Review: The Sound of Music Live (The Show Must Go On)

Despite great work from supporting players like Audra McDonald and Laura Benanti, The Sound of Music Live isn’t a great advert for The Show Must Go On

“Many a thing you know you’d like to tell her”

In some ways, turning to the series of live TV musicals to continue The Show Must Go On now that Andrew Lloyd Webber has exhausted the content he is willing to give for free, for weekends at a time. The problem is, its opening salvo – The Sound of Music Live from 2013 – really isn’t a good example of the form. 

Directed by Rob Ashford and Beth McCarthy-Miller, it has all the requisite component parts and as a piece of live entertainment, it is all very competently done. There’s an impressively capacious set, slick camerawork and a well-drilled ensemble who barely put a foot wrong throughout the 2 hours plus of the show. Continue reading “Review: The Sound of Music Live (The Show Must Go On)”

Lockdown Review: Take Me to the World: A Sondheim 90th Birthday Celebration

On the one hand, so much to love with such an inordinate array of talent assembled to mark Sondheim’s 90th birthday. But on the other, where’s the editor, there’s a real sense of the rambling here too. Fortunately as this has been put together in lockdown (and very well too) it is easier than ever to skip to the bits you want (in the spirit of these times, I ain’t telling you who disappointed me).

For me, I loved the unexpectedness of Katrina Lenk’ ‘Johanna’, the cuteness of Beanie Feldstein & Ben Platt’s ‘It Takes Two’, and the energy of Alexander Gemignani’s ‘Buddy’s Blues’. And of the heavy hitters in the finale, Donna Murphy and Patti LuPone nailed ‘Send in the Clowns’ and ‘Anyone Can Whistle’ respectively, and there’s huge fun (if not finesse) in Christine Baranski, Meryl Streep & Audra McDonald giving us their ‘Ladies Who Lunch’. Continue reading “Lockdown Review: Take Me to the World: A Sondheim 90th Birthday Celebration”

Album Reviews: Over the Moon: The Broadway Lullaby Project / Mamma Mia / Il Divo – A Musical Affair

This trio of album reviews covers Over the Moon: The Broadway Lullaby Project, Mamma Mia! The Movie Soundtrack and Il Divo – A Musical Affair

“You know I’ve got
So much that I wanna do”

Over the Moon: The Broadway Lullaby Project has an amazing list of performers, composers, and musicians behind it, all coming together to create a 2-CD set and 48-page children’s book to benefit breast cancer research, support and education. And rather wonderfully, it is an utterly gorgeous record. Brilliant jazz musicians accompany writers like Michael John LaChiusa, Adam Gwon and Kristen Anderson-Lopez & Robert Lopez in indulging their gentler side to create the prettiest tunes. And then a cast of dreams sing them – just listen to Raúl Esparza’s aching tenderness on ‘This Little World’, or Donna Murphy’s crystal clear ‘Lucky’ (by Stephen  Schwartz) – we should all be so lucky to be lulled to sleep this way. Continue reading “Album Reviews: Over the Moon: The Broadway Lullaby Project / Mamma Mia / Il Divo – A Musical Affair”

TV Review: The Good Fight Series 1

“In my experience, whenever somebody says ‘the truth is’ that usually means it’s not”

Lots to love in The Good Fight, not least its very existence as a female-led, POC-heavy US drama, unafraid to tackle the most modern of issues, as its parent show The Good Wife did in its prime. And over the 10 episodes of its first season, it has proved an engaging and entertaining watch in the midst of finding its feet about the kind of show it actually wants to be. (You can read my thoughts about Episodes 1 and 2 here).

The Good Fight tried to achieve a lot – establishing a large new ensemble, delivering enough storyline for three lead characters, paying adequate but not overbearing fan service to Good Wife devotees, and coming up with up-to-the-minute cases-of-the week. And I think we can say it did most this fairly successfully. Christine Baranski’s Diane Lockhart and her statement necklaces remaining a shining beacon of light in our cold, dark world. Continue reading “TV Review: The Good Fight Series 1”

Album Review: Scott Alan – What I Wanna Be When I Grow Up

“Not quite ready to grieve”

I looked at Scott Alan’s live album last week and this week it is the turn of 2010’s What I Wanna Be When I Grow Up. His third album, it follows the similar path of collating songs around a common theme but still showcasing a wide range of musical influences from Alan, and showing off the extent of his address book in calling in some of Broadway’s brightest lights to help him out. It’s a nice collection but one which never really kicks fully into gear for me. 

The relaxed radio-friendly emotion of Laura Osnes’ ‘Easy’ and ‘Warm’ by Zak Resnick & Morgan James and the chirpy, almost girl-group pop of Nikki Renee Daniels’ ‘Love, Love, Love’ show Alan’s undoubted skill with a well-honed melody and capturing contemporary pop sensibilities. His favoured style of writing is clearly stonking empowerment anthems of which there are plenty here – ‘Watch Me Soar’ by Willemijn Verkaik and ‘I Wish’ by Diana DeGarmo probably rank as the two strongest. Continue reading “Album Review: Scott Alan – What I Wanna Be When I Grow Up”

Album Review: Scott Alan Live

“And there it is…”

For a composer who hasn’t had a major show on over here, Scott Alan inspires an amazing amount of evangelical joy from his fans. This has come from a series of albums and concerts in which his songwriting has been showcased by a wide-ranging collection of Broadway and West End stars, culminating in a rapturously received residency at the St James Theatre a couple of months ago. I like his work, having previously reviewed a couple of his albums, but I haven’t been as ecstatic as some about it so I thought I’d go back to the ones I hadn’t listened to. 

His double album Live offers reworkings of many of his songs and mixes things up further by retaining many of his frequent collaborators but letting them loose on different songs, even switching up genders on some of them. It’s a great move – Natalie Weiss smashes the joyful ‘I’m A Star’, Laura Osnes wraps her delicate voice beautifully around ‘Now’ and Jeremy Jordan is charming as ever on ‘Please Don’t Let Me Go’ and that’s all in the opening five songs. The slightly indulgent length of the album means we don’t always maintain such intense quality over both discs plus bonus tracks.

Continue reading “Album Review: Scott Alan Live”

Nominations for the 2013 Drama Desk Awards

Outstanding Play
Annie Baker, The Flick
Christopher Durang, Vanya and Sonia and Masha and Spike
Joe Gilford, Finks
Richard Greenberg, The Assembled Parties
Amy Herzog, Belleville
Deanna Jent, Falling
Richard Nelson, Sorry

Outstanding Musical
A Christmas Story: The Musical
Giant
Hands on a Hardbody
Here Lies Love
Matilda
Natasha, Pierre & The Great Comet of 1812
The Other Josh Cohen
Continue reading “Nominations for the 2013 Drama Desk Awards”

64th Tony Award nominations

Best Performance by a Leading Actor in a Play 
Jude Law – Hamlet as Hamlet
Alfred Molina – Red as Mark Rothko
Liev Schreiber – A View from the Bridge as Eddie Carbone
Christopher Walken – A Behanding in Spokane as Carmichael
Denzel Washington – Fences as Troy Maxson

Best Performance by a Leading Actress in a Play
Viola Davis – Fences as Rose Maxson
Valerie Harper – Looped as Tallulah Bankhead
Linda Lavin – Collected Stories as Ruth Steiner
Laura Linney – Time Stands Still as Sarah Goodwin
Jan Maxwell – The Royal Family as Julie Cavendish

Best Performance by a Leading Actor in a Musical 
Kelsey Grammer – La Cage aux Folles as Georges
Douglas Hodge – La Cage aux Folles as Albin
Sean Hayes – Promises, Promises as Chuck Baxter
Chad Kimball – Memphis as Huey Calhoun
Sahr Ngaujah – Fela! as Fela Kuti Continue reading “64th Tony Award nominations”