Pitlochry Festival Theatre is delighted to announce the Summer Ensemble for its 70th anniversary season which will take place in the picturesque grounds of the Perthshire theatre from the end of this month.
Pitlochry Festival Theatre’s exciting 22-strong Summer Ensemble will feature BAFTA Scotland award-winning Jane McCarry (Isa Drennan in Still Game, BBC Scotland and Granny Murray in Me Too!, CBBC); Colin McCredie (Taggart, ITV and River City , BBC Scotland); Lauren Samuels (We Will Rock You, Bend it Like Beckham and Grease, all West End and Cinderella, Lyric Hammersmith); Daniel Boys (The Boys in the Band, The Park Theatre and West End, Avenue Q, Tommy and Spamalot, all West End); playwright Jo Clifford; Richard Colvin (Sunshine on Leith, UK tour and A Christmas Carol, Octagon Theatre Bolton); Brian Ferguson (Beats, Sixteen Films); Beth Frieden (Class Act, Traverse Theatre and Caiptean Cora, Theatre Gu Leòr); Connor Going (Footloose, UK tour and The Choir of Men , US and Australia tour); Katie Grosset (various productions with Scottish Opera) Barrie Hunter (Smile and All My Sons, Dundee Rep) and Nicholas Karimi (The Twilight Zone, Almeida and West End; Macbeth, National Theatre and James II, National Theatre of Scotland). Continue reading “News: Pitlochry Festival Theatre announce Summer Ensemble for 70th anniversary season”
The Barn Theatre has announced an all-star West End line up for their fifth virtual concert, The Barn Theatre Presents: The Music of Annabel Mutale Reed, which will celebrate the work of musical theatre playwright, lyricist and director Annabel Mutale Reed.
The concert, which will be hosted by Barn Theatre producer Jamie Chapman Dixon, is the fifth edition of the Barn Theatre in Cirencester’s virtual concert series, The Barn Presents:, which celebrates the work of British musical theatre writers. Continue reading “News: The Barn Theatre Presents – The Music of Annabel Mutale Reed”
“Been working so hard
I’m punching my card
Two hours for what?”
Jeez Louise, it gives me no pleasure to report this production of Footloose is among the worst things I’ve seen this year. Jukebox musicals are fine in their place, movie adaptations likewise are ever increasingly the norm but they need love and inspiration to elevate them, rather than the workaday effort and dead-eyed calculation they get here.
Perhaps its the result of coming at the tail end of over a year’s touring, perhaps it was a crowd not quite as enthused as the audience of a feel-good show need to be to give it that lift, perhaps it’s just not very good. There’s a real sense of mechanical action about the production, everything moves in the correct way but there’s zero spontaneity here, little sense of the precious ‘liveness’ of great theatre. Continue reading “Review: Footloose, Peacock”