150 musical performers from across the West End and Broadway have come together to perform a stellar version of “Make Them Here You” from Ragtime in support of Black Lives Matter and the Stopwatch campaign.
Lambert Jackson Productions and the Theatre Café have announced the line-up for the first week of their Leave A Light On series. The series of intimate, piano vocal concerts streamed live from The Theatre Café will feature performances from Blake Patrick Anderson, Aimie Atkinson, Christopher Cameron, Alice Fearn, Victoria Hamilton-Barritt, Evelyn Hoskins, David Hunter, Cassidy Janson, Lucie Jones, Bradley Judge and Harry Cooper-Millar, Emma Kingston, Sarah O’Connor, Steph Parry, Danielle Steers, and Layton Williams.
For a fee of £7.50, significantly less than a ticket to a show, audiences around the country will be able to access a live concert from their favourite West End performer from the best seat in the house – their own home! Continue reading “News: line-up for the first week of Leave A Light On”
If you’re looking for the more social side of things to go along with your theatregoing, then have a look here. Getgo Club is like a book club for theatre. Each month they take members to amazing London theatre & host a pre-show mingle, followed by a post-show discussion. The event is curated and hosted by working artists who will ensure that discussions take place in a safe, fun, & open environment. Members also receive extra goodies such as discounts on tickets & drinks. All for £5!
Getgo Club is a great way to join a community of arts lovers, and head to a variety of theatre as a group. It has and The first meet-up is at the end of February and I hear they have very limited spaces left so why not find out more here or even just apply directly for a membership here. Continue reading “February news round-up”
“Can’t you hear the choir now?
Listen to the animals sing”
Just a quickie for this repeat visit to Bat out of Hell, as the allure of the singalong performance was once again too strong. I don’t know if Tuesday night was the best choice though, as the Dominion Theatre was lacking in bodies and in atmosphere, at least in our part of the stalls, which kind of detracted from the communal spirit which was so enjoyable last time around.
I wonder too if the news of the show’s closure has dampened some of the enthusiasm. As D-day (5th January) draws closer, some of that intensity might return but for me, the performance level was weaker than I’ve previously seen. Rob Fowler and Sharon Sexton carry the show even more now and that means you only feel their absence all the more when they’re not on stage. Nothing really rocks, nothing really rolls…
“You got the kind of lips that do more than drink
You got the kind of mind that does less than think”
Although it might feel like every night is singalong night at some musicals (cough Motown cough), Bat out of Hell have gone the extra step and made one night a month an actual sing-along performance. So if you get down to the Dominion Theatre on these selected dates, then you can live your dream of singing in a West End theatre, just, you know, not on the actual stage…!
If you’re pondering whether this is a good idea, I’ve answered a few questions below.
“I know you’re lookin’ for a ruby in a mountain of rocks
But there ain’t no Coupe de Ville hidin’ at the bottom of a Cracker Jack box”
Never fear – there are screens dotted around the theatre, and above the stage, which show the lyrics. And it’s not every song we’re invited to sing along to, which I was particularly gutted for for “What Part of My Body Hurts the Most”. Seeing the lyrics like this has the additional amusing bonus of showing how batshit crazy some of them are…! Continue reading “Review: A singalong Bat out of Hell, Dominion”
“Some nights you’re like nothing I’ve ever seen before or will again”
I jest of course – there ain’t nothing subtle about Bat Out of Hell, apart from the slight price rises on the merchandise stall. Newly installed at the Dominion Theatre, after runs in Manchester, Toronto and at the Coliseum last year, it has lost little of the bizarre, baffling energy that saw it find a very devoted audience.
And they’ll be pleased that leads Andrew Polec and Christina Bennington return, the new cast members slot in effortlessly, and the inimitable vocal prowess of all is still ear-splittingly breathtaking, under Michael Reed’s musical supervision. Rob Fowler and Sharon Sexton remain the show’s secret weapon, stealing the thunder like a punked-up Jack and Karen. Continue reading “Review: Bat Out of Hell, Dominion”