Dana Al Fardan, one of the Middle East’s leading contemporary composers, and West End star Nadim Naaman today announce that their second major stage musical, Rumi: The Musical will get its world premiere as a semi-staged concert at the London Coliseum on November 23rd & 24th 2021.
Rumi, based on a story about the 13th century philosopher and poet Rumi by Evren Sharma, follows Al Fardan and Naaman’s 2018 debut Broken Wings, which premiered in the West End at the Theatre Royal Haymarket before touring the Middle East.
Led by Ramin Karimloo (as Shams Tabrizi) and Nadim Naaman (Rumi), Casey Al-Shaqsy (Kimya), Soophia Foroughi (Kara), the London Coliseum cast will comprise entirely of performers of Middle Eastern, North African and South Asian heritage, and will also feature a 25+ piece orchestra, conducted by Joe Davison.
Tickets will go on sale on Tuesday 14 September via the London Coliseum website Continue reading “Some September casting news”
La. It’s A Sin is a triumphant piece of television written by Russell T Davies, a crucial if challenging watch about how HIV/AIDS cut through the gay community in 1980s London
“We’ve got this great big killer disease and it’s happening in silence”
On the face of it, a five-parter on the AIDS crisis in 1980s London isn’t what you’d necessarily pick to schedule in the depths of a Covid-blighted January. But Russell T Davies and Channel 4 have absolutely hit the mark with It’s A Sin, Dipping every couple of years into the lives of a group of friends who find each other in London’s queer corners, this journey from 1981 to 1991 takes place under the ever-growing and ever-threatening shadow of HIV/AIDS.
It’s the kind of script where you can feel that every word has been intimately felt, with characters based on Davies’ own life, At the heart of it lies Olly Alexander’s Ritchie, an 18 year old would-be law student just waiting to explode out of the closet from his Isle of Wight homelife. It being the 80s, he soon finds himself in a chaotic but fab houseshare in which a new queer family develops – Roscoe (Omari Douglas) escaping his Nigerian family’s plan to straighten him out, the dreamy Ash (Nathaniel Curtis) with his douching advice, quiet Welsh boy Colin (a superb Callum Scott Howells) and Jill (an equally excellent Lydia West) who tempts him over onto the drama course and establishes one of the key relationships of the show (reflecting one of Davies’ own and in a neat touch, the real Jill appears as the fictional Jill’s mum). Continue reading “TV Review: It’s A Sin”
“Please don’t google that”
Trapped inside a hospital waiting room that doesn’t even have a television in it – only a pile of battered games like Uno and Monopoly – Boyd and Jenny anxiously wait for news of his father. A veteran of Afghanistan, his son angrily tells us he’s a Crystal Palace man, the kind of man who never gets ill, but a severe seizure doesn’t lie and as Henry, his doctor, arrives to take a medical history, it becomes clear that this is a household where the health of both the body and the mind has been neglected.
For it emerges that Boyd’s dad has prostate cancer and so James Hartnell’s Beetles From The West deals with the shattering news that a diagnosis can have on those around the patient. And at its elegiac best, the play delves into the memories of all three characters and dredges up their own experiences with their fathers, reflecting on how that has shaped who they are today. Ed Locke’s striking lighting design pulls us out of Kitty Hinchcliffe’s institutional design with poetic power for these sequences and they’re very well done. Continue reading “Review: Beetles From The West, Hope Theatre”