Christopher Adams and Timothy Allsop’s Open at the VAULT Festival is exactly the kind of fresh, forward-thinking queer theatremaking we need more of
“Do I want my first kiss to be on the District Line?”
A real sense of genuine feeling ripples all the way through Open. Husbands in real life, co-stars on this stage, Christopher Adams and Timothy Allsop’s play explores their nine year relationship and the ways in which it has evolved from meeting on Guardian Soulmates through civil partnership to marriage, accompanied by their decision to be open to sleeping with other men.
Statistics are tossed out – apparently 40% of gay couples are in open relationships – but what makes Open work is the specificity of the story being told here. This is no advertorial for all gay men to sleep around, but rather Chris and Tim’s deeply personal history being laid out, a bracingly frank investigation into the reasons for their choices and exactly how it made them feel. Continue reading “Review: Open, VAULT Festival”
With less than a week to go before the 2019 VAULT Festival opens, I wade my way through the catalogue and come up with 20 shows I think you should catch – in their own words
Now in its seventh year, VAULT Festival returns this year from 23rd January to 17th March with a broad and diverse programme of more than 400 shows in a range of atmospheric venues throughout Waterloo. And as ever, the remit is to be as big and bold as impossible, with the festival featuring theatre, comedy, cabaret, immersive experiences, late night parties, and much more besides.
It can be a little overwhelming to figure out what you want to see, the majority of shows run for a week (Wednesday to Sunday) so you’ll need to move pretty sharpish once you’ve decided – there’s the VAULT Combo deal which saves you money booking more than one show, and some 241 deals available through the Stagedoor app. And to help you, I’ve identified 20 shows (and it could have been so many more!) that appealed to me and asked them to sell themselves in 10 words or less in order to grab your attention. Continue reading “2019 VAULT Festival – 20 shows to see”
Flashes of excellence can be found in the midst of any production so this list celebrates some of those breath-taking and/or memorable moments that really made theatregoing enjoyably fun this year.
For reference, here’s my 2017 list, 2016 list, 2015 list and 2014 list.
Being your hero!
No word of a lie, my happiest memory from inside a theatre has to be Knights of the Rose. Nothing about the overblown opening night (including real roses on the seat) prepared us for the moment someone broke out into Enrique Iglesias’ ‘Hero’ in what had been heavily trailed as a rock musical. Kudos to the cast for continuing valiantly on, and thanks for the entertainment. Continue reading “10 of my top moments in a theatre in 2018”
“I’ve never had a lover die on me before”
Chemsex is one of those subjects that always seems to pop up at festivals and sure enough, in week 1 of the VAULT we find a new play on the very subject by Christopher Adams. But with a sparkingly fresh and darkly witty take and some intelligent and imaginative direction from Matt Steinberg, Tumulus emerges as a cracking piece of theatre, a “chilling queer noir” that entertains as much as it elucidates.
Anthony is well and truly addicted to the chemsex scene in London. He’s holding down his job as an assistant curator at the British Museum just about fine, though that promotion always seems to elude him, as his evenings and weekends are taken up with chasing the next amazing high, the next unmissable party, the next insatiable guy. This high-functioning addict has his certainties shaken though when his one of his latest hook-ups turns up dead on Hampstead Heath. Continue reading “Review: Tumulus, VAULT Festival”
On the one hand, that the Vault Festival has expanded to over 300 shows running over 8 weeks is fantastic news for the emerging theatremakers that it supports. On the other, it means making the choice about what to see, even tackling the catalogue alone can feel somewhat daunting. It has taken me a wee while to get round to delving into it myself, but as the festival is set to open this week, here’s some of my top tips for each week. Continue reading “2018 Vault Festival – what to see”
“I am determined to prove a villain”
It’s nice to see The Faction switching things up a little. Their rep seasons at the New Diorama have considerably brightened up the last few Januaries with Shakespeare, Schiller and more but this year sees them drop the three play model for a single show in Richard III and expand their ensemble to 19 bodies, impressively increasing its diversity in age, colour and gender. The Faction’s playing style is stripped-back and largely prop-free, allowing a focus on physical expression to reinterpret the text.
It’s an approach that is suited to the black box of the New Diorama with its blood-red floor mat, Mark Leipacher’s production making varied and visceral use of bodies to form everything from the tower walls that imprison the young princes to the horse Richard rides into battle. And it’s clear that nothing is accidental here, every choice intelligently considered as seen in the bodies that make up the throne to which Gloucester finally accedes, being those of the four men he has most recently had killed. Continue reading “Review: Richard III, New Diorama”
2016 is nearly upon and for once, I’ve hardly anything booked for the coming year and what I do have tickets for, I’m hardly that inspired by (the Garrick season has been ruined by the awfulness of the rear stalls seats, and I only got Harry Potter and the Cursed Child tickets due to FOMO). Not for the first time, I’m intending to see less theatre next year but I do have my eyes on a good few productions in the West End, fringe and beyond. Continue reading “20 shows to look forward to in 2016”