The Jonathan Creek specials from 2009–2013 undo much of the damage from Series 4, with Sheridan Smith largely to thank for that
“I’ve got a very important presentation to Weetabix in five minutes”
After the horror show that was the fourth series, Jonathan Creek disappeared from our TV screens for five years and for the subsequent five, returned only intermittently for three feature-length specials from 2009–2013. And I think the break did everyone a world of good as these episodes rival some of the show’s best in recapturing the sense of investigative fun that lay at its heart.
Chief in this is the casting of Sheridan Smith as wise-cracking paranormal investigator Joey Ross. Their buddy relationship is well drawn, wisely kept clear of any romantic entanglement and yet still deeply affectionate at its heart. Complex, multi-faceted mysteries are allowed to unfold more effectively in the longer format, although Renwick can’t help himself with women as porn stars and clod-hopping trans jokes. For the most part, everything just hangs together better – until Jonathan get a wife that is…More of that in Series 5. Continue reading “TV Review: Jonathan Creek Specials (2009–2013)”
AKA the one where they take it too far… Messiah V – The Rapture replaces the entire cast and loses its soul
“A new start is good for me…”
After four instalments over five years, it took three years for the Messiah series to return with The Rapture, a self-described ‘second chapter’ for the show written by Oliver Brown. And it has to be described thus because it is the first Messiah story not to feature Ken Stott’s DCI Red Metcalfe at its heart. And yet it doesn’t try to distinguish itself at all as it retreads the ‘serial killer following a bizarre pattern’ storyline that has been the series’ hallmark.
The core team has been entirely replaced, but baffingly with fascimiles of themself. Gruff lead detective with a haunted past, supported by young female and gruff older sergeants. Marc Warren, Marsha Thomason and Daniel Ryan are all fine in their roles but having to get to know an entirely new cast in the fifth series of a show, and with a reduced running time to boot, just makes you wonder why they thought besmirching the Messiah name in this way was an acceptable idea. Continue reading “TV Review: Messiah – The Rapture (2008)”
“We have seen better days”
Relevance. From the moment that Timon of Athens was announced as part of the upcoming season at the National Theatre with its look-alike poster image, it was clear that this would be a production straining for resonance in the modern world. This is nothing new of course – the recent Antigone opened with an evocation of the capture of Bin Laden, the RSC have relocated Julius Caesar in a modern-day African dictatorship, numerous Comedies of Errors have touched on people-trafficking – but in his quest to update this neglected Shakespeare problem play for our times, Nicholas Hytner seems to have suffered very much from square peg round hole syndrome. Aspects of this production may well improve as the preview period progresses, my problems with it ran much deeper.
Timon starts the play as a major player on the London social scene, showering the city and his acolytes with his financial largesse and a dubious open door policy. But such cultural and personal philanthropism comes at a serious price when it emerges that Timon is in fact bankrupt and when he turns to those who he has lavished with money and gifts, they turn their back on him and offer no help. He exacts a stinking revenge on them during a feast and then retires from society to become a bag lady. Even then, an unexpected discovery means that he cannot truly escape his former life but his influence is channelled into a darker stream of action as civil unrest is steadily growing. Continue reading “Review: Timon of Athens, National Theatre”