Talking Gods sees Arrows & Traps move online with a creative hybrid of theatre and film hoiking Ancient Greek mythology into the modern age
“Do you know what comes up first when you type Zeus into Google?”
The world of Greek mythology has long proved fruitful fodder for playwrights and it is to here that Ross McGregor has turned for his season of modern Greek myths – Talking Gods. And whilst the titles of these five digital plays might resonate – Persephone, Orpheus, Pygmalion, Aphrodite and Icarus – the approach that McGregor’s writing takes means that these characters are refracted in sometimes significantly different ways. It’s a wise move, which proves something of a commentary on the act of myth-making as well, an acknowledgement that to remain relevant one needs must adapt whether celestial or commonplace.
So the art that bewitches Pygmalion so becomes an online avatar in the video game he is creating (a superb performance from Edward Spence), Ares may be the god of war but not even he can outrun PTSD here (edgy brilliance from Buck Braithwaite), Icarus is worried less about wings than the family secrets that are pouring out following the death of his father. Recasting the stories this way also allows a more direct way for the plays to speak to contemporary issues – family atomisation, climate change, identity struggles and isolation in so many different forms. Continue reading “Review: Talking Gods, Arrows & Traps online”
This spring, Arrows & Traps presents Talking Gods, a digital season of five reimagined Greek myths. These moving reworkings of classic Greek tales present snapshots of the modern world filled with pathos and comedy, music and love and tragedy and loss. During the week-long digital festival, one play will premiere every night, and each play will be followed by a live Q&A on Zoom and then remain online for free.
The Greek myths have been a cornerstone of Western culture for millennia, telling stories of gods and monsters but conveying deep wisdom about the human condition. Writer Ross McGregor uses them to examine vital contemporary issues, some of which have become heightened during the pandemic, in his five new plays. Continue reading “News: Arrows & Traps presents Talking Gods”
I look ahead to some of the 2020 shows exciting me most with an emphasis away from the West End, looking mostly instead at the London fringe and across the UK
Sure, there’s all sorts of big ticket shows coming to London in 2020 (with big ticket prices too to go with their big names), like Sunday in the Park with George with Jake Gyllenhaal, Sister Act with Whoopi Goldberg, A Doll’s House with Jessica Chastain. But there’s so much more to discover if you venture away from Shaftesbury Avenue…
1 The Glass Menagerie, Odéon–Théâtre de l’Europe at the Barbican
Not that I want to be predictable at all but Isabelle Huppert! Acting in French! Right in front of you! I understand that van Hove-fatigue might be setting in for people but only a FOOL would pass up the chance to see one of our greatest living actors. A FOOL!
2 The Glass Menagerie, Royal Exchange
And if you wanted to do a direct compare and contrast, Atri Banerjee’s revival for the Royal Exchange will be worth checking out too for an alternative perspective.
3 The Wicker Husband, Watermill
Even before Benjamin Button tore my heart apart, I was excited for the arrival of this new musical by Rhys Jennings and Darren Clark but now, the bar has been raised even higher. And the gorgeous intimacy of the Watermill feels like a perfect fit.
4 Children of Nora, Internationaal Theater Amsterdam
Me: “I don’t need any more Ibsen in my life”
Also me: Robert Icke revisiting the world of A Doll’s House through the eyes of the next generation? Yes please.
5 Romantics Anonymous, Bristol Old Vic
I don’t think I thought this delicious Koomin and Dimond musical would ever actually return, so this short run in the UK ahead of a US tour feels like a real blessing. Now where did I put my badge? Continue reading “20 shows to look forward to in 2020”
Arrows & Traps’ queer noir take on The Strange Case of Jekyll & Hyde is a contemporary adaptation that speaks to the ages at the Brockley Jack Theatre
“It’s verging on the apocalyptic”
Well if you’re going to do the classics, you might as well do them like this! Ross McGregor’s adaptation of Robert Louis Stevenson’s novella updates The Strange Case of Jekyll & Hyde to the 2020 US presidential election but it also infuses the story with an undeniable air of menace and queerness that at once feels contemporary and entirely respectful of the source.
McGregor has taken clear inspiration from ‘Mayor Pete’ for his version of Henry Jekyll, an energetic young senator from Indiana who, in light of Trump’s impeachment, dares to dream of rescuing the Oval Office. Against a backdrop of seemingly never-ending school shootings, his platform is a vociferously anti-gun one but as investigative journalist Gabrielle joins his team, she discovers there’s more than just a skeleton in the closet…
Continue reading “Review: The Strange Case of Jekyll & Hyde, Brockley Jack”
Actor and voiceover artist Christopher Tester takes a thoughtful trip through his 10 questions
With his indecently listenable voice, Christopher Tester is the kind of actor who makes you sit up when he starts talking and I’ve enjoyed many of his performances over the last few years. Up at the top though is probably The Picture of John Gray.
“In many ways it was the ideal fringe experience – beautiful new writing, with a generous and talented company, which felt like it was really offering something important in a room above a pub. I think it sits up there with The White Rose as a show that prompted a huge response from its audience which I was very aware of while performing it. And the fact that it was based on little known real characters gave it an extra weight – a feeling that these people’s lives were resonating beyond their own time. It also gave me a scene where I just had to pour my guts out a little bit, and however much it’s “never about you”, that I had that opportunity coupled with writing deft enough to (hopefully) avoid indulgence was pretty special. You do it because you want to offer your heart.
And maybe kiss an actor as pretty as Patrick Walsh McBride.”
Continue reading “10 questions for 10 years – Christopher Tester”
Arrows & Traps’ TARO is a beautiful tribute to a historical figure we have sorely neglected, playing now at the Brockley Jack Theatre
“In the lens it looks different”
If TARO is to be Arrows & Traps’ final production, then it’s a hell of a high note to go out on. Bringing together so much of what has made them an enjoyable and enlightening company to follow, it’s a swansong to be proud of as the #FemaleFirsts season turns its attentions to Gerda Taro, a pioneering photojournalist whose distinction as the first female war photographer killed in action proves to be far from the most interesting thing about her.
Born Gerda Pohorylle in Stuttgart 1910, the rise of Nazism splintered her Jewish family as she, her brother and her parents were forcibly ejected to different countries. Finding herself in Paris, a chance encounter with fellow refugee Endre Freidmann sparked an interest in photography which they then parlayed into careers in war photography that revolutionised the genre. Their work covering the Spanish Civil War was the fateful making of them. Continue reading “Review: TARO, Brockley Jack”
An imaginative take on a familiar tale – Arrows & Traps’ Dracula is good Hallowe’en fare at the Brockley Jack Theatre
“I am counting down the days until we get to Whitby”
On National Coming Out day, there’s something rather delicious about the first act climax of Dracula being set to a haunting remix of Britney’s ‘Toxic’. He may be fangs-deep in Lucy and longing to make Mina his countess but we all saw how taken he was by Jonathan as he set up for a shave. Love is love is love, right, or should that be a vein is a vein is a vein…
Arrows & Traps have turned their hand to horror before, with a fearlessly inventive take on Frankenstein which lit up the Brockley Jack last year. So adaptor/director Ross McGregor turning to Bram Stoker’s classic Dracula makes sense, not least as at offers ample opportunity to refresh its rather dustily antiquated take on gender. Continue reading “Review: Dracula, Brockley Jack”
Arrows and Traps hit the mark once more with the deeply moving The White Rose at the Brockley Jack Theatre
“Wollt ihr den totalen Krieg? Wollt ihr ihn, wenn nötig, totaler und radikaler, als wir ihn uns heute überhaupt erst vorstellen können?”*
How do we make the choice to resist? At what point do we decide that enough is enough in the creeping erosion of our democracy? When former foreign secretaries rip up ministerial codes or chief whips ignore Commons voting conventions? When presidents attack their own FBI and defend despots? Some 250,000 bodies may have thronged the streets of London last week to register their disapproval of the US Commander in Chief but what happens when the ‘other side’ has won, when the act of peaceful protest becomes civil disobedience.
It is into such a world that The White Rose throws us. It is 1943 and having insinuated their way into every level of German society and instituted a systemic indoctrination of much of the population, the Nazis have been in power for a decade. But the tectonic shifts of World War II have finally started to fall in the Allies’ favour and finding safety in like-minded numbers, students of the University of Munich have coalesced into an underground movement, publishing anti-Nazi leaflets and distributing them across the Fatherland. Could such amazing courage go unpunished? Continue reading “Review: The White Rose, Brockley Jack”