“A view won’t be a view without you in my way”
Filmed a couple of years ago, the movie adaptation of Lynn Ahrens and Stephen Flaherty’s musical farce Lucky Stiff has now been released for you to enjoy at leisure across a raft of digital platforms, courtesy of Signature Entertainment. I’ve seen the show twice onstage now (most recently at the Drayton Arms) and neither time did it really win me over, the limitations of fringe productions doing the show little favour. But strangely enough, it is this cinematic version that seems to work the best, suiting its idiosyncratic charms down to the ground.
The piece is a featherlight piece of French fancy, based on the Michael Butterworth novel The Man Who Broke the Bank at Monte Carlo, as an East Grinstead shoe salesman seizes on the chance to live a little when he’s the beneficiary of an unexpected inheritance from his late, rich, barely-known uncle. He’s got to go to Monte Carlo to fulfil the strangely detailed terms and conditions though and there he find an assorted cast of misfits who also have an eye on the cool $6m – and thus the farcical goings-on begin. Continue reading “Film Review: Lucky Stiff (2015)”
“When a person’s personality is personable, he should not sit like a lump”
With the amount of theatre I see, I rarely go to the cinema these days – my Cineworld card collected dust for a quite a few months before I admitted defeat and cancelled it – so when I received an invitation to a press screening of a film, I was amused and intrigued by the novelty of the idea. Of course, it wasn’t that much of a stretch in the end because the film was a recording of Stephen Sondheim’s musical Company from last year’s Lincoln Centre (Center?) production in New York featuring Neil Patrick Harris and a cast of luminaries including Patti LuPone (who inspired possibly the greatest YouTube video ever), Martha Plimpton (her from the Goonies all grown up) and Anika Noni Rose (the one from Dreamgirls who wasn’t Beyoncé or who won an Oscar).
I have to admit I was initially a little wary about going to see this: my relationship with Sondheim took a bit of a battering in the deluge of productions that celebrated his anniversary year and it was only really with the utterly fabulous Sheffield Crucible production of Company at the end of last year that the pieces all finally clicked together for me and I could hand on heart for the first time say that I absolutely loved a Sondheim show. But I have gotten much better at managing expectations for shows, especially in relation to other productions of the same, and this was an opportunity to see a whole bunch of performers, whom I like but may never get to see, live on a big screen. And you’ll get the chance when the show screens for one night only on Thursday 15th March at 7pm – the list of cinemas is available here. Continue reading “Review: Sondheim’s Company in the cinema”