Don't bother, they're here
For the first time in its history, a Royal Shakespeare Company production – The Winter’s Tale, directed by Erica Whyman – gets its world premiere on BBC television.
Continue reading “News: BBC lights up the culture world with Lights Up”
In this ‘special circumstances’ year, the Offies 2021 Awards Ceremony celebrated the creativity and resilience of artists in fringe, alternative and independent theatre in a time of crisis who have found new ways to produce fresh and inventive work for thousands of stay-at-home audiences.
The Offies are OffWestEnd’s main awards, for shows with at least 10 performances, and awards were given to the best of the shows presented before lockdown and the few who managed to go ahead in the summer
months.
The OnComm is the new award for online shows from across the UK (and beyond) and was introduced in May 2020. Additionally, the winner of the OffFest award for theatre shows in festivals was also announced, alongside extra OneOff awards for innovative work and initiatives in 2020, especially in the light of the Covid lockdown. Continue reading “2021 Offie & ONCOMM Award Winners”
1. Recording pre-lockdown (direct)
(i.e. with little or no editing)
Going Viral / Daniel Bye
Hysteria / Spymonkey
Jane Clegg / Finborough Theatre
The House Of Bernarda Alba / Graeae
2. Recording pre-lockdown (edited)
(i.e. with significant editing)
Bubble / Theatre Uncut
Cyprus Avenue / Royal Court & Abbey Theatre
SeaWall / Simon Stephens
The Encounter / Complicité Continue reading “The finalists of The ONCOMMs 2021”
“The gods should protect me”
15 Heroines comes to us in collaboration between the Jermyn Street Theatre and Digital Theatre as fifteen female and non-binary playwrights tackle Ovid’s Heroides, giving voice to the women of classical mythology anew. Split into three groups of five 15-minute monologues – The Labyrinth, The War, The Desert – this is a major theatrical enterprise that offers startlingly fresh perspective on these tales of old and serves as a reminder, as if it were needed, that men are trash.
Or more specifically, the men that we often describe as heros have serious issues when it comes to the women in their lives. There may be some excuse for the women left behind by The Trojan War – Sophia Eleni’s Love Island-esque but still sweet Laodamia is the wife of the first soldier killed as explored by Charlotte Jones – but more often than not it is just men being (fuck)boys. Lettie Precious delves beautifully into Oenone’s feelings about being abandoned by Paris for Helen, Ann Ogbomo’s righteous fury scalds the screen. Continue reading “Review: 15 Heroines”
“The gods should protect me”
Read my overview of 15 Heroines here
Five women deserted – with stories to tell
⭐️Deianaria: The Striker by April De Angelis, starring Indra Ové
⭐️Dido: The Choice by Stella Duffy, starring Rosalind Eleazar
⭐️Canace: A Good Story by Isley Lynn, starring Eleanor Tomlinson
⭐️Hypermestra: Girl On Fire by Chinonyerem Odimba, starring Nicholle Cherrie
⭐️Sappho: I See You Now by Lorna French, starring Martina Laird
Jermyn Street Theatre are thinking big once again, as their previously announced 15 Heroines project, in collaboration with Digital Theatre, reveals a titanic cast of actors to join the 15 female and non-binary playwrights commissioned to retell the stories of the women of classical myth. And not just that, Adjoa Andoh will be co-directing alongside Tom Littler and Cat Robey. Hook. Me. Up!
Full casting comprises Gemma Whelan, Jemima Rooper, Ann Ogbomo, Rebekah Murrell and Sophia Eleni in The War
Indra Ové, Rosalind Eleazar, Nicholle Cherrie, Eleanor Tomlinson and Martina Laird in The Desert and
Olivia Williams, Nadine Marshall, Doña Croll, Nathalie Armin and Patsy Ferran in The Labyrinth. Continue reading “News: Jermyn Street Theatre’s 15 Heroines announces a truly heroic cast”
Jermyn Street Theatre has joined forces with leading internet theatre platform Digital Theatre for a major new online project to be produced this autumn.
15 Heroines sees fifteen female and non-binary playwrights re-telling the stories of the women of classical myth. Inspired by Ovid’s The Heroines (Heroides), a collection of fifteen fictional letters written in the first century BCE, the project is produced and directed by Jermyn Street Theatre’s Artistic Director Tom Littler. The writers comprise April De Angelis, Stella Duffy, Samantha Ellis, Lorna French, Juliet Gilkes Romero, Natalie Haynes, Charlotte Jones, Hannah Khalil, Bryony Lavery, Isley Lynn, Lettie Precious, Sabrina Mahfouz, Chinonyerem Odimba, Timberlake Wertenbaker and Abi Zakarian. Continue reading “News: Jermyn Street Theatre and Digital Theatre join forces for 15 Heroines”
The inaugural Women’s Prize for Playwriting has announced the 35 shortlisted scripts that will compete for its £12,000 prize. The prize is run by Ellie Keel Productions and Paines Plough, with production company 45North in association with Sonia Friedman Productions.
It was launched last year, to celebrate UK and Ireland-based writers who identify as female. The winning playwright will receive £12,000 in respect of an exclusive option for the lead producers – EKP and Paines Plough – to coproduce their play and the work will also be published by Samuel French. Continue reading “News: Women’s Prize for Playwriting shortlist announced”
In an attic apartment in Kraków, Poland pretending that I was excited about beginning my studies in Russian Literature and that I was over theatre (I love Russian literature, just not studying it). I dropped out 2 months in.
Continue reading “10 questions for 10 years – Nastazja Somers”
“This is the bit of the job I love. Loved. The human-contact bit, the breaking-the-ice bit. The breaking-into-a-smile bit”
Clean Break have often come to the Soho Theatre to showcase their work in London (the Charged season a great example) and so it’s little surprise to see them return with Joanne, five mini-plays weaving around the titular character, a woman struggling with life we never meet but whose presence is fiercely felt. All five monologues are performed by the one actor, the excellent Tanya Moodie, and detail the experience of people working in the system that is failing Joanne.
So Chino Odimba’s Stella sees the social worker made redundant, celebrating at her leaving do rather than thinking of the girl she met on release from prison that morning. Ursula Rani Sarma and Deborah Bruce introduce respectively a police officer and an A&E receptionist who despite their kind-hearted intentions, can’t quite manage to give Joanne the help they know she so desperately needs, their frustrations at an overworked system most palpable. Continue reading “Review: Joanne, Soho Theatre”