Paul Foster’s concert presentation of Gypsyat Alexandra Palace has added yet more to its already exciting castlist. Ebony Molina, Rachel Stanley and Alexis Owen-Hobbs will star as the titanic trio of Electra, Mazzepa and Tessie Tura respectively. They’ll be joining the seven-fold Rose of Tracie Bennett, Nicola Hughes, Melanie La Barrie, Rebecca Lock, Keala Settle, Samantha Spiroand Sally Ann TriplettandLaura Pitt-Pulford as Louise, Carly Mercedes Dyer as June and Christopher Howellas Herbie.
Directed by Paul Foster with choreography by Joanna Goodwin and sound design by Paul Smith, the show will feature a 26-piece orchestra playing the show’s original orchestrations, conducted by Alex Parker. Book your tickets for 21st February 2022 here.
West End stars Julie Athertonand Ivano Turco are the latest names added to the bill for the exclusive one night only production of Lerner and Loewe’s Camelot in Concertat the London Palladium.
Julie Atherton (Avenue Q, Mamma Mia!, Sister Act, tick, tick… BOOM!) will play Morgan Le Fey, while Ivano Turco (Prince Charming in Andrew Lloyd Webber’s Cinderella) takes the role of Mordred alongside the previously announced all-star cast of Ramin Karimloo,Bradley Jaden and Lucy St. Louis, as the legendary love triangle of King Arthur, Guenevere and Sir Lancelot, in the concert production on Sunday February 6.
With just one month to go, it is also announced that joining the cast areNewtion Matthews (BKLYN) as Merlyn, and Georgi Mottram, (ITV’s Walk The Line with classical crossover group Ida Girls), as Nimue. The production will be supported with the 35-strong Trinity Laban Musical Theatre Ensemble.
Paul Foster’s concert presentation of Gypsyat Alexandra Palace has added to its already exciting castlist. Joining the seven-fold Rose of Tracie Bennett, Nicola Hughes, Melanie La Barrie, Rebecca Lock, Keala Settle, Samantha Spiro and Sally Ann Triplett will be will be Laura Pitt-Pulford as Louise, Carly Mercedes Dyer as June and Christopher Howell as Herbie.
After a successful West End debut in December 2020 at the Apollo Theatre, selling out two nights to 5-star reviews, Roles We’ll Never Play returns to the West End just in time for theatres opening!
Roles We’ll Never Play will see two star studded casts (a different cast each night) singing songs outside of their casting brackets. Notable performances in the last concert included a show stopping ‘All Male’ version of ‘Ex-Wives’ from Six The Musical and power house leading lady Alice Fearn ending the show with an incredible rendition of Santa Fe from Disneys Newsies. Continue reading “News: Roles We’ll Never Play returns”
Songwriters Anderson & Petty have announced A Christmas Wish, a virtual concert with West End stars from Everybody’s Talking About Jamie, SIX: The Musical, Wicked and more, available to stream at select times from 17 December – 20 December 2020. The concert is hosted by Ben Stock and Hilary O’Neil and is in aid of theatrical charity Acting For Others who provide emotional and financial support to theatre workers in times of need through 14 member charities.
Friday theatre news from the National Theatre, Everybody’s Talking About Jamie and Roles We’ll Never Play
In a canny move, the National Theatre is bringing panto to its main stage as Jude Christian and Cariad Lloyd’s hilarious and heartfelt version ofDick Whittington, first staged at Lyric Hammersmith in 2018 and freshly updated for 2020, will open in the socially distanced Olivier theatre on 11th December.
Directed by Ned Bennett, this wild and inventive production explores what it is like to come from a small town and arrive in a big city today, exploring the ideas of community and togetherness. Initial casting includes Dickie Beau,Amy Booth-Steel,Lawrence Hodgson-Mullings,Georgina Onuorah,and Cleve September.
They have also announced the next show to open as part of the Olivier in-the-round season in February 2021 is Larry Kramer’sThe Normal Heart,ina co-production with Fictionhouse. Directed by Dominic Cooke, Kramer’s largely autobiographical play about the AIDS crisis in 1980 New York has not been performed professionally in London since its European premiere in 1986. Ben Daniels will perform the role of Ned Weeks, the co-founder of an AIDS advocacy group fighting to change the world around him, with Danny Lee Wynter as Tommy Boatwright, Daniel Monks as Mickey Marcus and Stanley Townsend as Ben Weeks. Vicki Mortimeris Set Designer and Paule Constable is Lighting Designer.
Ever behind the curve, I present 10 of my top moments in a theatre over the last ten years (plus a few bonus extra ones because whittling down this list was hard, and it will probably be different tomorrow anyway!)
Extraordinary Public Acts for a National Theatre
The establishment of the Public Acts programme at the National Theatre offered up something sensational in Pericles, an initiative designed to connect grassroot community organisations with major theatres, resulting in a production that swept over 200 non-professional performers onto the stage of the Olivier to create something that moved me more than 99% of professional productions. A truly joyous and momentous occasion.
No word of a lie, my happiest memory from inside a theatre has to be Knights of the Rose. Nothing about the overblown opening night (including real roses on the seat) prepared us for the moment someone broke out into Enrique Iglesias’ ‘Hero’ in what had been heavily trailed as a rock musical. Kudos to the cast for continuing valiantly on, and thanks for the entertainment. Continue reading “10 of my top moments in a theatre in 2018”
42nd Street is signing off at the Theatre Royal Drury Lane in quite some style as a perfectly-cast Bonnie Langford joins the company
“Musical comedy – the most glorious words in the English language”
I liked 42nd Street when I saw it last year but I can’t say that I truly loved it, it felt a 24 carat production of a gold-plate show. But upon revisiting, to celebrate Bonnie Langford’s arrival in the company for its final furlong before closing in the New Year, some kind of magic seems to have happened at the Theatre Royal Drury Lane (or maybe I was just less grumpy tonight!) as it has now matured into something spectacular.
The only major difference is Langford’s presence as Dorothy Brock, but there’s just something about her that shimmers with star quality and it is contagious. So even as she’s trying to dampen it down a bit as this particular fading star, her comic timing makes her scenes crackle with electricity, her singing is on point and she’s just a dream to watch. It’s a perfect role for her – who needs stunt casting when you have the right casting? And as for her surprise appearance in the finale? SWOON!
I also felt Clare Halse has really settled into the role of Peggy Sawyer. It’s a curious role in that she grows to become the leading lady of this musical as the understudy-come-good, but is given precious little time in which to do so and most of that is taken up with dance. Such amazing dance though, she really is effortless in her every graceful move, and she’s acting more through every movement too as her self-belief slowly blooms into the incandescent life of the finale. Continue reading “Re-review: 42nd Street, Theatre Royal Drury Lane”