquity of its signature song ‘Let It Go’, the only surprise it that is has taken this long to arrive as a musical.

As it was, we can blame Covid for its delayed opening here (and perhaps also its premature closing on Broadway), but Michael Grandage’s fine production is bracingly fresh in the retooled Theatre Royal Drury Lane, accompanied by Christopher Oram’s breathtaking scenic design, a raft of ‘how-did-they…’ special effects from Jeremy Chernick and of course, some lung-busting songs. Continue reading “Review: Frozen, Theatre Royal Drury Lane”

News: updates for Frozen in the West End.

With so much uncertainty still blighting the West End, Frozen the Musical has announced that it is taking tickets offsale and postponing its premiere until a new timetable can be confirmed. But to sweeten the pill, they’ve also revealed the final members of their company.

Chris Fung and Kerry Spark will join the already announced cast, led by Samantha Barks (Elsa) and Stephanie McKeon (Anna), as well as Obioma Ugoala (Kristoff), Craig Gallivan (Olaf), Oliver Ormson (Hans), Richard Frame (Weselton), and alternating the role of Sven, Mikayla Jade and Ashley Birchall. Continue reading “News: updates for Frozen in the West End.”

Review: Billy Elliot The Musical, Victoria Palace

“What the hell’s wrong with expressing yourself”

Trip number three of my musicals extravaganza to Billy Elliot The Musical, a show that for whatever reason, I had no interest in going to and would never have booked for myself had it not been for this deal. I have never actually seen the film and so it was a brand new experience for me in every sense of the word, but it was strangely apt that I saw it on the day after the miners in Chile were rescued which also happened to be Margaret Thatcher’s birthday.

The other way in which this show pleased me was with its plot. As it turned out, this is another entry into the traditional dance film/show format of which I am much enamoured and which Flashdance reminded me of recently. With music by Elton John and lyrics and book by Lee Hall, the backdrop this time is the miners’ strike in the mid-1980s up in Country Durham where young Billy makes a journey of personal discovery as he trades his boxing gloves for ballet shoes and attempts to follow his dream of getting into the Royal Ballet School in the face of huge strife in his family and the community around him. Continue reading “Review: Billy Elliot The Musical, Victoria Palace”